Disney XD Freestyle Football:
The entertainment industry will create the most invasive and damaging to prospect and capture the spontaneity: the blurring of boundaries between public and private
"There are maps´to anywhere: chromosomes, galaxies, the brain, the cell, the spaces between atoms, cracks in the double helix, the edges of time. If maps invitations travels, these new maps inspire journeys of an altogether different, more associative sort. At the same time, they still connect to our traditional geographies, and are potential destinations of the orientating process; They lend themselves to a form of bushwhacking that is more interior, philosophic, imaginative" " (HALL, Stephen. "I, Mercator, IN: HARMON, Catherine. You Are Here: Personal Geographies and Other Maps of the Imagination. New York: Princeton Architectural Press, 2004, p. 17.)
"(...) Is the principle that leads the child to invest a lot of passion in a situation driven by impersonal rules and consider the expression in this situation as a matter of redoing and refine these rules to give pleasure and promote a greater sociability with other "(Sennett, Richard. The Decline of Public Man, S. Paulo: Companhia das Letras, 1988, p. 384.)
"Mr. Griffith, by contrast, asked me if I had ever felt in life fear or fright. Yes, I said. 'What did you do then,' asked me to follow. 'I started laughing,' I replied. He knew immediately what it was (...) I believe the hysterical laughter was far more expressive than the eyes or turning back the tears. "(Quoted by PROKOP, Dieter." The Working with Stereotypes: the films of DW Griffith "In: MARCONDES SON (ed.) Dieter Prokop. Colection Greats Social Scientists, New York: Attica, p.64.)
"The result was to transform society into a gigantic Heisenberg effect, in which the media were not reporting what people did, he was reporting what people did to get media attention. In other words, as the life was being lived increasingly to the media, this was increasingly covering itself and its impact on life "(Gable, Neal. Life, the Movie. São Paulo: Companhia das Letters, 1999, p. 97).
Related Posts:
"Fascinating is a certain carefree independence in certain representations and actions of men and women singers of hits: a sincere pleasure to represent, a firmness, a contentment with himself, a failure, acts of self-representation demonstrated unwavering narcissistic in a way that arouses admiration and envy (PROKOP, Dieter. Dieter Prokop, Large Collection Social Scientists, New York: Attica, 1987, p. 150).
Max: why not study?
Sam: I had no money ... and it seems that was not very smart
Max: I did not study too ... could not afford
Sam: How is that done to be so smart?
Max: say thanks to my charm ... is something you have
Sam: charm?
Max: charm, personality
Sam: in this case could spark a television program?
Max: Why not? It is even famous!
Sam: yes, but famous in the wrong direction
Max: It does not matter in television. They know who he is.
As in the past where the start of modern advertising originated in the effort to disconnect the reason for the purchase of the product of its usefulness (obliterate the value in use, making the consumer buy the product for its uselessness), now the Advertising must give a new qualitative leap: paradoxically make the product disappear in the ad, making it much less something to be acquired than to be experienced as an event, journey, discovery and personal renewal.The Advertising must give a new qualitative leap: paradoxically make the product disappear in the ad, making it much less something to be acquired than to be experienced as an event, journey, discovery and personal renewal.
Este humilde blogueiro participou da edição de número seis do programa “Poros da Comunicação” no canal do YouTube TV FAPCOM, cujo tema foi “Tecnologia e o Sagrado: um novo obscurantismo? |
Esse humilde blogueiro participou da 9a. Fatecnologia na Faculdade de Tecnologia de São Caetano do Sul (SP) em 11/05 onde discutiu os seguintes temas: cinema gnóstico; Gnosticismo nas ciências e nos jogos digitais; As mito-narrativas gnósticas e as transformações da Jornada do Herói nas HQs e no Cinema; As semióticas das narrativas como ferramentas de produção de roteiros. |
Após cinco temporadas, a premiada série televisiva de dramas, crimes e thriller “Breaking Bad” (2008-2013) ingressou na lista de filmes d...
No Oitavo Aniversário o Cinegnose atualiza lista com 101 filmes: CosmoGnósticos, PsicoGnósticos, TecnoGnósticos, AstroGnósticos e CronoGnósticos. |
Esse humilde blogueiro participou do Hangout Gnóstico da Sociedade Gnóstica Internacional de Curitiba (PR) em 03/03 desse ano onde pude descrever a trajetória do blog "Cinema Secreto: Cinegnose" e a sua contribuição no campo da pesquisa das conexões entre Cinema e Gnosticismo. |
"Cinegnose" Neste trabalho analiso a produção cinematográfica norte-americana (1995 a 2005) onde é marcante a recorrência de elementos temáticos inspirados nas narrativas míticas do Gnosticismo. >>> Leia mais>>>
"O Caos Semiótico" Composto por seis capítulos, o livro é estruturado em duas partes distintas: a primeira parte a “Psicanálise da Comunicação” e, a segunda, “Da Semiótica ao Pós-Moderno >>>>> Leia mais>>> |