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text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjIJoVUane-EeG-tDpGXNJlZ4_yk1SD8QBVvqINxuMnCvk5eMeydQ9IKPT6v5FpIDD9utSx8LPZEdg6k13aFPxGxB76sWjhLJA1BAX8K0p_XqikZBt5s0d623ooKe4UAb9kF6VyZ8bMiYjIC16ApO7PLAsRppSbJjhkE8DFwPlUyK94CZY_EmPFPhn8TJc\/s960\/Chaves.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"540\" data-original-width=\"960\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjIJoVUane-EeG-tDpGXNJlZ4_yk1SD8QBVvqINxuMnCvk5eMeydQ9IKPT6v5FpIDD9utSx8LPZEdg6k13aFPxGxB76sWjhLJA1BAX8K0p_XqikZBt5s0d623ooKe4UAb9kF6VyZ8bMiYjIC16ApO7PLAsRppSbJjhkE8DFwPlUyK94CZY_EmPFPhn8TJc\/w640-h360\/Chaves.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cdiv style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: left;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EEstá fazendo 40 anos da estreia da série mexicana “Chaves” (El Chavo Del Ocho) aqui no Brasil Criado por Roberto Gómez Bolaños, falecido em 2014, era apelidado de Chespirito - “Pequeno Shakespeare”. Mas ele sempre esteve muito mais próximo de Stephen King e do escritor francês Camus. Se King dizia que o inferno era a repetição e Camus via no homem moderno atualização do\u0026nbsp;mito de Sísifo, Bolaños vai mixar esses insights em uma pequena vila de pobres e remediados em algum lugar no Distrito Federal do México. Uma galeria de personagens que parecem condenados a repetir seus pecados na eternidade, assim como Sísifo rolava uma pedra montanha acima numa tragédia sem fim. Mas se fosse apenas isso, “Chaves” não seria tão cultuado por tantas gerações. Há algo mais: se por um lado a série revela um sentido auto moralizante onde cada personagem repete \"ad aeternum\" seus pecados mortais, do outro ninguém demonstra o menor respeito pela Ordem, seja a de Deus ou a do Diabo. A receita de um cult: a ambígua da mistura da culpa com a fúria.\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EFoi durante mais uma reprise de um episódio da série\u0026nbsp;\u003Ci\u003EChaves em novembro de 2014\u003C\/i\u003E\u0026nbsp;no SBT que foi anunciada a morte do ator Roberto Gómez Bolaños, criador e protagonista da série humorística mexicana. De tanto a emissora de Silvio Santos reprisar e explorar a série como uma espécie de tapa-buracos na\u0026nbsp;\u0026nbsp;programação por décadas, era estatisticamente provável que a morte de seu criador fosse anunciada no meio de mais um episódio.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EPelo menos três gerações se divertiram com uma produção dos anos 1970 da Televisa com explícita falta de recurso e com um humor hoje considerado politicamente incorreto – por exemplo, professor Girafales fumava charuto em uma sala de aula de crianças e os personagens da pequena vila se esbofeteavam com tal frequência que um dos episódios chegou a ter a exibição vetada.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp; \u0026nbsp; \u0026nbsp;Ator, escritor, diretor e roteirista Bolaños era apelidado de “Chespirito” ou “Pequeno Shakespeare”. Mas as aventuras e desventuras daquela pequena vila da série\u0026nbsp;\u003Ci\u003EChaves\u0026nbsp;\u003C\/i\u003E(\u003Ci\u003EEl Chavo Del Ocho,\u0026nbsp;\u003C\/i\u003E1972-92), localizada em algum lugar do Distrito Federal do México, parecem muito mais com uma versão latina da interpretação que o escritor francês Camus fez do mito grego de Sísifo. Assim como o personagem condenado\u0026nbsp;a repetir sempre a mesma tarefa de empurrar uma pedra até o topo de uma montanha, para rolar abaixo e recomeçar tudo do zero, Chespirito criou uma visão do cotidiano de personagens que parecem estar também condenados ao tormento do eterno retorno.\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cspan style=\"line-height: 19.0667px;\"\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgLB_lHcH0W0EgExVtwazxppXfVI31dFHGBawW6neKEgjc4ajq_UjU0vgpoQ9K1T1SuaZ48A2dkE1NornlR5yOvJuaFpdqi3O9c_BNbx-0rDUB31L8BldmAgfrD_sgq7DMDO9iKuMZGBBd-mO9XJ9zGJUmKokX4ydlzV6dPEBjpU3IzIypi2xMVGeU-NBQ\/s1086\/chaves-divulgacao.jpeg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"652\" data-original-width=\"1086\" height=\"384\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgLB_lHcH0W0EgExVtwazxppXfVI31dFHGBawW6neKEgjc4ajq_UjU0vgpoQ9K1T1SuaZ48A2dkE1NornlR5yOvJuaFpdqi3O9c_BNbx-0rDUB31L8BldmAgfrD_sgq7DMDO9iKuMZGBBd-mO9XJ9zGJUmKokX4ydlzV6dPEBjpU3IzIypi2xMVGeU-NBQ\/w640-h384\/chaves-divulgacao.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: Roboto; font-size: 14.6667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Ci\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EChaves\u003C\/span\u003E\u003C\/i\u003E\u003C\/b\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;é um microcosmo do Inferno?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EComo bem observou Ademir Luiz em\u0026nbsp;\u003Ci\u003E\u003Ca href=\"about:\/\/\" style=\"color: purple;\"\u003EPecados, Demônios e Tentações em Chaves\u003C\/a\u003E\u003C\/i\u003E, Bolaños teria criado uma sutil representação do inferno onde cada um dos personagens estaria condenado a repetir na eternidade seus pecados em um ambiente claustrofóbico. Em\u0026nbsp;\u003Ci\u003EChaves\u003C\/i\u003E\u0026nbsp;o inferno não é o outro, mas a repetição, como diria o mestre do horror Stephen King.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EMas ao mesmo tempo,\u0026nbsp;\u003Ci\u003EChaves\u003C\/i\u003E\u0026nbsp;se filia a um tipo de humor esquecido pelas décadas posteriores: o\u0026nbsp;\u003Ci\u003Enon sense\u003C\/i\u003E\u0026nbsp;e o humor negro pelos perdedores e inadaptados ao sistema social, a metéria-prima do chamado “cinema\u0026nbsp;\u003Ci\u003Eslapstick\u003C\/i\u003E” da década de 1920 dos EUA. Não é à toa que Bolaños começou com pequenos esquetes com paródias de Chaplin e O Gordo e o Magro em\u0026nbsp;\u003Ci\u003ELos Supergenios de la Mesa Cuadrada\u003C\/i\u003E\u0026nbsp;(1968-70).\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EEssencialmente é um tipo de humor anárquico onde nada fica de pé: a autoridade, espaços, papéis e a própria linguagem são subvertidos para tudo terminar em guerra de tortas jogadas na cara uns dos outros. No caso de Chaves, tudo terminava em tabefes, pauladas, escorregões e grandes acidentes.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp; \u0026nbsp; \u0026nbsp;Se tudo isso for verdade, teríamos em Chaves a principal qualidade que o fez se tornar um programa de TV cultuado por gerações: a ambiguidade – se por um lado a série revela um sentido auto moralizante onde cada personagem repete\u0026nbsp;\u003Ci\u003Ead aeternum\u003C\/i\u003E\u0026nbsp;seus pecados capitais, do outro ninguém demonstra o menor respeito pela Ordem, seja de Deus ou do Diabo: invariavelmente quando o Seu Barriga vem cobrar os aluguéis ele é atingido por alguma coisa. Ou quando Dona Florinda diz que somente com estudo poderão ficar igual ao seu amado, o Professor Girafales, as crianças imediatamente fecham os livros que estavam lendo.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EFenômeno cult, a ambiguidade é que faz os espectadores experimentarem o estranhamento de ao mesmo tempo terem a sensação de estar assistindo a um programa de humor aparentemente tosco, leve e ingênuo, mas também a suspeita de que poderia haver algum sentido ou simbolismo mais profundo ou até mesmo subliminar.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhK-qu2qRRd1Vbqxm9r2xFDW_M4IaTa2o1u5BylDwR9Zr_5AQqT5ZD4GVrLZA5pRE-HoREksCDdMSiHVvm0YusiqbuJrvZ-7C6VU5vZqCF2j6odcimW2VykwRvF_HpjcbHPrBxMq2za37dPXjVthvqZUgQ4cOUzXHscAo_2aSYWQVCq3XGVHy4iJU7qZNs\/s1800\/Sem-titulo-27.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1009\" data-original-width=\"1800\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhK-qu2qRRd1Vbqxm9r2xFDW_M4IaTa2o1u5BylDwR9Zr_5AQqT5ZD4GVrLZA5pRE-HoREksCDdMSiHVvm0YusiqbuJrvZ-7C6VU5vZqCF2j6odcimW2VykwRvF_HpjcbHPrBxMq2za37dPXjVthvqZUgQ4cOUzXHscAo_2aSYWQVCq3XGVHy4iJU7qZNs\/w640-h360\/Sem-titulo-27.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"line-height: 19.0667px;\"\u003E\u003Cdiv style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 14.6667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003ENão é também à toa que por isso\u0026nbsp;\u003Ci\u003EChaves\u003C\/i\u003E\u0026nbsp;acabou proporcionando uma série de lendas urbanas como, por exemplo, os supostos simbolismos subliminares iluminatis, nazistas ou antissionistas inseridos em cenários e linhas de diálogo ou interpretações de que na verdade Dona Florinda, Seu Madruga, Chaves etc. já estariam mortos e a vila seria um pequeno purgatório onde viveriam o inferno da repetição.\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EMoralização e anarquia, culpa e fúria parecem ser os polos contraditórios que levaram a série Chaves a essa condição atemporal e universal. Vamos aprofundar cada um deles.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003ECulpa: os pecados capitais\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;Chaves é o moleque que está sempre faminto. Sua preferência pelo sanduíche de presunto lida com esse simbolismo do porco do excesso\/opulência e sujeira\/teimosia. Os partidários da tese de que a vila é um purgatório pós vida argumentam que Chaves foi glutão, e agora é condenado à fome.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003ESeu Madruga seria consumido pela preguiça. Notório pelo trabalho que tem em continuar sem trabalhar e fugir constantemente das cobranças de aluguel do Seu Barriga. “Não existe trabalho ruim. Ruim é ter que trabalhar”, diz melancolicamente. Mas ao mesmo tempo tem arroubos moralizantes como “A virtude do bem viver está nos princípios morais”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EA ganância em cobrir diariamente o aluguel mensal está evidente no Seu Barriga. Sempre vítima dos golpes de Chaves, armadilhas, acidentes e desventuras todas as vezes em que se atreve a entrar na vila com sua indefectível pasta de documentos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EJá o núcleo formado por Quico, Dona Florinda e Professor Girafales estão dominados pelos pecados da luxúria, inveja e orgulho. Representantes de uma classe média que não quer se confundir com os pobres (seja pela cultura livresca ou pela posse de mercadorias), Quico acalenta o orgulho (ele tem os melhores brinquedos para não se confundir com a “gentalha”), mas em muitos momentos inveja os pobres vizinhos que conseguem ser feliz com seus surrados brinquedos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgyOGtkiRkx9IC3vfW1ijyV60QKiOKQHmRPeXt83Qo0YQffLVJ0fwe_OgXW-260P8sakNot3vFmAtjo3-lV1F-Zx5cBmcsVm9Pl14hIhIIcb_ybxnMIxeBUG54VvsTl9Cs4BQLLPXZ88G84xEVsMwNXvHcxPf-9huGcWHeQFB47oafEuB5hvgcuZNNloiM\/s1100\/dona-florinda-professor-girafales.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"650\" data-original-width=\"1100\" height=\"378\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgyOGtkiRkx9IC3vfW1ijyV60QKiOKQHmRPeXt83Qo0YQffLVJ0fwe_OgXW-260P8sakNot3vFmAtjo3-lV1F-Zx5cBmcsVm9Pl14hIhIIcb_ybxnMIxeBUG54VvsTl9Cs4BQLLPXZ88G84xEVsMwNXvHcxPf-9huGcWHeQFB47oafEuB5hvgcuZNNloiM\/w640-h378\/dona-florinda-professor-girafales.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"line-height: 19.0667px;\"\u003E\u003Cdiv style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 14.6667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EEnquanto isso, Professor Girafales e Dona Florinda se consomem no desejo nunca satisfeito. Os teóricos do purgatório falam que eles teriam sido libertinos em vida, e agora são condenados à abstinência sexual por toda eternidade: seus encontros nunca se consumam. E para piorar tomam infindáveis xícaras de café, um estimulante que aguça ainda mais o sofrimento da mente que arde de desejo e o corpo que não quer acompanhar.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EA vaidade é o pecado do qual padece a Dona Clotilde, a “bruxa do 71”, cujo gato de estimação chamava-se “Satanás” (visto somente em um dos devaneios delirantes de Chaves), para fazer a delícia dos teóricos da conspiração. Personagem ironicamente feito por uma ex-miss, a espanhola Angelina Férnandez, com sua peruca azul e vestido longo.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EEnquanto isso, Chiquinha padece da ira com seus chiliques e choros compulsivos ao ter consciência da sua impotência. Intolerante e raivosa, atropela pés e brinquedos com seu triciclo: uma alma de pit bull encerrada eternamente em um corpo franzino de criança como punição purgatorial.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EFúria: a linguagem da desordem\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; Há em\u0026nbsp;\u003Ci\u003EChaves\u003C\/i\u003E\u0026nbsp;uma ordem social marcada por ódios, perfídias, ressentimentos, orgulhos e desdém que circula de um personagem para outro. São como espelhos que refletem o que cada um não quer ser, mas que, no entanto, são: pobres, incultos e com poucas possibilidades de reverter o destino. Os adultos têm condutas pré-fixadas em estereótipos sociais: a autoritária dona de casa, a velha fofoqueira, o professor vaidoso, o bêbado preguiçoso etc.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgZnI4VWuQgYcaVqCRjMfYxXaWliz95Mj-hUfFyBwQsIihfvm71uPJyjKlRHY2_ol9WuYY_nmcgZ431kvey-MCUpqkGUG5SagwyIhmIt-yfVL1CCYeykKnzXvdX4_pq5Rlh8L6vFzW6ai-B0fbjSE_mzUSnwWq2VxCpLSnnFn9E-pdxifKELBYS0s_Dzyo\/s700\/35488734.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"466\" data-original-width=\"700\" height=\"426\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgZnI4VWuQgYcaVqCRjMfYxXaWliz95Mj-hUfFyBwQsIihfvm71uPJyjKlRHY2_ol9WuYY_nmcgZ431kvey-MCUpqkGUG5SagwyIhmIt-yfVL1CCYeykKnzXvdX4_pq5Rlh8L6vFzW6ai-B0fbjSE_mzUSnwWq2VxCpLSnnFn9E-pdxifKELBYS0s_Dzyo\/w640-h426\/35488734.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"line-height: 19.0667px;\"\u003E\u003Cdiv style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 14.6667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EChaves é o personagem que quebra essa continuidade de condutas pré-fixadas, provocando desordem nessa monstruosa cadeia de heranças. Como ele faz isso? Ele não é um menino rebelde, nem ressentido e tampouco um idiota (embora muitas vezes pareça). A desordem que Chaves detona é sutil, através da linguagem.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EChaves lê mal e sempre tem problemas com seus livros de História e contos. Isso porque ele tem uma compreensão literal das palavras, provocando uma interrupção nos discursos dos outros, obrigando-os a recomeçar. Chaves desarma qualquer tentativa de racionalidade que encontra pela frente.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EPor exemplo, durante uma aula de História o Professor Girafales pergunta a Chaves o que os Astecas tiveram que fazer após os espanhóis se apropriarem de suas terras. Com entusiasmo, Chaves pega seu livro e lê: “Tiveram que pegar bruto!”. Surpreendido e furioso, Girafales corrige soletrando as palavras: “Tiveram que pagar\u0026nbsp;\u003Cb\u003Etri-bu-to\u003C\/b\u003E”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EOs trocadilhos involuntários feitos a partir da compreensão literal da linguagem faz Chaves involuntariamente (ou “sem querer querendo”, como dizia, como fosse um chiste freudiano) desmascarar o caráter arbitrário das palavras.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EChaves tinha a habilidade involuntária de sempre colocar em suspenso o sentido da comunicação, criando situações de onde só se pode fugir por meio de gritos, cacetadas ou pelo absurdo. O que produz violência e o célebre bordão: “ninguém tem paciência comigo...”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003ECom isso Bolaños paga tributo às\u0026nbsp;\u003Ci\u003Egags\u003C\/i\u003E\u0026nbsp;anárquicas do humor\u0026nbsp;\u003Ci\u003Eslapstick\u003C\/i\u003E\u0026nbsp;de\u0026nbsp;\u003Ci\u003EO Gordo e o Magro\u003C\/i\u003E\u0026nbsp;e\u0026nbsp;\u003Ci\u003EOs Três Patetas\u003C\/i\u003E: como Sísifos modernos, seus personagens estão condenados a rolar eternamente a pedra de seus pecados montanha acima. Mas nunca parecem dispostos a respeitar autoridades, seja a de Deus ou do Diabo.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1.5pt medium; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"background: orange; font-size: 11pt;\"\u003EFicha Técnica\u003C\/span\u003E\u003C\/b\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ETítulo: Chaves (série)\u003C\/span\u003E\u003C\/b\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ECriador:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ERoberto Gómez Bolaños\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ERoteiro:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp; Roberto Gómez Bolaños\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EElenco:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EMaria Antonieta De Las Neves, Ramón Valdéz, Florinda Meza, Carlos Villagrán, Roberto Gómez Bolaños, Edgar Vivar, Angelines Fernandez\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EProdução:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;Televisa\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EDistribuição:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EMarcella Public Relations (DVD)\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EAno:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E1972-1992\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EPaís:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EMéxico\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-size: 10.5pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"color: #504d4d;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com.br\/2011\/09\/um-humor-esquecido-pelo-cinema-no-filme.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EUm humor esquecido pelo cinema no filme “Vocês, os Vivos”\u003C\/span\u003E\u003C\/a\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2014\/04\/a-vida-nao-tem-script-no-filme-wrong.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EA vida não tem script no filme \"Wrong\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Cspan style=\"color: black;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2012\/04\/jerry-lewis-o-riso-e-o-horror.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EJerry Lewis, o riso e o horror\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2011\/10\/charles-chaplin-contra-o-cinema-falado.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EChaplin: \"Os Ricos Compram o Barulho\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/8832607679676310865"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/8832607679676310865"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2014\/12\/culpa-e-furia-na-serie-chaves.html","title":"Culpa e fúria nos 40 anos da série 'Chaves' no Brasil"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjIJoVUane-EeG-tDpGXNJlZ4_yk1SD8QBVvqINxuMnCvk5eMeydQ9IKPT6v5FpIDD9utSx8LPZEdg6k13aFPxGxB76sWjhLJA1BAX8K0p_XqikZBt5s0d623ooKe4UAb9kF6VyZ8bMiYjIC16ApO7PLAsRppSbJjhkE8DFwPlUyK94CZY_EmPFPhn8TJc\/s72-w640-h360-c\/Chaves.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-3477227914710915932"},"published":{"$t":"2024-01-04T18:31:00.000-03:00"},"updated":{"$t":"2024-01-04T18:31:04.766-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cinema Americano"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Gótico"}],"title":{"type":"text","$t":"Filme 'Saltburn' e a \"rich exploitation' de uma aristocracia que perdeu seus predadores naturais"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhBc-38pShVPn5zVqg_BYFBWYqxsUonbTfpfjvmvfDkkEhqjQ6jh1DI5oetxj9p1PZE64pJV_B6_uyVYFK3NsW9gcPmxE_nta9zO2hBICTZbJSF43IvMsdnWdNsGztjcA5treinQenATv1WJrOzdSLMZw_jUuW9OzHq8kvoe_vOrgyrosisBsRLZme5Y2Q\/s1200\/share.jpeg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"630\" data-original-width=\"1200\" height=\"336\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhBc-38pShVPn5zVqg_BYFBWYqxsUonbTfpfjvmvfDkkEhqjQ6jh1DI5oetxj9p1PZE64pJV_B6_uyVYFK3NsW9gcPmxE_nta9zO2hBICTZbJSF43IvMsdnWdNsGztjcA5treinQenATv1WJrOzdSLMZw_jUuW9OzHq8kvoe_vOrgyrosisBsRLZme5Y2Q\/w640-h336\/share.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA produção original Amazon “Saltburn”, de Emerald Fennell (“Bela Vingança”) é uma combinação explosiva de sexo com luta de classes. Mais uma produção de uma tendência dos últimos anos que poderíamos definir como subgênero “rich exploitation”: obscenamente ricos que se autodestroem. Mas “Saltburn” explora uma faceta do topo da pirâmide social: os aristocratas, aqueles que apenas herdam a riqueza com um senso quase ingênuo de nobreza – sem predadores naturais, basta apenas um pequeno empurrão para que tudo desabe. Um jovem proveniente da classe trabalhadora chega à exclusiva universidade de Oxford para conviver com jovens herdeiros que não têm a menor necessidade de estarem ali. A não ser justificar para a sociedade a sua absurda riqueza. “Saltburn” é uma espécie de remix de “O Talentoso Ripley”, porém transitando entre o thriller sexual e o humor sombrio.\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPróximo ao final do ano o banco suíço UBS divulgou um estudo de que em 2023 o número de bilionários que ganharam mais com heranças do que com investimentos cresceu. E segundo essa mesma pesquisa, para 60% dos bilionários entrevistados (um universo de 70 clientes bilionários do banco) a preparação dos herdeiros é “um dos maiores desafios”. Ou seja, para um número crescente de bilionários (aqueles 1% que detém a riqueza do planeta), a preocupação maior não é investir (gerar crescimento, empregos etc.), mas apenas reproduzir a linha de transmissão da riqueza –\u0026nbsp;\u003Cb\u003E\u003Cspan style=\"color: red;\"\u003E\u003Ca href=\"https:\/\/forbes.com.br\/forbes-money\/2023\/11\/bilionarios-ganharam-mais-com-herancas-do-que-com-investimentos-em-2023\/\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: red;\"\u003Eclique aqui\u003C\/span\u003E\u003C\/a\u003E\u003C\/span\u003E\u003C\/b\u003E.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ENão é por menos que nos últimos anos acompanhamos a tendência no cinema e audiovisual em colocar os obscenamente ricos em momentos muito difíceis – poderíamos falar de um subgênero “rich exploitation”? A lista é longa:\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EParasita, Triangle of Sadness, Glass Onion: A Kinives Mistery, O Menu, A Queda da Casa de Usher, Sucession\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Eetc.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ESaltburn\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(2023), de Emerald Fennell (\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EBela Vingança\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E), é mais uma produção que se soma a essa lista. Um thriller sexual aristo-gótico sobre obsessão, ressentimento e vingança de classe, ambientado nos lugares mais elegantes da Inglaterra – do campus da universidade de Oxford a uma aristocrática propriedade que dá o título ao filme.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA crítica especializada vem definindo o filme como uma espécie de remix de\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO Talentoso Ripley\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(1999). Mas Emerald Fennell parece expandir e explicitar o argumento latente no filme clássico, tornando\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ESaltburn\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;um diferencial dentro dessa tendência “rich exploitation”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EIsso fica evidente numa linha de diálogo que é a chave de compreensão do filme – a certa altura, o protagonista diz: “vocês tornaram isso tão fácil... cachorros mimados dormindo de barriga para cima, sem predadores naturais...”.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgv5ChCplT6LCd1Gnw0K48EstJnNsyRV0JL5QGcmkHZEN667QBJPN3XeOsVtYTIVb0zPDxjYcbxDdvZGF8giqgkGuNCedXWskk1mYUjbJJ4NMibyHQgC5HtYXocdELe_lv5R5GBFJXPDaXLNqVrHP-R_zAmmOb_gW9SIFpv9MmAIfPTwtsucvPuUIKsS9E\/s2499\/SLTB_2023_FG_00164713_Still315_R_3000+(1).jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1406\" data-original-width=\"2499\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgv5ChCplT6LCd1Gnw0K48EstJnNsyRV0JL5QGcmkHZEN667QBJPN3XeOsVtYTIVb0zPDxjYcbxDdvZGF8giqgkGuNCedXWskk1mYUjbJJ4NMibyHQgC5HtYXocdELe_lv5R5GBFJXPDaXLNqVrHP-R_zAmmOb_gW9SIFpv9MmAIfPTwtsucvPuUIKsS9E\/w640-h360\/SLTB_2023_FG_00164713_Still315_R_3000+(1).jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EIsso quer dizer que\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ESaltburn\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;tematiza um tipo bem especial de obscenamente ricos e, no caso da aristocracia, anacrônico: aqueles que não moveram um dedo para ter o que têm – obscenamente ricos apenas pela herança. A ironia que o filme explora é que esse tipo de riqueza tornaria essa classe sem predadores naturais – ela não competiu, roubou ou violentou para arrancar a riqueza da desigualdade social. Alguém já fez isso por eles. E seus descendentes apenas se refastelam no status, prestígio e distinção. Sem “predadores naturais” tornam-se presas fáceis do ressentimento e vingança, seja de Ripley (Matt Damon), seja de Oliver (Barry Keoghan).\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EComo no filme anterior\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EBela Vingança\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EPromising Young Woman, 2020\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E),\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ESaltburn\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;é também sobre vingança. Lá, Emerald fez uma comédia sombria sobre estupro e vingança. Em\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ESaltburn\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, é acrescentado ao ressentimento, a obsessão perversamente malvada de desejo e sedução – o desejo ambíguo de não só cobiçar a riqueza, mas também de ser. Desejar o desejo do outro, criando a tensão homoafetiva que atravessa a narrativa.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ECujo ápice é quando Oliver bebe a própria água da banheira na qual o aristocrata patologicamente blasé Felix Catton (Jacob Elordi) masturbou-se – um aristocrata lindo e divino com um senso quase ingênuo de nobreza e que se move nos ambientes sem qualquer “predador natural”. Até Oliver colocar seus olhos nele – em uma narrativa que esbanja close-ups no suor de Felix, na nuca, no seu pescoço e abdômen num mix perverso de voyeurismo \u003Ci\u003Equeer\u003C\/i\u003E com ressentimento de classe. Uma combinação explosiva que, como no filme anterior\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EBela Vingança\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, Emerald transita entre o thriller e comédia sombria.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjS0i9DV1OQl0_F5VnVWNZ-CtxwULIBrtWmomj555nyOCVlMlvfSoBP2lWMv9egqCiBweZd3BAhbvThjIb3hi5I6jijsH-cp9WtJzNW-arQd9p-t7ColUowzXZjc2wVNySAmQlMot_tD633NExuE8Q_yGH1bxq3wglaGbS4jkAdAAOFy3-KsvAFQiBI6yw\/s1296\/Saltburn-Still-Publicity-H-2023.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"730\" data-original-width=\"1296\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjS0i9DV1OQl0_F5VnVWNZ-CtxwULIBrtWmomj555nyOCVlMlvfSoBP2lWMv9egqCiBweZd3BAhbvThjIb3hi5I6jijsH-cp9WtJzNW-arQd9p-t7ColUowzXZjc2wVNySAmQlMot_tD633NExuE8Q_yGH1bxq3wglaGbS4jkAdAAOFy3-KsvAFQiBI6yw\/w640-h360\/Saltburn-Still-Publicity-H-2023.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDe qualquer maneira, é a sátira sobre comer os ricos. Oliver não quer apenas galgar a hierarquia tornando-se o predador que a ingenuidade aristocrática sequer pode imaginar. Oliver quer também consumir os próprios desejos dos ricos – de qualquer forma, desejos mais excitantes do que aqueles da modorrenta e cinzenta da classe média britânica da qual ele quer fugir.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO Filme\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EVoltamos para 2006 e acompanhamos Oliver, um jovem proveniente da classe trabalhadora, chegando na exclusiva universidade de Oxford graças a uma bolsa de estudos.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENa primeira meia hora do filme, percebemos o quanto Oliver é um peixe fora d’água naquele ambiente de intrincados códigos de classe, hierarquia e de ostentação simbólica de poder.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAs hierarquias são particularmente cruéis, especialmente quando Oliver decide levar os estudos a sério como um bom jovem subalterno que ainda acredita na meritocracia – seu professor (Reece Shearsmith) zomba dele quando descobre que Oliver leu os cinquenta livros da leitura de verão, que até inclui a Bíblia de King James.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EOliver descobre que está num mundo em que aqueles jovens nem precisavam estar ali. Afinal, herdarão a riqueza bilionária das suas famílias, perpetuando a aristocracia. Então, por que ingressaram em Oxford? Para justificar sua condição de elite diante da sociedade, por terem “estudado” numa prestigiosa universidade. Na verdade, passam o tempo de estudos em festas ou eventos nos quais desfilam as etiquetas de prestígio – usar o suéter certo ou pedir a bebida adequada para um encontro.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPara Oliver, tudo é estranho, até imediatamente se identificar com o aluno alfa do campus: Felix Catton, um aristocrata bonito, popular, e que se move pela vida com a facilidade com que ignora os direitos alheios. Ele tem carisma e autoconfiança que hipnotizam Oliver.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjn8G8wCsXKgTyQw1ZXIyEm9iCVWv2jB1zs0AoAT-F5oQMgZ6VLRJM0ULOvZ3Ba7V-P4KNotqLXhUfTDcjRA3sKLKWoADY6ejDyJgBQ-j2eYRl97O8ybFGMOjxm5oFX6aVc-8d43Fzw4ccSU7NjI1Xv9E0OROzCVQ5cHsM2Db7ito-d7r1dJrDwtj_6_WE\/s500\/MV5BMmMxMGY4YzAtMWMxOS00YjczLTgzNzAtZDQ2ZDQ5MDM3OGQ4XkEyXkFqcGdeQWFybm8@._V1_QL75_UY281_CR0,0,500,281_.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"281\" data-original-width=\"500\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjn8G8wCsXKgTyQw1ZXIyEm9iCVWv2jB1zs0AoAT-F5oQMgZ6VLRJM0ULOvZ3Ba7V-P4KNotqLXhUfTDcjRA3sKLKWoADY6ejDyJgBQ-j2eYRl97O8ybFGMOjxm5oFX6aVc-8d43Fzw4ccSU7NjI1Xv9E0OROzCVQ5cHsM2Db7ito-d7r1dJrDwtj_6_WE\/w640-h360\/MV5BMmMxMGY4YzAtMWMxOS00YjczLTgzNzAtZDQ2ZDQ5MDM3OGQ4XkEyXkFqcGdeQWFybm8@._V1_QL75_UY281_CR0,0,500,281_.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDepois do episódio do pneu da bicicleta furado (Oliver empresta sua bike a Felix para que ele atravesse o campus e não perca uma prova importante) Felix o convida para passar o verão na propriedade da família Catton chamada “Saltburn” – uma extensa propriedade gramada com uma mansão barroca com tetos estratosféricos e decorada por quadros de valor incalculável como os do barroco Rubens, além de uma coleção de pratos Bernard Palissyceramic. E no jardim, o destaque para um imenso labirinto feito para aristocratas se perderem nas delícias das festas. Ironicamente, com uma grande estátua do Minotauro no centro.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ELogo Oliver encontra seu oponente: Farleigh (Archie Madekwe), uma espécie de bobo da corte que os Catton mantêm como “agregado da família” – certamente para entretê-los. Farleigh suspeita que Oliver quer o seu lugar. Mas perceberão, da pior maneira possível, que Oliver tem outros planos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPara completar o quadro de uma aristocracia complacente e superficial (que passa seus dias assistindo VHS na sala de TV, dando risadas bobas na sala de karaokê e convidando outros nobres para as festas no jardim) temos o pai Sir James (Richard E. Grant), deliciosamente fleumático e alienado, a glamourosa mãe ex-modelo Elspeth Catton (Rosamud Pike) e a irmã chique e trágica de Felix, Venetia (Alison Oliver).\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAs cenas com os aristocratas Cotton são muitas vezes involuntariamente cômicas – vivem num mundo paralelo, são poderosos, mas, paradoxalmente, ao mesmo tempo demonstram uma ingênua fragilidade. São incapazes de perceber a chegada do “vírus” Oliver invadindo silenciosamente Saltburn.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EQuando a irmã Venetia, enganosamente seduzida por Oliver (aproveitando-se do crônico tédio dela), percebe o que Oliver quer já é muito tarde.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgg49gnuuwqaPjLpN6iUgjek0oECgoPXzoyKq_-fIgRB9hSvq5sTW0e7VJhvflIDUQrYrIHM-m_rxejH-9eTbTWzwaR8TjwJ7aCobaKGTgw_6MqMI5lk39lBIxeo1pbPTA1IEoJ3dp4Z_Im7vY5yvaZKHjpB2SZaT_6XeQMYMBQxyXMvPewDlLxrWWkSrs\/s600\/saltburn-house-promo-lfkg-threeByTwoSmallAt2X.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"400\" data-original-width=\"600\" height=\"426\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgg49gnuuwqaPjLpN6iUgjek0oECgoPXzoyKq_-fIgRB9hSvq5sTW0e7VJhvflIDUQrYrIHM-m_rxejH-9eTbTWzwaR8TjwJ7aCobaKGTgw_6MqMI5lk39lBIxeo1pbPTA1IEoJ3dp4Z_Im7vY5yvaZKHjpB2SZaT_6XeQMYMBQxyXMvPewDlLxrWWkSrs\/w640-h426\/saltburn-house-promo-lfkg-threeByTwoSmallAt2X.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ERoteiro “deus ex-machina” –\u0026nbsp;\u003Cspan style=\"color: red;\"\u003Ealerta de spoilers à frente\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ESaltburn\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;tem evidentes problemas de roteiro. O filme é exuberante, atraente com sua bela fotografia e eloquência visual. E caro. Porém, a narrativa é dominada por viradas inverossímeis que às vezes parecem um “deus ex-machina” - termo para designar soluções arbitrárias, improváveis, sem nexo ou plausibilidade na narrativa, para solucionar becos sem saídas em roteiros mal-conduzidos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPrincipalmente a necessidade de o protagonista ter que explicar ao final numa espécie de tutorial do ardil que utilizou para conseguir ser convidado para passar o verão em Saltburn e como implodiu os Catton.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEmbora fique evidente ao final do primeiro ato que estamos diante de uma espécie de remix de\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO Talentoso Ripley\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, não acompanhamos pistas ou as peças de um quebra-cabeças que faça o telespectador juntar no final. Oliver tem que pegar o espectador na mão e explicar tudo direitinho, até a dança da vitória final, nu em uma Saltburn vazia.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA tensão sexual entre Oliver e Felix, além das sequências lascivas sugerindo a explosiva combinação entre sexo e luta de classes, parece querer levar a narrativa para outra direção: a psicopatia do protagonista. Para depois, voltar aos trilhos narrativos e a necessidade da didática explicação final.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/LFVhaMMjTDg?si=cbMR9ZccV3X3ErrD\" title=\"YouTube video player\" width=\"600\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1.5pt medium; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"background: orange; font-size: 11pt;\"\u003EFicha Técnica\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ETítulo: Saltburn\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EDiretor:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EEmerald Fennell\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ERoteiro:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp; Emerald Fennell\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EElenco:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EBarry Keoghan, Jacob Elordi, Rosamund Pike, Richard E. Grant\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EProdução:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;Amazon MGM Studios\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EDistribuição:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EAmazon Prime Video\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EAno:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E2023\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt;\"\u003E\u003Cb\u003EPaís: \u003C\/b\u003EEUA\/Reino Unido\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-family: Roboto; font-size: 10.5pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/01\/o-olhar-hollywoodiano-para-luta-de.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EO olhar hollywoodiano para a luta de classes no filme 'O Menu'\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2019\/09\/a-luta-de-classes-no-capitalismo.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EA Luta de classes no Capitalismo Cognitivo em \"Parasita\", vencedor do Oscar\u003C\/span\u003E\u003C\/a\u003E\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2021\/09\/gameficacao-da-luta-de-classes-na-serie.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EGameficação da luta de classes na série 'Round 6'\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/03\/filme-triangulo-da-tristeza-leva-hegel.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EFilme 'Triângulo da Tristeza' leva Hegel, Marx e luta de classes para o Oscar 2023\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/3477227914710915932"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/3477227914710915932"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2024\/01\/filme-saltburn-e-rich-exploitation-de.html","title":"Filme 'Saltburn' e a \"rich exploitation' de uma aristocracia que perdeu seus predadores naturais"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhBc-38pShVPn5zVqg_BYFBWYqxsUonbTfpfjvmvfDkkEhqjQ6jh1DI5oetxj9p1PZE64pJV_B6_uyVYFK3NsW9gcPmxE_nta9zO2hBICTZbJSF43IvMsdnWdNsGztjcA5treinQenATv1WJrOzdSLMZw_jUuW9OzHq8kvoe_vOrgyrosisBsRLZme5Y2Q\/s72-w640-h336-c\/share.jpeg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-5738330023313373782"},"published":{"$t":"2024-01-03T16:40:00.000-03:00"},"updated":{"$t":"2024-01-03T16:40:43.271-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cinema Brasileiro"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Gótico"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Propaganda"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Romantismo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Walter Benjamin"}],"title":{"type":"text","$t":"Memórias em ruínas no filme 'Retratos Fantasmas'"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgmH-sAXii3nOwNuDuUB8ujlJFeIjbgDhq_q83P-mfNvJ1FqKG-6i8jnFLGAS8lfpK5GGlkxTmgiGdGX2Qws-cRmjLKD0tnorZbt2AjteqMWOKwWf455375_rX3Sq4e-wzCmYBKKoTI5XBsC9WgXd4-cX93XTo1c35S88RdUbOmmBErPYv3XuX2FeJ34Ws\/s4096\/Retratos%20fantasmas.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"2475\" data-original-width=\"4096\" height=\"386\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgmH-sAXii3nOwNuDuUB8ujlJFeIjbgDhq_q83P-mfNvJ1FqKG-6i8jnFLGAS8lfpK5GGlkxTmgiGdGX2Qws-cRmjLKD0tnorZbt2AjteqMWOKwWf455375_rX3Sq4e-wzCmYBKKoTI5XBsC9WgXd4-cX93XTo1c35S88RdUbOmmBErPYv3XuX2FeJ34Ws\/w640-h386\/Retratos%20fantasmas.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAs ruínas nos fascinam. Desde o início da arqueologia moderna, influenciou a sensibilidade artística criando um imaginário associado a memórias, fantasmas e desaparecimento até chegar, no século XX, ao “princípio das ruínas” como propaganda e estética política nazista: ruínas como inspirações para as gerações futuras. Kleber Mendonça Filho consegue representar esse imaginário em “Retratos Fantasmas” (2023) através de uma jornada pessoal e sociopolítica pelas memórias trazidas pelas ruínas urbanas: da casa vizinha ao edifício em que mora aos cinemas de rua abandonados do Centro do Recife. Como a modernidade cria incessantemente ruínas. E como nos relacionamos com elas através das memórias. Além de as ruínas apontarem para o futuro quando salas de projeção viram templos religiosos. \u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDesde o surgimento no Ocidente da arqueologia moderna no século XVIII, com eruditos e cientistas, o fascínio pelas ruínas foi muito além de um estudo disciplinar. As ruínas tornaram-se o tema favorito da sensibilidade artística. Os próprios arqueólogos usavam ilustradores integrados às investigações de campo.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMais tarde, na explosão do esoterismo e do Romantismo no século XIX, as ruínas foram associadas às memórias e fantasmas. Espiritualistas e esotéricos acreditavam que os ambientes em que vivemos nos transmitem energias. Isso porque as paredes têm memórias - Mágoas, ressentimentos, dor, ódio; mas também alegria, entusiasmo, amor, paixão que seriam absorvidos pelo ambiente:\u0026nbsp;\u0026nbsp;cimento, tijolos, madeira e outras materiais que absorveriam as vibrações naquele ambiente, irradiando ondas de energia etérica.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ERealidade ou não, o fato é que essa ideia dá sentido ao arquétipo dos fantasmas e casas mal-assombradas como materializações ou condensações dessas vibrações que repercutem nos vivos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESimultaneamente, cronistas, poetas e pintores descobriram um novo tipo de ruínas: as criadas pela vida moderna – pintores impressionistas, poetas e cronistas românticos (Monet, Baudelaire etc.) registram tudo aquilo que outrora era sólido e estava desaparecendo no ar.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO ápice foi a obra das “Passagens” do filósofo Walter Benjamin, descrevendo a experiência das ruas de Paris, o flâneur e a estética do choque.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENão tardaria muito para essa sensibilidade artística se transformar numa estética política com o arquiteto de Hitler, Albert Speer e o seu “princípio das ruínas”: projetos de construção de edifícios monumentais predestinados à destruição, criando ruínas peculiares, pitorescas, que inspirariam as gerações futuras, tornando-as curiosas sobre o que foi o Terceiro Reich.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjK72rc_v8l2ZL94cSi1QuEqnes95grvVWWgSulvGalSgx5wP_d9tBQacxIjIFIcgnic_M5DQNb2wXCfOfodieAg_lzfteb928W02jPN2_pR2n12Tr2wjjYROuO6dAofrHjOpJP3DLBFpFrUSg4NMTglXpzgn4ezmyKYv-A5kEDq87_-btRdTAfGkjLoPk\/s1315\/cena-do-documentario-retratos-fantasmas-de-kleber-mendonca-filho-que-tera-pre-estreia-em-vitoria-e-vila-velha-1838300.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"988\" data-original-width=\"1315\" height=\"480\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjK72rc_v8l2ZL94cSi1QuEqnes95grvVWWgSulvGalSgx5wP_d9tBQacxIjIFIcgnic_M5DQNb2wXCfOfodieAg_lzfteb928W02jPN2_pR2n12Tr2wjjYROuO6dAofrHjOpJP3DLBFpFrUSg4NMTglXpzgn4ezmyKYv-A5kEDq87_-btRdTAfGkjLoPk\/w640-h480\/cena-do-documentario-retratos-fantasmas-de-kleber-mendonca-filho-que-tera-pre-estreia-em-vitoria-e-vila-velha-1838300.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ERetratos Fantasmas\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(2023), de Kleber Mendonça Filho, é um filme que traduz filmicamente esse imaginário moderno das ruínas – uma verdadeira declaração de amor à sua cidade natal, Recife, narrando uma jornada sentimental por lugares, casas, bairros e cinemas antigos de rua que marcaram a sua vida. E nessa jornada sentimental, ecoa todos esses aspectos das ruínas na modernidade: memórias, fantasmas e estetização política.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EKleber Mendonça tem uma rara habilidade de lidar com espaços e pessoas, criando dinâmicas entre o espaço físico e o psíquico. Em\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO Som ao Redor\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, o tema era um bairro; em\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EAquarius\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, era sobre um edifício;\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EBacurau\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;era sobre as pessoas num vilarejo.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas é em Retratos Fantasmas que Kleber Mendonça Filho explora exclusivamente esse tema: de como as pessoas dão vida aos lugares, de como a História transforma os lugares, mas, principalmente, de como o Tempo transforma os lugares em memórias de cenários em ruínas. E como essas ruínas nos transformam.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAo longo do filme Mendonça Filho apresenta alguns locais chave da cidade que marcaram sua vida: o apartamento de sua mãe falecida, um centro da cidade de Recife decadente e cinemas de rua em ruínas. Através de imagens de arquivo e materiais recentes gravados (inclusive da filmografia do diretor), entramos em uma viagem ao passado, cujas memórias ainda impactam o presente.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA primeira grande virtude de\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ERetratos Fantasmas\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;é a do diretor sair ileso da armadilha da autoindulgência – evita os chavões da filosofia cinéfila (principalmente quando trata das ruínas dos cinemas de rua), principalmente pelas múltiplas personas que Mendonça assume ao longo do filme: às vezes assume o papel de repórter; outras vezes de um contador de histórias; como observador participante – de qualquer forma, sempre a narrativa em off do diretor é autoconsciente, com momentos de bom-humor e ironias.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhiYmSZ-_fSEMOqgeUOqYj0HRAwxHajIIfbhhyphenhyphen1smDqXvmL52qo5C_npv_ZkUB93gxpZ1Ni9LULXblOCSMrDd7qyN6lutwIOsTstGVJVJBuoCucWr7j8u0pycEZWaOtcpvcDSb4HX4NUapDw-ftUP32ruJqVvMimMPMaBEcESah6qG7DVQpPNRrfybmOlo\/s886\/image-2.png\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"649\" data-original-width=\"886\" height=\"468\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhiYmSZ-_fSEMOqgeUOqYj0HRAwxHajIIfbhhyphenhyphen1smDqXvmL52qo5C_npv_ZkUB93gxpZ1Ni9LULXblOCSMrDd7qyN6lutwIOsTstGVJVJBuoCucWr7j8u0pycEZWaOtcpvcDSb4HX4NUapDw-ftUP32ruJqVvMimMPMaBEcESah6qG7DVQpPNRrfybmOlo\/w640-h468\/image-2.png\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPortanto, Mendonça não se deixa cair no clichê da “celebração da sétima arte”. Sempre mantém uma dialética perfeita entre o distanciamento consciente e narrações sobre memórias da sua vida.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO Filme\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cdiv\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ERetratos Fantasmas\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;é dividido em três partes: na primeira as relações afetivas de diretor e sua mãe com o apartamento em que moravam e o bairro na sua infância no Recife; a decadência do Centro de Recife e seus cinemas de rua; e as salas de cinema que se transformaram em templos evangélicos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EDe forma magistral Mendonça tece as relações entre sua mãe e o apartamento: como as sucessivas reformas refletiram fases da sua vida e até mesmo a última, próximo da sua morte. Como fosse uma cirurgia decisiva, assim como a sua no combate ao câncer. E também, como o apartamento transformou-se em set de filmagem, inclusive para locações de filmes anteriores como\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EAquarius\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;e\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO Som ao Redor\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDe tanto usar o espaço do apartamento para fotografia e filmagens, acabou captando supostamente a imagem de um fantasma. “Muitos religiosos disseram que eu era médium”, diz o diretor. A imagem é assustadora, e parece ser mais do que um fenômeno de pareidolia – fenômeno psicológico de identificação ilusória de imagens e formas em estímulos vagos e aleatórios.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EÉ o evento insólito que acabou dando nome ao filme, mas que se transforma numa metáfora mais geral que sustenta o filme: a relação das pessoas com espaço é tão intensa que muitas vezes as memórias podem ganhar vida e o passado influenciar os vivos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EÉ quando as ruínas começam a tomar conta da narrativa: como a casa vizinha fica abandonada e é invadida pela Natureza (cupins e gatos), obrigando a cercar o muro do edifício com arame farpado e telas nas janelas – além do combate aos cupins que invadem o apartamento.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDa cartografia afetiva de um apartamento, Mendonça Filho passa para a cartografia urbana do Centro decadente do Recife e seus cinemas de rua abandonados. São ruínas da modernidade: de como o dinheiro abandonou o Centro e foi construir os altos prédios comerciais da Zona Sul.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgNA6DGCpd81zlWJ6RqNvCxOfB3goWOR3a81eNvr3IZPee2TGKAa9INaadokFXKeqBZJ-ZnwVNMsZnkYGLLojGvUPVq5ho_Oit7G9Q7tiSrue0dBBPSG9M-AmgWSiGb-OIpGQAnnK478s3ew2n0fG2hP6Y2xxJFSLQDCTQJJmWggCrT696Fr17cyz8JJXQ\/s640\/0*teW2vJQT69fYJNpU.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"360\" data-original-width=\"640\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgNA6DGCpd81zlWJ6RqNvCxOfB3goWOR3a81eNvr3IZPee2TGKAa9INaadokFXKeqBZJ-ZnwVNMsZnkYGLLojGvUPVq5ho_Oit7G9Q7tiSrue0dBBPSG9M-AmgWSiGb-OIpGQAnnK478s3ew2n0fG2hP6Y2xxJFSLQDCTQJJmWggCrT696Fr17cyz8JJXQ\/w640-h360\/0*teW2vJQT69fYJNpU.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas também ruínas que contam uma história política que conectam a Hitler e Speer: o Cine Arte Palácio, construído antes da Segunda Guerra Mundial, iniciado com um gerente alemão chamado Günther. Mostrando imagens de época dos imensos dirigíveis nazistas como o Hinderburg visitando Recife e São Paulo – o cinema do Recife fazia parte de um projeto alemão de expandir a propaganda nazi para a América do Sul através de salas de cinema no Recife e São Paulo. Cidades consideradas estratégicas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECom uma arquitetura modernista inspirada nas linhas Bauhaus, o Cine Art-Palácio fez parte do megalômano projeto para globalizar os filmes da UFA – Universum Film AG, estúdio que passou a ser controlado pelo Ministério da Propaganda de Goebbles e que se transformou em máquina de propaganda nazista.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EOriginalmente o cinema do Recife se chamaria “Cine UFA Palácio”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas com o fim da guerra, outro prédio do Centro é ocupado, desta vez com outro projeto de globalização de propaganda política. Agora, através das maiores distribuidoras norte-americanas como MGM, Paramount, Columbia, Warner etc. Para no ano 2000 saírem de lá, com o crescimento da Internet e a decadência urbana do Centro.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAs ruínas do Cine Art-Palácio parecem sinistramente cumprir o princípio das ruínas do arquiteto Albert Speer: realmente tornou-se um espaço decadente peculiar e pitoresco.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas o grande insight do filme é a aproximação do cinema com a religião. Primeiro, a aproximação da própria sala de projeção com o espaço do ritual católico da missa. Lembrando a tese principal do italiano Massimo Canevacci em “Antropologia do Cinema”.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECanevacci via uma linha de continuidade secularizada ente ritual da missa católico, a narrativa fílmica e a sala de projeção do cinema. Assim como a repetição do ritual da missa, fortemente simbólico e funcional, tem a capacidade de restaurar um equilíbrio entre vida cotidiana e eterno retorno, sagrado e profano, igualmente o cinema reproduzirá, em todas as fases do show fílmico, os mesmos eventos durante o drama do Calvário: nascimento, afirmação e morte do herói, depois o sacrifício da ressurreição até a vitória do bem. Para o autor, a própria arquitetura das duas salas é idêntica com plateia, galerias e corredores no meio.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhctFlPh1eMPKEIYllVsflXPVpu6XxlElA-3P9vzKy9PzhJ8OoQRMgNHrtJlTxMtKOvGEThIoVJZNWTdpysTN7wYBHwDQo3pRWC396fnoXcWUnq_gtOi-nWtxKKAfsW2q3qOEGooAQdb5jZVqiqMxtwGoSTSjYBf1_1ajbzTQycIcgv00-ULe7_ZYlJIA0\/s2162\/filme.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1081\" data-original-width=\"2162\" height=\"320\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhctFlPh1eMPKEIYllVsflXPVpu6XxlElA-3P9vzKy9PzhJ8OoQRMgNHrtJlTxMtKOvGEThIoVJZNWTdpysTN7wYBHwDQo3pRWC396fnoXcWUnq_gtOi-nWtxKKAfsW2q3qOEGooAQdb5jZVqiqMxtwGoSTSjYBf1_1ajbzTQycIcgv00-ULe7_ZYlJIA0\/w640-h320\/filme.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENão é por menos que na terceira parte de Retratos Fantasmas, Kleber Mendonça Filho ocupe-se em mostrar cinemas que foram transformados em igrejas evangélicas. Para o diretor, essas imagens refletem o atual cenário sóciopolítico do Brasil no qual evangélicos e neopentecostais ocupam os espaços católicos.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENão apenas geograficamente, ocupando as periferias outrora atendidas pelas comunidades católicas de base. Mas fisicamente transformando os prédios que eram versões secularizadas do ritual da missa, em templos de uma nova Teologia – a da prosperidade.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EIronicamente, em bairros de cinemas de rua que se transformaram em ruínas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/Vi19G7_HfxQ?si=m34Stu6kWdLjzqaf\" title=\"YouTube video player\" width=\"600\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1.5pt medium; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"background: orange; font-size: 11pt;\"\u003EFicha Técnica\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ETítulo: Retratos Fantasmas\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EDiretor:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EKleber Mendonça Filho\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ERoteiro:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp; Kleber Mendonça Filho\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EElenco:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ESonia Braga, Tony Curtis, Kleber Mendonça, Maeve Jinkings\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EProdução:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;Ancine, Vitrine Filmes\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EDistribuição:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EVitrine Filmes\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EAno:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E2023\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EPaís:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EBrasil\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-family: Roboto; font-size: 10.5pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2019\/10\/filme-bacurau-perde-no-cabo-de-guerra.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EFilme \"Bacurau\" perde no cabo de guerra forma versus conteúdo\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2014\/08\/o-templo-de-salomao-da-igreja-universal.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EO Templo de Salomão da Igreja Universal e a arquitetura da destruição\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2017\/05\/a-cracolandia-e-o-documentario.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EA Cracolândia e o documentário \"Arquitetura da Destruição\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2010\/10\/experiencia-cinematografica-pode-ser_30.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EA Experiência Cinematográfica pode ser Transcendente? - 2: O Prazer do Espectador\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/5738330023313373782"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/5738330023313373782"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2024\/01\/memorias-em-ruinas-no-filme-retratos.html","title":"Memórias em ruínas no filme 'Retratos Fantasmas'"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgmH-sAXii3nOwNuDuUB8ujlJFeIjbgDhq_q83P-mfNvJ1FqKG-6i8jnFLGAS8lfpK5GGlkxTmgiGdGX2Qws-cRmjLKD0tnorZbt2AjteqMWOKwWf455375_rX3Sq4e-wzCmYBKKoTI5XBsC9WgXd4-cX93XTo1c35S88RdUbOmmBErPYv3XuX2FeJ34Ws\/s72-w640-h386-c\/Retratos%20fantasmas.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-6877591704467242325"},"published":{"$t":"2023-12-30T19:54:00.000-03:00"},"updated":{"$t":"2023-12-30T19:54:41.307-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cinema Brasileiro"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mito"},{"scheme":"http://www.blogger.com/atom/ns#","term":"séries"}],"title":{"type":"text","$t":"A morte é a única coisa que nos une na série 'Fim'"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjpAFlSJAjMzA0AgiO7AKkdKdZNAsG8xxUEvknz1zVwSID82JVbSQK4R_4SzioAXQrNEhodKbUtLfwXMFMyHuxSH1LvmKu35CIyWKhe61e3r5DgUq77hJuVFrui4iFpalD8Fy9jqfuuyHyvgEs12_IDmO4W_meynt7erMoEOV0tFTcBhbgnRQAlYGkHsng\/s1200\/12040408.webp\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"675\" data-original-width=\"1200\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjpAFlSJAjMzA0AgiO7AKkdKdZNAsG8xxUEvknz1zVwSID82JVbSQK4R_4SzioAXQrNEhodKbUtLfwXMFMyHuxSH1LvmKu35CIyWKhe61e3r5DgUq77hJuVFrui4iFpalD8Fy9jqfuuyHyvgEs12_IDmO4W_meynt7erMoEOV0tFTcBhbgnRQAlYGkHsng\/w640-h360\/12040408.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA única certeza que nos acompanha por toda vida é que um dia vamos morrer. É aquilo que nos separa (nossos amores e amigos vão morrendo, deixando buracos em nossas vidas), mas ao mesmo tempo nos une: diante da morte somos todos iguais. Nessa trajetória em direção do fim, duas questões emergem: por que uma coisa tão boa como o amor, de repente não funciona mais? E por que, a certa altura, tudo de bom que a vida nos deu começa a ser retirado? Esses são alguns temas que ecoam na série original Globoplay “Fim” (2023). Tudo começa no velório com um grupo de amigos de longa data. Suas vivências, memórias, desilusões e, principalmente, a fugacidade do amor, da felicidade e a incomunicabilidade das relações humanas marcam a série. Fazendo lembrar a interpretação de Albert Camus ao Mito de Sísifo.\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: right; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: right;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; text-indent: 1cm;\"\u003E\u003Ci\u003E“This is The End\/My only friend, The End”\u003C\/i\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cspan lang=\"EN-US\" style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cdiv style=\"text-align: right;\"\u003E\u003Cspan style=\"font-size: 11pt; text-indent: 1cm;\"\u003E\u003Ci\u003E(Jim Morrison, “The Doors”)\u003C\/i\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO final do ano se aproxima. Portanto, nada melhor do que maratonar a série Globoplay\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EFim\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(2023), uma adaptação do livro homônimo escrito pela atriz Fernanda Torres e lançado em 2013.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EDirigido por Andrucha Waddington (\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEu, Tu, Eles\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;e\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ECasa de Areia\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E) e roteiro supervisionado pela própria autora do livro, a série gira em torno de cinco amigos de longa data, da típica classe média de Copacabana ao longo das décadas, desde os anos 1970 – suas vivências, farras, desilusões, amores e arrependimentos, encarando a fugacidade da vida, o envelhecimento e a iminência da morte.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA maior diferença da série em relação ao livro e o espaço dado às mulheres – os respectivos amores e flertes desse grupo de amigos. Principalmente a crise da masculinidade não só pela incomunicabilidade com suas companheiras, mas, principalmente, pela absoluta alienação em relações às transformações políticas, sociais e culturais do Brasil ao longo das décadas. E como as personagens femininas refletem essas mudanças.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA chave de compreensão da série está na música tema escolhida: “Divino, maravilhoso” de Caetano Veloso e Gilberto Gil, cantado por Gal Costa. A música de 1969, em plena noite da ditadura militar, nos fala dos perigos de viver sob um regime repressivo. Principalmente naquele momento da escalada da censura e tortura de presos políticos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENo primeiro episódio acompanhamos os protagonistas numa festa em um apartamento, todos cantando “Divino, maravilhoso” ao violão. Mas o estranhamento é que todos ali espelham a típica alienação da então classe média brasileira – todos jovens, apenas preocupados com festas, paqueras, praia e carnaval.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E“É preciso estar atento e forte\/Não temos tempo de temer a morte”, refrão da música e com forte conotação política, na série é tomada literalmente – uma reflexão sobre a fugacidade da existência e o absurdo de vivermos intensamente para, ao final, morrermos.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEj5lMnfJzbNHa9U-ylSjhL3k-72HMk3a90V636utrQbo2vHHZylAp1uh62UyAXjs-sUzd4R1Kei2tsERzTiQPsnk9t3_RODCU3HvA1MWAsWnoWZJE-qAzifRFTdgYAsIWFob_l7XB9-nGUNrtwo7b4HdmKTxE_4sU1Cm623jfbh_ra66MOpL26V6KvHeHo\/s768\/16981518916537bdd339650_1698151891_3x2_md.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"512\" data-original-width=\"768\" height=\"426\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEj5lMnfJzbNHa9U-ylSjhL3k-72HMk3a90V636utrQbo2vHHZylAp1uh62UyAXjs-sUzd4R1Kei2tsERzTiQPsnk9t3_RODCU3HvA1MWAsWnoWZJE-qAzifRFTdgYAsIWFob_l7XB9-nGUNrtwo7b4HdmKTxE_4sU1Cm623jfbh_ra66MOpL26V6KvHeHo\/w640-h426\/16981518916537bdd339650_1698151891_3x2_md.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEmbora os momentos mais agudos da série ocorram justamente na época da efervescência política da resistência e luta dos jovens contra a ditadura, os protagonistas vivem numa bolha dourada de praia e festas na Zona Sul carioca. Totalmente alheios ao cenário.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u0026nbsp;\u0026nbsp;Portanto, a morte e o fim discutidos na série ganham uma dimensão, por assim dizer, filosófica, ecoando as ideias do escritor Albert Camus sobre o absurdo de uma existência na qual, de início, já estamos condenados à morte:\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cblockquote style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESó existe um problema filosófico realmente sério: é o suicídio. Julgar se a vida vale ou não a pena ser vivida é responder à questão fundamental da filosofia. O resto, se o mundo tem três dimensões, se o espírito tem nove ou doze categorias, aparece em seguida. São jogos. É preciso, antes de tudo, responder. E se é verdade, como pretende Nietzsche, que um filósofo, para ser confiável, deve pregar com o exemplo, percebe-se a importância dessa resposta, já que ela vai preceder o gesto definitivo – CAMUS, Albert. O Mito de Sísifo.\u003C\/span\u003E\u003C\/blockquote\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA existência se desenvolveria como o mito de Sísifo? Aquele que foi condenado por toda eternidade ter que carregar a mesma pedra para o topo da montanha. Para vê-la rolando abaixo e recomeçar tudo de novo.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPara Camus a condição humana aproxima-se muito ao mito de Sísifo: nossa vida é construída a partir da esperança do amanhã que apenas nos aproxima da morte. As pessoas vivem dentro de uma ilusão romântica, como se não tivessem a certeza da morte. Uma vez despojado das ilusões, o mundo se torna desumano e estranho. O mundo é um absurdo pela impossibilidade de reduzi-lo a um princípio racional razoável.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAs religiões e ideologias políticas nos oferecem falsa racionalizações, mas tudo o que conseguem é fragmentação e ininteligibilidade. A solução para Camus não seria o suicídio, mas a revolta.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas para os protagonistas de\u0026nbsp;\u003Ci\u003EFim\u003C\/i\u003E, isso está bem longe dos seus horizontes existenciais, que não vão além das fronteiras de Copacabana.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgaBW3n3RjoCEdXoFxfcCr2BZFBHXLDLByQYEFIKhq7kZY4yxEbwbfy_rdwBOMBRobQC1FjMPD2RNPDLDzEfUVObvqdnDcPpKjqvdVvTOaJP73e6wudrnJQ4WckQzuSXTEo9hu3IYyGK2tIJGiv6N7wDKkFnmwxZkwM15Xurg-g6y_zvXYZF1Xa6QhBfXA\/s1360\/marjorie-estiano-fabio-assuncao-fim-globoplay_1.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"850\" data-original-width=\"1360\" height=\"400\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgaBW3n3RjoCEdXoFxfcCr2BZFBHXLDLByQYEFIKhq7kZY4yxEbwbfy_rdwBOMBRobQC1FjMPD2RNPDLDzEfUVObvqdnDcPpKjqvdVvTOaJP73e6wudrnJQ4WckQzuSXTEo9hu3IYyGK2tIJGiv6N7wDKkFnmwxZkwM15Xurg-g6y_zvXYZF1Xa6QhBfXA\/w640-h400\/marjorie-estiano-fabio-assuncao-fim-globoplay_1.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA Série\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cdiv\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ETudo começa com a morte de Ciro (Fábio Assunção), quando o grupo volta a se reunir depois de muito tempo. Ciro era casado com Ruth (Marjorie Estiano), que não comparece ao velório – eles estavam separados. Ambos representavam um exemplo de amor perfeito para os outros casais: Célia (Heloísa Helena) casada com Neto (David Junior); Norma, que foi casada com Silvio (Bruno Mazzeo); Álvaro (Thelmo Fernandes) que se divorciou de Irene (Débora Falabella) e o solteirão Riberio (Emílio Dantas).\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECiro era belo, romântico e seu casamento com Ruth acabou servindo de exemplo para todos que acabam se casando. Deixando para trás a vida tão somente de festas, praias e paqueras. Mas, por outro lado, marca uma espécie de crepúsculo para o grupo que acabará se confrontando com o cotidiano da vida conjugal – mentiras, impasses, hipocrisias e traições.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA morte de Ciro é o ponto de partida para que conheçamos a vida de cada personagem desde o início. E a separação de Ciro e Ruth, o casal modelo para todos, a amarga confirmação da fugacidade da vida.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPorém, o elemento de tensão para o grupo: o hedonista, libertino e autodestrutivo Sílvio. Até casou-se com Norma numa espécie de alívio cômico dentro daquilo que ele sempre esteve mais fortemente orientado na sua vida como, a certa altura, afirma: “faze o que tu queres há de ser tudo da lei”, citando a filosofia do telemismo do mago libertino Aleister Crowley.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh9CNhfILYBb4jqRPhuOorKcD9kjlQnbzq3z5xFeKj_m0z4WPR7ezTVdge7aVO5l2_yC3AkofhxA8hAQStNJKQHrDtrHpXZjkVGprmPvwzCgx3PwmL3jhpJFNXwqb7yyHo1HsP9G_YuHLZKzM2YfNedZsmFubqaJ2JRBqgolitv8X-VfITahkgwuzZYKVg\/s1280\/globoplay-fim-marjorie-estiano-e-fabio-assuncao_9912.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"720\" data-original-width=\"1280\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh9CNhfILYBb4jqRPhuOorKcD9kjlQnbzq3z5xFeKj_m0z4WPR7ezTVdge7aVO5l2_yC3AkofhxA8hAQStNJKQHrDtrHpXZjkVGprmPvwzCgx3PwmL3jhpJFNXwqb7yyHo1HsP9G_YuHLZKzM2YfNedZsmFubqaJ2JRBqgolitv8X-VfITahkgwuzZYKVg\/w640-h360\/globoplay-fim-marjorie-estiano-e-fabio-assuncao_9912.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESílvio é o único que percebe as mudanças comportamentais na sociedade brasileira. Apenas porque volta-se a seu favor: a ascensão da cultura hippie e a liberalidade de costumes. Sílvio acredita que o mundo está moldando-se à sua filosofia da libertinagem – festas e mais festas com muitas orgias regadas a álcool e longas carreiras de cocaína. O seu caminho de hedonismo e autodestruição deixa ainda mais outro testemunho do curto brilho antes do fim.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiI0G1RQusbYY5120ucxNfCMPnBkqdj0y59WxRdL61FC-ISZefqPKYCNL_k1BepE2d1k3cCgSFzb3sq_q5aZ8Vt85aQqd-5YYZzhfy9ShxO-xT2Tn1p6bpGSMgqDmkA5rduwUdp_LyZK1GiPeZn-2-OQdnkJO3gakZvM0c0MRpQ5rYiXnge8L7xLqFifJI\/s384\/11647449_x216.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"216\" data-original-width=\"384\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiI0G1RQusbYY5120ucxNfCMPnBkqdj0y59WxRdL61FC-ISZefqPKYCNL_k1BepE2d1k3cCgSFzb3sq_q5aZ8Vt85aQqd-5YYZzhfy9ShxO-xT2Tn1p6bpGSMgqDmkA5rduwUdp_LyZK1GiPeZn-2-OQdnkJO3gakZvM0c0MRpQ5rYiXnge8L7xLqFifJI\/w640-h360\/11647449_x216.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESão amores, prazeres eróticos e casamentos que, de uma hora para outra, parecem não mais funcionar: por que algo tão bom de repente não mais funciona?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ETambém\u0026nbsp;\u003Ci\u003EFim\u003C\/i\u003E\u0026nbsp;descreve a amarga condição humana de que, a certa altura, tudo aquilo que a vida nos deu começa a ser tirada – é a pedra de Sísifo rolando montanha abaixo. Para começar, a perda de amigos e amores que morrem, deixando buracos na vida que nunca mais serão fechados.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO padre recorrente nos velórios que se sucedem no grupo, Padre Graça (Javier Drolas), é o personagem mais colocado em xeque pelos questionamentos contra a fé e a existência de Deus feitas pela viúva Ruth, além de confrontar abertamente o padre, assediando-o.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESem falar de Sílvio que, em pleno velório, convida a todos para uma festa de orgias em homenagem ao defunto...\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ETalvez Ruth seja aquela que mais coloca em prática a agenda da revolta de Albert Camus – ela desafia a racionalização consoladora da religião, expondo de forma visceral o desespero diante da absoluta falta de sentido pela fugacidade da existência.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" lang=\"EN-US\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EComo diz Jim Morrison na música “The End” da banda The Doors: “This is The End\/My only friend, The End”.\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; text-indent: 1cm;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; text-indent: 1cm;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/QGOlCWq3en8?si=BbNDbmIn6qcwBgEr\" title=\"YouTube video player\" width=\"600\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan lang=\"EN-US\" style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1.5pt medium; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"background: orange; font-size: 11pt;\"\u003EFicha Técnica\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ETítulo:\u0026nbsp;Fim (série)\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EDiretor:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EAndrucha Waddington\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ERoteiro:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp; Fernanda Torres, Andrucha Waddington\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EElenco:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EFábio Assunção, Marjorie Estiano, Débora Falabella, Bruno Mazzeo, Emílio Dantas, Heloísa Jorge, Laila Garin, Javier Drolas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EProdução:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;Conspiração Filmes\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EDistribuição:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EGloboplay\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EAno:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E2023\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EPaís:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EBrasil\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-family: Roboto; font-size: 10.5pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2021\/07\/visoes-gnosticas-e-budistas-sobre-roda.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EVisões gnósticas e budistas sobre a roda da vida e morte em 'Life After Life'\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2013\/08\/a-morte-e-uma-mercadoria-na-animacao.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EA morte é uma mercadoria na animação \"A Pequena Loja de Suicídios\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/01\/a-morte-e-o-pavor-existencial-no-filme.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EA morte e o pavor existencial no filme 'Ruído Branco'\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2014\/10\/o-humano-demasiado-humano-no-filme.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EO humano, demasiado humano no filme \"Relatos Selvagens\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/6877591704467242325"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/6877591704467242325"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/a-morte-e-unica-coisa-que-nos-une-na.html","title":"A morte é a única coisa que nos une na série 'Fim'"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjpAFlSJAjMzA0AgiO7AKkdKdZNAsG8xxUEvknz1zVwSID82JVbSQK4R_4SzioAXQrNEhodKbUtLfwXMFMyHuxSH1LvmKu35CIyWKhe61e3r5DgUq77hJuVFrui4iFpalD8Fy9jqfuuyHyvgEs12_IDmO4W_meynt7erMoEOV0tFTcBhbgnRQAlYGkHsng\/s72-w640-h360-c\/12040408.webp","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-6273124562953873274"},"published":{"$t":"2023-12-29T18:58:00.001-03:00"},"updated":{"$t":"2023-12-29T19:00:51.464-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Agenda tecnognóstica"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Cibercultura"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Jornalismo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mídia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Tecnognose"}],"title":{"type":"text","$t":"Robô \"ataca\" engenheiro na Tesla: a retórica do capitalismo high tech distópico de Elon Musk"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhZmH5XkRpVGOLCtYas0HGuOYm9AwPTnBKfXbQnC86f7nzq_bsO2XWokBd_aV9ZJUJcWySuSY0L0D7WIme3oYAwGcaOvp8gdrRu_op0LRFU5Gw6k_dOhyqtIgrk5dCaI56i_eCkAplJnlGyUK5fiupGkbQFx7kcANEyiSrqalmN_Geb12pbCB-PeuqiJBE\/s4096\/Musk.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"2475\" data-original-width=\"4096\" height=\"386\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhZmH5XkRpVGOLCtYas0HGuOYm9AwPTnBKfXbQnC86f7nzq_bsO2XWokBd_aV9ZJUJcWySuSY0L0D7WIme3oYAwGcaOvp8gdrRu_op0LRFU5Gw6k_dOhyqtIgrk5dCaI56i_eCkAplJnlGyUK5fiupGkbQFx7kcANEyiSrqalmN_Geb12pbCB-PeuqiJBE\/w640-h386\/Musk.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E“Revolução das máquinas!”. “Homens X Máquinas!”. “Robô ataca engenheiro!”. Foi com essas manchetes sensacionalistas que a mídia noticiou um acidente (\"ataque\" para a mídia) ocorrido na fábrica da Tesla em Austin, EUA, envolvendo um robô da linha de montagem. Matérias híbridas de jornalismo e marketing, que se alinham a uma paradoxal retórica de Elon Musk que poderíamos chamar de “capitalismo high tech distópico”. O bilionário já falou que estamos presos na Matrix e devemos fugir. Depois falou da necessidade da colonização de Marte para escaparmos da guerra nuclear. E agora alerta que a inteligência artificial ameaça extinguir a humanidade. A Mídia adora essa retórica de Musk: é sensacionalista e garante click baits. Mas também possui uma mais valia ideológica: por trás desse fetichismo distópico de máquinas que supostamente poderiam se tornar sencientes, ocultar o velho capitalismo tão bem apresentado por “Tempos Modernos” de Chaplin – das linhas de montagem aos algoritmos, a inovação tecnocientífica nada mais é do que a codificação das intenções, opiniões e predisposições econômicas e ideológicas codificadas pelos seus criadores: a elite tecnológica à serviço da burguesia.\u0026nbsp;\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EQualquer um que conheça minimamente a história do cinema, deve lembrar das célebres sequências da máquina de comer que serve enlouquecidamente comida para o operário Charlie Chaplin e depois quando ele cai na linha de montagem e é engolido pela máquina entrando nas suas engrenagens no filme\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ETempos Modernos\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(1936).\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENão há ambiguidade nas cenas e o significado é inequívoco: as máquinas, comandadas pelo capitalista, controlam os movimentos e o tempo dos trabalhadores – até na hora de almoçar não se deve parar para não atrasar a produção. Até no banheiro o pobre operário era vigiado.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO filme tornou-se um clássico, uma crítica humanística ao capitalismo da era do fordismo, das linhas de montagem, da padronização e alienação. Ou, para além da crítica política, a insalubridade e a loucura do trabalho como doença psíquica ocupacional.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA máquina não atacou Chaplin. Ela tornou-se disfuncional devida a urgência do capitalista em aumentar a produtividade e o lucro o mais rápido possível. A máquina não atacou. Ela se tornou disfuncionalmente perversa.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEram épocas em que a exploração e a figura do capitalista eram mais visíveis, explícitas, apenas racionalizado pela ética protestante do trabalho, agora aplicada ao proletário: seja operoso, pois o trabalho dignifica o homem.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiSKckxmf8NrZ4fIAji2Pq4eVIoeiLnPtfTvKaBEN2R0ol2UEhErTGxnkhPdRXkCZDJXjNlkXTOARe9zvSbJGBp8_jdwl5-1hSURZDhGyvugpRsbScQiUI3LgKSW0szIy8JnynvuEcUki7_00a6LkqsLTfJ-UyQJhlTOyUMJmhMW-PLmIn7Q1w-qGj-DmQ\/s705\/Captura%20de%20Tela%202023-12-29%20a%CC%80s%2018.22.10.png\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"386\" data-original-width=\"705\" height=\"350\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiSKckxmf8NrZ4fIAji2Pq4eVIoeiLnPtfTvKaBEN2R0ol2UEhErTGxnkhPdRXkCZDJXjNlkXTOARe9zvSbJGBp8_jdwl5-1hSURZDhGyvugpRsbScQiUI3LgKSW0szIy8JnynvuEcUki7_00a6LkqsLTfJ-UyQJhlTOyUMJmhMW-PLmIn7Q1w-qGj-DmQ\/w640-h350\/Captura%20de%20Tela%202023-12-29%20a%CC%80s%2018.22.10.png\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EAo contrário de hoje em que a figura do capitalista não só se pulveriza nas figuras jurídicas das S\/A e a divisão do capital em sociedades de acionistas, como também as novas ferramentas ideológicas, como o hibridismo entre jornalismo e marketing, criam a aparência de um novo capitalismo\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ehigh tech\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E: paradoxalmente, um capitalismo sem capitalistas, apenas com robôs, inteligência artificial e algoritmos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESe não, o que dizer sobre a cobertura que a grande mídia fez do suposto “ataque” de um robô a um engenheiro na linha de montagem automatizada da fábrica da Tesla, nos EUA?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO “ataque”\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EVamos primeiro à notícia.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO caso aconteceu em 2021, mas só veio à tona no final de 2023 através de um relatório da Tesla enviado às autoridades reguladoras americana. Um robô teria “atacado” (essa é a palavra usada recorrentemente pela mídia, sugerindo uma possível “intencionalidade” da máquina) um engenheiro que trabalha na fábrica da Tesla próxima à cidade de Austin, no Texas (Estados Unidos), deixando o funcionário ferido, conforme relatório vazado recentemente pelo site\u0026nbsp;\u003Ci\u003EThe Information\u003C\/i\u003E.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDe acordo com o documento,\u0026nbsp;o\u0026nbsp;robô envolvido no incidente era um dos três responsáveis por cortar peças a partir de placas de alumínio recém-fundidas. Dois deles haviam sido desligados para manutenção, mas este continuou a funcionar sem que ninguém notasse. Prendeu o engenheiro contra uma superfície, ferindo-o com suas garras metálicas nas costas e no braço, deixando-o gravemente ferido. Depois que outro trabalhador apertou um botão de parada de emergência, o engenheiro escapou do alcance do robô, caindo em uma rampa projetada para coletar sucata de alumínio.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA legislação exige que fábricas com alto índice de automação como a Tesla reporte imediatamente às autoridades incidentes envolvendo funcionários. Ao que parece, a fábrica do bilionário Elon Musk não vem fazendo isso. Principalmente sabendo-se que a fábrica tem sido alvo de críticas em relação à segurança no trabalho por\u003Cb\u003E\u0026nbsp;\u003C\/b\u003Eapresentar taxas elevadas de lesões na comparação com as médias da indústria nos EUA.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhmIZFOi_dR_awz16W1FA4VRIszgKffYn6vj08f1LNLJ01TMXk5Rx9pWkgFc2h4AZpLiRzwjYfhqEKL1uxl7ke2gmX7s_OQTOIE8WoLEpsRAXcqQqdP1HEZurJ21XQlaVNeE_iusnRjY_77hnc5v26ptwhFZjJwZNEYrE07X6zcKM4O9NUUEeDhTTJH95I\/s1020\/Tesla_.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"573\" data-original-width=\"1020\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhmIZFOi_dR_awz16W1FA4VRIszgKffYn6vj08f1LNLJ01TMXk5Rx9pWkgFc2h4AZpLiRzwjYfhqEKL1uxl7ke2gmX7s_OQTOIE8WoLEpsRAXcqQqdP1HEZurJ21XQlaVNeE_iusnRjY_77hnc5v26ptwhFZjJwZNEYrE07X6zcKM4O9NUUEeDhTTJH95I\/w640-h360\/Tesla_.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EFuncionários atuais e antigos apontam que a política da administração é poupar custos em medidas de segurança e construção, bem como pressão por produção rápida. Resultando em fatores contribuintes para os riscos de acidentes e lesões constantes dos funcionários. Além da exposição a substâncias tóxicas, acidentes com equipamentos pesados e explosões causadas pela água entrando em contato com alumínio fundido.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ENada de novo em relação àquilo que Chaplin retratou em\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ETempos Modernos\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E: controle do tempo e do próprio corpo dos trabalhadores para maximização da produtividade e lucro.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECapitalismo high tech distópico\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA novidade é a máquina midiática híbrida de marketing e jornalismo que transformou esse incidente em outra coisa: uma contribuição para narrativa que Elon Musk vem martelando ao longo dos anos. E que podemos chamá-la de\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ecapitalismo high tech distópico\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;– ironicamente, se no passado a distopia era um recurso sci-fi para denunciar as mazelas do capitalismo, hoje virou numa estratégia indireta de marketing.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMusk sempre andou na tênue fronteira entre as finanças e a mídia, desde os tempos dos cenários especulativo das empresas “ponto com” na virada do século, para depois partir como automóveis (Tesla Motors), energia solar (SolarCity), espaço (SpaceX) e transporte público (Hyperloop).\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECom charme para convencer investidores e receber gigantescas infusões de dinheiro público, o discurso de Musk sempre foi emergencial, apocalíptico: primeiro, começou a participar de eventos ao lado de personalidades como, por exemplo, o astrofísico Neil deGrasse, nos quais alertava de que somos prisioneiros na Matrix e que cientistas estão movendo esforços para escaparmos dela.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDepois, a necessidade de colonizar Marte através dos foguetes da SpaceX para fugirmos da guerra nuclear e da catástrofe ambiental.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAgora, recentemente Musk alertou que a IA “é um risco para a existência da nossa civilização... até as pessoas não vejam robôs matando gente na rua não se entenderão os perigos da inteligência artificial”. E finalizou prevendo que “dentro de 20 anos, não é que não haverá pessoas ao volante. É que simplesmente não haverá volante”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO jornalismo corporativo simplesmente adora essa retórica muskiana, sedenta por sensacionalismo,\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Eclick baits\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ee engajamento. Mas há também uma mais-valia ideológica nessa retórica distópica sedutora: sob essa espécie de fetichismo da tecnologia, ocultar um fato tão velho como o próprio capitalismo – o desenvolvimento tecnológico sempre esteve a serviço de uma necessidade existencial do capital: a transformação do trabalho complexo em trabalho simples, para submetê-lo à lógica da produtividade, eficácia e desempenho.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEisgRlO0e92ZTLKl9LBY0hEvEUo8k-1ClxvJa-Veurl2uYTlNEStgHrrUpXbo-0wBygQJt4S1lz_T1GlLbePKrQhmAVvXjCZ5Tqes6wQdJ2wg6ONG7dstiYAcWPu-dppzK_CgfalHMmJG_Rw8p4SJTgdPrzFdtXiVmG0t7rxbI2z058psn8K_ym13VVrrc\/s1328\/revolucao-industrial-1.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"844\" data-original-width=\"1328\" height=\"406\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEisgRlO0e92ZTLKl9LBY0hEvEUo8k-1ClxvJa-Veurl2uYTlNEStgHrrUpXbo-0wBygQJt4S1lz_T1GlLbePKrQhmAVvXjCZ5Tqes6wQdJ2wg6ONG7dstiYAcWPu-dppzK_CgfalHMmJG_Rw8p4SJTgdPrzFdtXiVmG0t7rxbI2z058psn8K_ym13VVrrc\/w640-h406\/revolucao-industrial-1.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EInterlúdio: máquina X trabalhador\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EUm pequeno interlúdio sobre essa lógica primária do capital:\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Eo capitalista deve se livrar do trabalho direto, complexo\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EUm trabalhador qualificado sempre representou um entrave à velocidade ideal da produção e à disciplina do trabalho. Primeiro, pelo fato do trabalhador ser dono do seu ofício implica num trabalho mais demorado e habilidoso; segundo, porque o trabalho no processo de produção deve ser homogêneo, simples, fragmentado, para que haja um livre fluxo; e terceiro, porque um trabalhador dono do seu ofício não se sujeita tão facilmente às decisões de gestão e empresariais.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDesde o fim do artesanato com as manufaturas da Revolução Industrial, passando para o fordismo, o início da automação com as máquinas de controle numérico, chegando à robótica, o princípio do avanço tecnológico no Capitalismo sempre foi esse: quantificar e simplificar aquilo que é complexo, até chegarmos a atual precarização do trabalho. Roubar do trabalhador o seu ofício para torná-lo simples, quantificado e rotinizado através de instruções codificadas, softwares, algoritmos e inteligência artificial.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAté o momento em que se torne obsoleto e, portanto, excluído: nem para ser explorado servirá mais.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA retórica do\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ecapitalismo high tech distópico\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;procura borrar essa lógica histórica do capital sob essa imagem de uma modernidade tão radical que a própria burguesia (ou a sua elite tecnológica) supostamente estariam perdendo o controle da sua criatura maquínica.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMarketing e jornalismo\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESe não, veja, caro leitor, a retórica das matérias jornalística sobre o incidente na fábrica da Tesla.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E(a) “Revolução das máquinas? Robô da Tesla, de Musk, sai do controle e ataca funcionário” (MoneyTimes);\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E(b) “Robô ataca engenheiro em fábrica da Tesla nos Estados Unidos” (Tecmundo);\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E(c) “Homem X máquinas: Robô da Tesla sai do controle e ataca engenheiro que tentava reprogramá-lo” (Bit Notícias);\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E(d) “Robô ataca engenheiro da Tesla: perigo real?” (Portal O Correio).\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiBL9k5SwmFVxrrQtupVqsZjxR7KvA2kQye0TfKp1ZPyHTrQHFLaLcAgmFimmOuKwg4ZWoW1b0qeq0aLxA_7_BcJ5S3u4byoTJ2sgZbrdhORut4Erkrvg7PwhfuDiXOn38xL9r5IP-JDyAf_zFrJq2S8UKPMTf5-fCF4U7KXNsk5MiqVFo-syP6GL64s-o\/s719\/Captura%20de%20Tela%202023-12-29%20a%CC%80s%2018.43.26.png\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"402\" data-original-width=\"719\" height=\"358\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiBL9k5SwmFVxrrQtupVqsZjxR7KvA2kQye0TfKp1ZPyHTrQHFLaLcAgmFimmOuKwg4ZWoW1b0qeq0aLxA_7_BcJ5S3u4byoTJ2sgZbrdhORut4Erkrvg7PwhfuDiXOn38xL9r5IP-JDyAf_zFrJq2S8UKPMTf5-fCF4U7KXNsk5MiqVFo-syP6GL64s-o\/w640-h358\/Captura%20de%20Tela%202023-12-29%20a%CC%80s%2018.43.26.png\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDuas coisas chamam a atenção nessa retórica midiática. Primeiro, a expressão “robô ataca”, sugerindo muito mais do que uma disfunção, falha ou erro na configuração robótica – haveria uma intencionalidade ou propósito recôndito nas máquinas. Reforçado pela sensacionalista pergunta “Revolução das máquinas?” ou “Homem X máquina”. Uma alusão ao imaginário cinematográfico desde HAL 9000 de 2001.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESegundo, as fotos que ilustram a maioria das reportagens mostram robôs humanoides, reforçando a alusão fílmica. Poucas matérias são ilustradas pelos robôs reais de uma linha de montagem automotiva: punhos, garras e ferramentas de grandes braços mecânicos – nada antropomórfico como os replicantes ou autômatos do cinema.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EOs robôs humanoides que ilustram a maioria das matérias induzem o leitor a imergir nesse imaginário distópico da “revolução das máquinas”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EQuando uma máquina adquiriria a intencionalidade de “atacar” um ser humano? Quando ela chegasse a um salto que os engenheiros computacionais distópicos chamam de “singularidade”. Um futuro no qual a humanidade viverá um salto qualitativo tecnológico em um curtíssimo espaço de tempo, quando a inteligência artificial terá superado a inteligência humana, alterando radicalmente a civilização e o próprio conceito de natureza humana.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECientistas como Vernor Vinge (criador do conceito) e Raymond Kurzweil defendem que a singularidade será um evento semelhante ao surgimento da inteligência humana na Terra.\u0026nbsp;\u0026nbsp;Acreditam que o surgimento iminente de supercomputadores dotados de inteligência seriam a base de tais avanços – somente uma inteligência superior à humana poderia fazer avanços científicos e tecnológicos tão rápidos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgobrw9uJ4cCnJ7Q8IbZjGXyhu0R1C6Oo1HvQOCTOMCyF0oo1memY7B3C9qGZFp6XoM6grIX0floupAgZuJ5xAARyueKVpuUyDUPxlxO2QySyczs4kzYgivFof4MDdVLFfrg5nUDKS3GO7TSt98FPBOyY2Wku6R5g2Y2Ap8ic1WaCh1dT2PqJTv2IRV9iM\/s1024\/ZZJACAEOZ5NCRLAKBZVSJAN44A.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"768\" data-original-width=\"1024\" height=\"480\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgobrw9uJ4cCnJ7Q8IbZjGXyhu0R1C6Oo1HvQOCTOMCyF0oo1memY7B3C9qGZFp6XoM6grIX0floupAgZuJ5xAARyueKVpuUyDUPxlxO2QySyczs4kzYgivFof4MDdVLFfrg5nUDKS3GO7TSt98FPBOyY2Wku6R5g2Y2Ap8ic1WaCh1dT2PqJTv2IRV9iM\/w640-h480\/ZZJACAEOZ5NCRLAKBZVSJAN44A.jpeg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EToda essa retórica em torno da singularidade possui duas funções ideológicas: uma como motivação mística para a elite tecnológica; e outra, como consumo ideológico para as massas: o marketing que quer nos fazer acreditar que a IA é realmente “inteligente”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EComo motivação mística, é a filosofia do pós-humanismo que impregna a elite tecnológica do Vale do Silício. O sonho tecnognóstico de imortalidade de engenheiros e cientista neuro cognitivos: a criação de uma inteligência superior em nuvem para o qual migraríamos nossas consciências digitalizadas em um upload final.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPorém, o mais importante é fazer as massas acreditarem que as máquinas são, de fato, inteligentes. A retórica de Musk (reforçada por essa abordagem sensacionalista midiática) faz parte desse esforço em tirar da burguesia qualquer responsabilidade sobre algoritmos e a automação. Seria como se, a qualquer momento, pudessem se transformar em entidades paradoxalmente ex-machina,\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EOra, desde as indústrias de tecelagem da Revolução Industrial, as máquinas são planejadas, construídas e postas em funcionamento para submeter o trabalhador ao ritmo e lucratividade do capital. E com os algoritmos não é diferente. Algoritmo nada mais é do que opinião, intencionalidade e predisposição humana codificada – a própria luta de classes codificada.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA novidade é esse marketing generalizado. E Elon Musk é a principal estrela, com o seu tom distópico celebrado pela grande mídia. A celebração de um novo capitalismo sem capitalistas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-family: Roboto; font-size: 10.5pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: repeat rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2017\/03\/a-fronteira-final-neoliberalismo-vai-ao.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EA fronteira final: neoliberalismo vai ao espaço com Elon Musk\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: repeat rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2021\/11\/inteligencia-artificial-colocara-em.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EInteligência Artificial colocará em risco a humanidade e a realidade, alertam cientistas\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2017\/07\/com-neuralink-elon-musk-quer-privatizar.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003ECom Neuralink, Elon Musk quer privatizar a mente humana com interface bio-eletrônica\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: repeat rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/07\/the-artifice-girl-o-marketing-que-nos.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003E'The Artifice Girl': o marketing quer nos fazer acreditar que a IA é \"inteligente\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/6273124562953873274"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/6273124562953873274"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/robos-atacam-engenheiros-na-tesla.html","title":"Robô \"ataca\" engenheiro na Tesla: a retórica do capitalismo high tech distópico de Elon Musk"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhZmH5XkRpVGOLCtYas0HGuOYm9AwPTnBKfXbQnC86f7nzq_bsO2XWokBd_aV9ZJUJcWySuSY0L0D7WIme3oYAwGcaOvp8gdrRu_op0LRFU5Gw6k_dOhyqtIgrk5dCaI56i_eCkAplJnlGyUK5fiupGkbQFx7kcANEyiSrqalmN_Geb12pbCB-PeuqiJBE\/s72-w640-h386-c\/Musk.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-3416185103590484194"},"published":{"$t":"2023-12-26T18:15:00.003-03:00"},"updated":{"$t":"2023-12-27T05:40:44.442-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Bomba semiótica"},{"scheme":"http://www.blogger.com/atom/ns#","term":"guerra híbrida"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Jornalismo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Karl Marx"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Livros"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mídia"}],"title":{"type":"text","$t":"Contra as bombas semióticas da \"Empatia\" e do \"Faça a diferença\""},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjRIF2dNLEMvUPcnA4tT-4iauneoTj72u1gNq3yM7GS4vcKYJxlwOu3H_68m183q0QqZrbzGyKFV0mF-7QtXo0mEw5t8oYDy3uMIGuAGQ6KPhXKzM96F3vz6K-YA07Fa31gDDnSpATEYk7dF0vMl2-KIScsUSVqLTTE4Q_yCuZuiPSNjob4O2rHxDndqgM\/s1000\/AgainstEmpathy.jpeg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"700\" data-original-width=\"1000\" height=\"448\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjRIF2dNLEMvUPcnA4tT-4iauneoTj72u1gNq3yM7GS4vcKYJxlwOu3H_68m183q0QqZrbzGyKFV0mF-7QtXo0mEw5t8oYDy3uMIGuAGQ6KPhXKzM96F3vz6K-YA07Fa31gDDnSpATEYk7dF0vMl2-KIScsUSVqLTTE4Q_yCuZuiPSNjob4O2rHxDndqgM\/w640-h448\/AgainstEmpathy.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E“Empatia” e “faça a diferença” são expressões que marcaram 2023. Apareceram em todos os lugares: no colunismo e editoriais da grande mídia, em vídeos publicitários das grandes marcas globais, nos discursos motivacionais corporativos, na literatura de autoajuda. Viraram palavras mágicas através das quais podemos supostamente fazer uma sociedade melhor e mudar o mundo! Há uma relação direta entre o aumento da polarização política e escalada midiática dessas palavras, consideradas antídotos para todas as mazelas do ódio e intolerância. O mais irônico, é que aqueles que lançam essas palavras mágicas como slogans ou hashtags foram os responsáveis pela doença que supostamente pretendem curar: o jornalismo de guerra que deu visibilidade ao extremismo político e fundações privadas educacionais de bilionários que financiaram a cismogênese brasileira. “Empatia” e “faça a diferença” viraram bombas semióticas do “Sim!” que retroalimentam aquilo que simulam querer sanar.\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EUma palavra e uma expressão marcaram esse ano de 2023. Elas já vinham frequentando bastante nos últimos anos postagens em redes sociais, crônicas e textos da grande mídia. Mas nada se comparou a esse ano que termina, repetidas como mantra em dez em cada dez vídeos publicitários ou em propagandas dessas organizações internacionais de ajuda humanitária e ONGs de ações em cidadania pedindo apoio e doações: “empatia” e “faça a diferença”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E“Empatia” como a verdadeira cura para a “polarização política” que cindiu a sociedade brasileira de alto a baixo, seja nas esferas políticas, familiares ou relacionais. Além da “inteligência emocional” necessária para superarmos o ódio, preconceito, intolerância, racismo etc.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EE a exortação “faça da diferença” como a solução para todas as mazelas sociais e planetárias como, por exemplo, fome, desigualdade, guerras e crise climática.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO curioso é que essas palavras que supostamente seriam a solução para uma espécie de humanidade esquecida desde a crise pandêmica da Covid-19 num país em que o presidente Bolsonaro tocava um “f*da-se” com a tese da “imunidade de rebanho”, convivem com expressões popularizadas por esse próprio governo. Cujas origens estão no imaginário militar: “pacificar o problema\/questão” (“pacificar” no jargão militar é “derrotar o inimigo”, restituir a paz por meio da guerra), repetido igualmente como mantra entre “colonistas” da grande mídia sobre, por exemplo, as controvérsias em torno do “déficit zero” e austeridade fiscal.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEikF52jiyxIPNNEFzn-hhvd3yRfRBLXoAsq2MbNEyMF-azdkVmnyiW4r2Wq4XpLvAl4BL_J19Os0_f1RkV8MFTrNP5e_a3zwUfRqcqkRLlitK8aZlYGtwhqopue5QeZzYUr3TsFKH5jXxF7ALi1eFLiuz16I2XLE45Tmfwvemi5gi77MKlBo9nbDsaapYU\/s1094\/bolsonaro-mourao-relacao-7.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"699\" data-original-width=\"1094\" height=\"408\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEikF52jiyxIPNNEFzn-hhvd3yRfRBLXoAsq2MbNEyMF-azdkVmnyiW4r2Wq4XpLvAl4BL_J19Os0_f1RkV8MFTrNP5e_a3zwUfRqcqkRLlitK8aZlYGtwhqopue5QeZzYUr3TsFKH5jXxF7ALi1eFLiuz16I2XLE45Tmfwvemi5gi77MKlBo9nbDsaapYU\/w640-h408\/bolsonaro-mourao-relacao-7.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003Cb\u003E\u003Ci\u003E\u003Cspan style=\"background-color: black; color: white; font-family: Roboto;\"\u003EBolsonaro e Mourão: na vanguarda semântica da grande mídia\u003C\/span\u003E\u003C\/i\u003E\u003C\/b\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EOu a expressão “zero problema”, outra que vem direto da caserna. Expressões que, salvo engano, passei a ouvir pela primeira vez nas vozes de Bolsonaro e do seu vice “tecla SAP” general Mourão – aquele que traduzia para os repórteres setoristas em Brasília o que o presidente havia tentado dizer... E que a grande mídia acrescentou ao seu glossário, num ato falho do seu apoio envergonhado ao governo de ocupação militar do Estado.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ETudo isso guarda uma profunda ironia: todos aqueles que agora falam em “empatia” e “fazer a diferença” foram os responsáveis por aquilo que supostamente tentam consertar: promoveram o jornalismo de guerra, deram visibilidade a todo o discurso de ódio e intolerância como aliado de ocasião para incitar a cismogênese que conduziu às formas híbridas de golpe em 2016 e 2018. Ou ainda deram apoio logístico e financeiro para as vozes desse discurso para saírem às ruas de verde-amarelo ou alimentar os haters na Internet.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESe não, vejamos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA jornalista Giuliana Morrone, uma das que fizeram parte da linha de frente em Brasília no jornalismo de guerra da Globo, publica no Estadão coluna apontando para a “absoluta falta de empatia” na “polarização política” e de que é necessário “coragem e autenticidade” para entendermos a “dor do outro”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EOu ainda o jornalão “Folha de São Paulo” que destaca iniciativas na educação pública e privada, como a plataforma criada pela Fundação Lemann, para auxiliar professores no “desenvolvimento socioemocional dos alunos”: estimular empatia e “flexibilidade” para capacitar alunos ao mercado de trabalho - aulas semanais para trabalhar o respeito, a tolerância, a solidariedade, a perseverança e outras habilidades. –\u0026nbsp;\u003C\/span\u003E\u003Ca href=\"https:\/\/www1.folha.uol.com.br\/seminariosfolha\/2023\/09\/escolas-estimulam-empatia-e-flexibilidade-para-capacitar-alunos-ao-mercado.shtml\" style=\"color: purple;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: red; font-size: 11pt; line-height: 19.0667px;\"\u003Eclique aqui\u003C\/span\u003E\u003C\/b\u003E\u003C\/a\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA Fundação do mesmo bilionário Jorge Paulo Lemann que, através da Fundação Estudar, financiou e deu apoio operacional ao Movimento Vem Pra Rua em 2014 – o ponto zero da cismogênese brasileira –\u0026nbsp;\u003C\/span\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2017\/08\/receita-para-fazer-uma-revolucao.html\" style=\"color: purple;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: red; font-size: 11pt; line-height: 19.0667px;\"\u003Eclique aqui\u003C\/span\u003E\u003C\/b\u003E\u003C\/a\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEnquanto isso, organizações humanitárias como Médicos Sem Fronteiras tem suas instalações bombardeadas por Israel e mais de 100 funcionários da ONU (psicólogos, médicos etc.) morrem na Faixa de Gaza. Tudo que essas organizações fazem são protestos tímidos e protocolares (obviamente, sem a grande mídia dar qualquer destaque), contradizendo o mote do “fazer a diferença” que tanto exortam na sua propaganda para telespectadores que acreditam que podem mudar o mundo fazendo “sua parte”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPara além da ironia, há uma lógica nessa aparente contradição. “Empatia” e “fazer a diferença” não são a solução. Porque acabaram fazendo parte do problema por estarem mal colocadas. E, por isso, viram instrumentos ideológicos, verdadeiras bombas semióticas que apenas retroalimentam aquilo que os incautos bem-intencionados acreditam ser a solução.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESão palavras cheias de boa-fé, otimismo, positividade que, como de resto, todo o chamado “neoliberalismo progressista” (o discurso do identitarismo, das questões de gênero, diversidade etc.) inspira.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA eficiência da “Empatia” e “fazer a diferença” é que são aquilo que esse humilde blogueiro chama de bombas semióticas do “Sim!”: geram unanimidade instantânea, consenso imediato. Quem pode ser contra ideias tão inspiradoras e otimistas para melhorar o mundo?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEntão, vamos fazer a engenharia reversas dessas bombas silenciosas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EContra a Empatia\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cdiv\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EQuem pode ser contra a empatia? O professor de psicologia em Yale e autor do livro “Against Empathy” Paul Bloom. Para ele, a maioria de nós está completamente errado sobre o conceito de empatia. E acrescentaria: por isso é a bomba semiótica perfeita para encobrir a perversa lógica da retroalimentação.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh-zrVFG0sxCpY5liJVV_1GX0XZes_ZaIM1Zo5QXXz1zrTb2kSGVQZaOMMDEQQw6Ty0bE98FEFPiA2c7RLeWjOxyJ3A6-IQ6qOpHdsPbaS5BPesDzhCHkaw0oweE1Pm2JGKs4toqLv5PeF8Ka3jwKecxOBKIEaWHvsT9poA6zZioaWYOL_BWCNRvAFwN4M\/s3836\/Against%20Empathy.jpg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"2291\" data-original-width=\"3836\" height=\"382\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh-zrVFG0sxCpY5liJVV_1GX0XZes_ZaIM1Zo5QXXz1zrTb2kSGVQZaOMMDEQQw6Ty0bE98FEFPiA2c7RLeWjOxyJ3A6-IQ6qOpHdsPbaS5BPesDzhCHkaw0oweE1Pm2JGKs4toqLv5PeF8Ka3jwKecxOBKIEaWHvsT9poA6zZioaWYOL_BWCNRvAFwN4M\/w640-h382\/Against%20Empathy.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EBloom procura um senso mais estrito e científico de empatia: “Percebi que as pessoas significam coisas diferentes por empatia. Algumas pessoas tomam a empatia para significar tudo de bom ou moral, ou para ser gentil em algum sentido geral” – leia BLOOM, Paul.\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EAgainst Empathy: The Case for Rational Compassion\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, Vintage, 2018.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA principal questão de Bloom é o seu papel sobre a tomada de decisões morais. Empatia é a capacidade de sentir ou compreender a dor de outra pessoa. O que é muito diferente da compaixão, que significa dar um peso moral ou valorizar essa dor – importamos com o outro, sem necessariamente sentir a mesma dor dele.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA tendência do “design da empatia” é a individualização:\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cblockquote style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ESe você e eu somos as únicas pessoas na terra e você está com dor e eu posso ajudá-lo e fazer sua dor desaparecer, e eu sinto empatia por você e então eu faço sua vida melhor, a empatia fez algo de bom. Mas o mundo real não é nem de longe tão simples. As falhas de design da empatia têm a ver com o fato de que ela age como um holofote. Aumenta o zoom. Mas os holofotes só iluminam onde você os aponta e, por esse motivo, a empatia é tendenciosa –\u0026nbsp;\u003C\/span\u003E\u003Ca href=\"https:\/\/www.vox.com\/conversations\/2017\/1\/19\/14266230\/empathy-morality-ethics-psychology-compassion-paul-bloom\" style=\"color: purple;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: red; font-size: 11pt; line-height: 19.0667px;\"\u003Eclique aqui\u003C\/span\u003E\u003C\/b\u003E\u003C\/a\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E.\u003C\/span\u003E\u003C\/span\u003E\u003C\/blockquote\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPara ele o principal problema é o fenômeno da “inumeração”: a empatia aponta o holofote para um, mas não atende a diferença entre 100 ou um em mil. É por causa da empatia que muitas vezes nos preocupamos com o sofrimento de uma pessoa do que de 100 ou mil, o que transforma sofrimentos verdadeiros em abstração estatística.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPara Bloom, a empatia é uma fonte maravilhosa de prazer ao nível da ficção (identificarmos com um personagem) e na intimidade é fundamental para o sexo. Mas no campo do domínio moral, a empatia acaba se tornando um desvio.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiIWWFNR8NNgDeEaEEW9olY_muXYg9NZ83KyKjvRuJ0bHwirKt7TiSQ7XVOCa-voeetu_xPCYMAArYSs9e7j203ABwG1Q2bG6FTneytLg0GcGxp458cYlkQy9dfQJpVGpM7xpZrwEPnwdpaYw5kL11UOifcGmZHv0u2yLtO_O3ocxNX8zB4oiZNIsZluuE\/s900\/o-reporter-tiago-scheuer-tira-foto-com-fa-1666316439945_v2_900x506.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"506\" data-original-width=\"900\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiIWWFNR8NNgDeEaEEW9olY_muXYg9NZ83KyKjvRuJ0bHwirKt7TiSQ7XVOCa-voeetu_xPCYMAArYSs9e7j203ABwG1Q2bG6FTneytLg0GcGxp458cYlkQy9dfQJpVGpM7xpZrwEPnwdpaYw5kL11UOifcGmZHv0u2yLtO_O3ocxNX8zB4oiZNIsZluuE\/w640-h360\/o-reporter-tiago-scheuer-tira-foto-com-fa-1666316439945_v2_900x506.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EComo bem demonstra o exercício empático da grande mídia que concentra o holofote em “histórias inspiradoras” – o peso da valoração moral torna-se individual, concentra o foco em casos exemplares, perdendo-se de vista a dimensão coletiva, de classe social – como de resto o faz o discurso do neoliberalismo progressista: dissolve a luta de classes em identidades de gênero, raça etc.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EQuestões políticas, sociais ou econômicas complexas (porque estruturais relacionadas a modos de produção amplos sedimentados historicamente) deixam o campo da indignação moral para entrar no campo subjetivo do “estar no lugar do outro” ou de “querer sentir a dor do outro”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENão por menos que a consequência do holofote da empatia é a clivagem da comunicação do “lugar de fala”: com a pulverização da sociedade através da “inumeração” produzida pela empatia, só poderemos sentir a dor do outro desde que ele seja o nosso semelhante identitário: a mesma raça, gênero etc.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEmpatia cai como uma luva no discurso do neoliberalismo progressista porque o seu mecanismo da inumeração corresponde a sua visão de mundo microssocial ou microeconômica, lembrando o mecanismo ideológico das “robinsonadas” que tanto Karl Marx criticava no liberalismo clássico - acusava os economistas burgueses de fazerem “robinsonadas”, numa alusão à história de Robinson Crusoé isolado em sua ilha. Marx acusava as análises econômicas de sempre tomarem como ponto de partida o indivíduo isolado, sem determinações sociais. O indivíduo supostamente como um produto da Natureza – leia MARX, Karl. “Introdução à Contribuição para a Economia Política”, 1859.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECom a empatia temos o mesmo princípio: se você e eu formos as únicas pessoas em uma ilha, sentir a dor do outro é muito mais simples. Mas no mundo real, coletivo e social as coisas não são de longe assim tão simples. Elas entram no campo das decisões e valorações morais que implicam políticas públicas ou ativismo coletivo para transformar uma realidade dada.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EÉ o mesmo mecanismo ideológico que, por exemplo, transforma as questões de orçamento e investimento do Estado na simplicidade do pensamento midiático do fiscalismo: transformar as contas públicas em contas de padaria ou a gestão do orçamento doméstico.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEicOzPuPPOCj6kdV0ANrM6ejtCzbjwgZAIO2umtHMmHLOvq3Q3oMSWpSTND6IhdOoTjPSVxT_D1sPjwCb5nJ2CNHVMXGAZa1PJg0WNtOLADK_NvP-ykXubD3x1CzAqp0BA6j4xwuHS-UFB5rGVlwkGXXErYX3GttX5GDAMRHyPyahB9JZnjsDBWOC0F2MQ\/s500\/Csx19ALWEAE04jB.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"500\" data-original-width=\"500\" height=\"400\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEicOzPuPPOCj6kdV0ANrM6ejtCzbjwgZAIO2umtHMmHLOvq3Q3oMSWpSTND6IhdOoTjPSVxT_D1sPjwCb5nJ2CNHVMXGAZa1PJg0WNtOLADK_NvP-ykXubD3x1CzAqp0BA6j4xwuHS-UFB5rGVlwkGXXErYX3GttX5GDAMRHyPyahB9JZnjsDBWOC0F2MQ\/w400-h400\/Csx19ALWEAE04jB.jpeg\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E“Fazendo a diferença” faz a diferença?\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cdiv\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA expressão “fazer a diferença” é uma variação atual do clássico “fazer a sua parte”. Lá pelos idos da chamada “crise hídrica” de 2014 em São Paulo, o slogan da Sabesp era “cada gota conta”: se cada um economizar uma gota, ou seja, fazer a sua parte, mão faltaria água para todos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EOu ainda o marketing de uma agência de publicidade para bikes compartilhadas em uma ciclovia em São Paulo nas quais estava estampado o slogan “Isso muda o mundo” – se cada um fizer a sua parte, deixar o carro em casa e ir para o trabalho de bicicleta, o meio ambiente seria salvo.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EHoje essa expressão ficou generalizada, seja numa matéria jornalística (um entrevistado fala que se o cidadão fizer tal coisa fará a diferença), uma campanha publicitária de uma organização humanitária (se você nos apoiar “faremos nossa parte” ou “nos apoie e faça a diferença” etc.) ou mesmo no mundo corporativo onde “fazer a diferença” é o mantra da produtividade.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEsse fenômeno linguístico que virou uma bomba semiótica faz parte de um fenômeno mais amplo do século XXI: a ascensão global da extrema direita e o retorno de ideias supostamente superadas pelas revoluções científicas da virada do século XIX-XX. Ideias como o neomalthusianismo, Eugenia e pureza racial, a teoria da Terra Plana, Lombroso e a Antropologia Criminal, Frenologia, Positivismo de Augusto Comte etc. voltaram a ganhar espaço em agendas neoconservadoras ou simplesmente reacionárias.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPor trás dessa expressão esconde-se o estranho retorno da filosofia positivista de Auguste Comte (1798-1857) do século XIX. Para o Positivismo a sociedade funcionaria por meio de um mecanismo newtoniano: causa e efeito e eventos que se acumulam (1+1+1...) até formar um Todo.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAtravés do estudo de cada parte chegaríamos ao Todo por adição. Desde Hegel (“A verdade é o Todo”) até chegar à fenomenologia e a psicologia Gestalt descobriu-se que, na verdade, o Todo não é a mera soma das partes. Confirmado depois pela Teoria do Caos na Física, na qual a dinâmica é sempre complexa, caótica, marcada por saltos qualitativos (a velha dialética de Hegel) e atratores estranhos semelhante à mecânica dos fluidos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgLmdJCPl-BZyC1lzlkmEtE55r_wfvO4XUQl0Cq4KiAfnbrt3_wq_dEMoM81CKpv9dBx9WdjAi2mHUl6w7xDcwc5IIpFWg6mSlGkZvAJ38FEfxhTtiFnadwS6VVXxQVO5Zf71bkUWIXXFJsO6CwuyptVuYwshfNEW7dUTl5-ZSu25lXG1wg3T_aOxk18dI\/s4096\/Marx-Crusoe%CC%81.jpg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"2314\" data-original-width=\"4096\" height=\"362\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgLmdJCPl-BZyC1lzlkmEtE55r_wfvO4XUQl0Cq4KiAfnbrt3_wq_dEMoM81CKpv9dBx9WdjAi2mHUl6w7xDcwc5IIpFWg6mSlGkZvAJ38FEfxhTtiFnadwS6VVXxQVO5Zf71bkUWIXXFJsO6CwuyptVuYwshfNEW7dUTl5-ZSu25lXG1wg3T_aOxk18dI\/w640-h362\/Marx-Crusoe%CC%81.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EIsso significa que as mudanças sociais não ocorrem com ações aditivas, mas por quebras de ordens e paradigmas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EPelo\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ewishiful thinking\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;do “fazer a diferença” acreditamos que um gesto individual fará a diferença, que as mudanças ocorrerão pela simples adição das escolhas feitas por indivíduos genéricos para os quais comunicamos também nossas escolhas. Quando esses gestos se somarem, magicamente através de algum tipo de contaminação viral (a “corrente do bem”), de uma hora para outra, ocorrerá um salto que transformará a sociedade.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMais uma vez o macrossocial é diluído pelo micro, em outra “robinsonada”: para o neoliberalismo progressista a sociedade é uma soma de ações individuais imbuídas de boa fé e positividade, sem ação coletiva consciente ou projeto público. A sociedade é apenas feita por uma soma de crentes motivados por slogans e hashtags.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENenhuma ação individual “faz a diferença”. Os sistemas têm uma dinâmica muita mais complexa do que o simplismo semiótico do marketing e propaganda.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPortanto, essas bombas semióticas do “Sim!” têm sua letalidade explosiva exatamente na retroalimentação da cismogênese e polarização: de um lado, a “inumeração” da empatia apenas reforça a divisão pela clivagem da comunicação do “lugar de fala”; e do outro, o narcisismo e autoindulgência do “fazer a diferença” ignora a dimensão pública, coletiva e mesmo grupal.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDo Estado mínimo ao Mínimo Eu neoliberal.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2015\/04\/o-top-10-do-bestiario-neoconservador.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EO Top 10 do bestiário neoconservador para o século XXI\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2014\/08\/marina-silva-e-as-novas-bombas.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EMarina e as novas bombas semióticas do \"Sim!\" e do \"Storytelling\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2019\/08\/amazonia-na-guerra-criptografada-bomba.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EAmazônia na guerra criptografada: bomba semiótica do \"Sim!\" e a vidraça quebrada\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2014\/10\/a-simplicidade-descolada-coxinhas-20-e.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EA simplicidade descolada, coxinhas 2.0 e o novo neoconservadorismo\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/3416185103590484194"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/3416185103590484194"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/contra-as-bombas-semioticas-da-empatia.html","title":"Contra as bombas semióticas da \"Empatia\" e do \"Faça a diferença\""}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjRIF2dNLEMvUPcnA4tT-4iauneoTj72u1gNq3yM7GS4vcKYJxlwOu3H_68m183q0QqZrbzGyKFV0mF-7QtXo0mEw5t8oYDy3uMIGuAGQ6KPhXKzM96F3vz6K-YA07Fa31gDDnSpATEYk7dF0vMl2-KIScsUSVqLTTE4Q_yCuZuiPSNjob4O2rHxDndqgM\/s72-w640-h448-c\/AgainstEmpathy.jpeg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-7365796671493621790"},"published":{"$t":"2023-12-24T17:51:00.000-03:00"},"updated":{"$t":"2023-12-24T17:51:17.842-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cinema Americano"},{"scheme":"http://www.blogger.com/atom/ns#","term":"ficção científica"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Filme Estranho"},{"scheme":"http://www.blogger.com/atom/ns#","term":"hipo-utopia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Karl Marx"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Teorias Conspiratórias"}],"title":{"type":"text","$t":"Em 'Paisagem com Mão Invisível' o Capitalismo é extraterrestre"},"content":{"type":"html","$t":"\u003Cp\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjdBBBSLWx2oAgxx6wjS9fAV4LUNlpggV3GM1Uw9e2nEZnm28tImRbUWYpahL1Yfuz5iOZ4h5S2A5DZPGnjCU0wzZarL7jkXBBrGZdo-R-YEKUgVy3cGLBIXiZtTVpGKJeymXiR8zKPlH3sONlRRpYgNfA2wC8siXZ9nqCAC1EkGF3jWp6aEPWMSkDHjRY\/s1440\/Landscape.jpeg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1080\" data-original-width=\"1440\" height=\"480\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjdBBBSLWx2oAgxx6wjS9fAV4LUNlpggV3GM1Uw9e2nEZnm28tImRbUWYpahL1Yfuz5iOZ4h5S2A5DZPGnjCU0wzZarL7jkXBBrGZdo-R-YEKUgVy3cGLBIXiZtTVpGKJeymXiR8zKPlH3sONlRRpYgNfA2wC8siXZ9nqCAC1EkGF3jWp6aEPWMSkDHjRY\/w640-h480\/Landscape.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO filme “Paisagem com Mão Invisível” (Landscape with Invisible Hand, 2023, disponível na Amazon Prime Video), adaptação do livro homônimo de M.T. Anderson, é um curioso mix de Economia Política e ficção científica. Fazendo alusões a duas coisas bem atuais: exclusão e precarização do trabalho no novo salto tecnológico do capitalismo; e as teses de estudiosos do fenômeno Ovni de que governos e elites econômicas não só sabem da presença alien nesse planeta, como também o salto tecnológico das últimas décadas veio da colaboração dessas elites com extraterrestres. Uma conspiração entre a elite e aliens contra a maioria dos seres humanos tornados obsoletos por hologramas e Inteligência Artificial. O filme é uma sátira sombria de um contexto que o Fórum Econômico Mundial define como “Grande Reset Global do Capitalismo”.\u003C\/span\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPor essa Karl Marx não esperava. Na verdade, Marx sequer suspeitava da capacidade do Capitalismo continuamente se reinventar, dando sucessivos saltos mortais assumindo as suas diversas formas tardias: o nazifascismo para saltar do crash de 1929; sociedade de consumo e Guerra Fria para dar o salto do pós-guerra; a Globalização para dar o salto da financeirização etc.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ETudo para superar a contradição das contradições que, Marx acreditava, levaria o Capitalismo ao túmulo: a lei da taxa de lucro decrescente, paradoxalmente através do seu próprio sucesso: aumento da produtividade pela tecnologização e automação, mudando a composição orgânica do capital – mais precisamente, o decréscimo do trabalho vivo, elemento crucial gerados da mais-valia.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas Marx não esperava, e sequer imaginava, a incrível combinação criativa entre o chamado Grande Reset Global do Capitalismo (agenda de reformas econômicas do Fórum Econômico Mundial) e a indústria do entretenimento.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E“O mundo está quase todo parcelado, colonizado, conquistado, dividido. Penso nas estrelas, quantos vastos mundos poderemos atingir... eu anexaria os planetas, se pudesse”, suspirava o empresário britânico Cecil Rhodes no início do século XX. Imaginava que a única forma do Capitalismo subsistir seria a colonização de outros mundos - Leia HUBERMAN, Leo, \u003Ci\u003EHistória da Riqueza do Homem\u003C\/i\u003E, LTC, 2010.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas, e se outras civilizações na galáxia estiverem pensando na mesma coisa? E se a ambição de capitalistas terráqueos e alienígenas der “match”? E se o chamado Grande Reset Global do Fórum de Davos for, secretamente, um conluio com ambições colonialistas alienígenas?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EMarx não sequer poderia imaginar um livro e sua adaptação cinematográfica\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EPaisagem com Mão Invisível\u0026nbsp;\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E(\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ELandscape with Invisible Hand\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, 2023), dirigido e adaptado por Cory Finley (\u003Ci\u003EThroughbreds, Bad Education\u003C\/i\u003E) que acompanha um aspirante a pintor adolescente e sua família que lutam para ganhar dinheiro suficiente para manter a própria residência degradada.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EUma vizinhança chafurdada na angústia financeira, condições de vida degradantes e a maioria vivendo dentro de carros ou debaixo de pontes. Os poucos empregos que restaram são precarizados enquanto a forma mais comum de ganhar alguns trocados é selecionar o lixo despejado de naves alienígenas que ocupam o planeta – o que resta inteiro da queda, tentam vender em feiras de pulgas.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgK04mwpeHYNR9GCpTrIqutwAHJJWmHZg2bAZ71wo0dSHii_P0-CYSNHvyM3aI7WtljV9djXtao_HeKfIcdo3kGdpRHJgd_PYtgA83VyLB8sVkUWy_deQXG0e-2M90C2cBiV7CkK87V7sURToX70gic2t_gOcZiFM6Hx8zGv2462MLpT9PRi61Za24OD3k\/s735\/033e3584b6e43bf6c6acaf1fff14575a.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"392\" data-original-width=\"735\" height=\"342\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgK04mwpeHYNR9GCpTrIqutwAHJJWmHZg2bAZ71wo0dSHii_P0-CYSNHvyM3aI7WtljV9djXtao_HeKfIcdo3kGdpRHJgd_PYtgA83VyLB8sVkUWy_deQXG0e-2M90C2cBiV7CkK87V7sURToX70gic2t_gOcZiFM6Hx8zGv2462MLpT9PRi61Za24OD3k\/w640-h342\/033e3584b6e43bf6c6acaf1fff14575a.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEsses aliens são os Vuvv, que jocosamente uma linha de diálogo os descreve como “mesas de centro gosmentas sencientes” – eles observavam o planeta desde a década de 1950, mas se mantiveram à distância. Até perceberem a conjuntura econômica propicia. Foram alegremente recebidos pela elite econômica que viu a oportunidade de aplicar a tecnologia superior Vuvv no reset do Capitalismo: Realidade Virtual, Inteligência Artificial etc.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO resultado foi a concentração acelerada de riqueza numa elite insular que paira acima em luxuosas cidades flutuantes, a serviço dos Vuvvs e sendo excelentemente pagos. A maioria dos que ficaram nas cidades degradadas, nem para serem explorados mais servem – foram progressivamente substituídos pelas IAs.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO mais dramático foram os professores, substituídos por tutores virtuais que ensinam a cultura e história Vuvv – até as escolas desaparecem, substituídas pelas aulas remotas virtuais.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEnquanto a mídia bombardeia mensagem motivacionais sobre empreendedorismo e meritocracia – não crise, mas apenas oportunidades...\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EBaseado no livro homônimo para jovens adultos de M.T. Anderson, o filme é atravessado pela sátira e senso de humor estranho\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ecamp\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, combinando tensão racial e situações bizarras e surreais onde humanos interagem com as estranhas criaturas gosmentas que parecem ter apenas duas preocupações: explorar e vivenciar o prazer voyeurista de observar a reprodução sexuada humana – os Vuvvs são assexuados, eles apenas “brotam”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhwB8lI0vlhyphenhyphenKD30xxhlTlIs6qxu5nV8xjcTRcqZuhmMa2fX1cXFZVgEBrYhQDzYCU62Akkfz38ePagAnL5gU39E-Pxoebrrj30NJsfqQv-kl3BjdDYYBQ9YwTL_KWQQJVtxkso_NVEh5U8miDQuD1QEzAYKlIefVuEWoEucCeLv2Q9FHTirApdOWd2z08\/s1562\/MV5BYWZhZjBkYTctOWRlYS00NDIzLTk1MWEtNzE2YWQyZWI2MTc4XkEyXkFqcGdeQXNuZXNodQ@@._V1_.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"879\" data-original-width=\"1562\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhwB8lI0vlhyphenhyphenKD30xxhlTlIs6qxu5nV8xjcTRcqZuhmMa2fX1cXFZVgEBrYhQDzYCU62Akkfz38ePagAnL5gU39E-Pxoebrrj30NJsfqQv-kl3BjdDYYBQ9YwTL_KWQQJVtxkso_NVEh5U8miDQuD1QEzAYKlIefVuEWoEucCeLv2Q9FHTirApdOWd2z08\/w640-h360\/MV5BYWZhZjBkYTctOWRlYS00NDIzLTk1MWEtNzE2YWQyZWI2MTc4XkEyXkFqcGdeQXNuZXNodQ@@._V1_.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO Filme\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA narrativa de\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EPaisagem com Mão Invisível\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;é episódica, pontuada pelas telas do aspirante a pintor adolescente Adam (Asante Blackk) – suas telas mostram o que era a vida desde antes dos Vuvvs ocuparem o planeta e os diferentes episódios que se sucedem na vida resiliente e angustiante da maioria humana.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EOs Vuvvs são longe de serem criaturas ferozes. Se assemelham a caranguejos eremitas sem conchas e se comunicam esfregando suas mãos semelhantes a pás – tornaram a maioria da população obsoleta com sua tecnologia avançada, forçando os humanos a buscar formas precárias e indignas de ganhar dinheiro.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEnquanto ainda existiam escolas, Adam se apaixona por uma nova aluna chamada Choloe (Kylie Rogers), e convida sua família em dificuldades e vivendo na rua a ficar na casa degradada da sua família (eles ainda têm sorte de terem uma casa) onde ele, sua mãe Beth (Tiffany Haddish) e sua irmã Natalie (Brooklynn MacKinzie) estão morando.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAs tensões surgem entre o pai de Beth e Chloe (Josh Hamilton) e o irmão (Michael Gandolfini) porque os recém-chegados não podem pagar o aluguel. Isso leva Chloe a sugerir uma \"transmissão de namoro\", onde ela e Adam transmitem sua vida de namoro para um público alienígena pagante - uma espécie de canal YouTube intergaláctico, transmitido através de implantes futuristas – “nodles”. Os Vuvv, que se reproduzem assexuadamente, têm uma fixação voyeurista na cultura de namoro humano e no romance. É tão enervante e sombrio quanto parece.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi7pVn8CBzYmIWdQoo1XGEICA0Miu1JY6BmtTt-1LC5zDajY6V4SYiCTo7JDpJrGPfbEyXBdB8ZkW88U5dy7zQm83hQHZKSPXvlQFgFkr_B4Ya72t9xrsbGwPbFnGMNwO1rey6gMbtex31cIqt8D1Qi8VSGBTB2RTTCmRmCXsC_XVlSkNzQj7XgnwARPC8\/s600\/726411_m1691689399.png\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"300\" data-original-width=\"600\" height=\"320\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi7pVn8CBzYmIWdQoo1XGEICA0Miu1JY6BmtTt-1LC5zDajY6V4SYiCTo7JDpJrGPfbEyXBdB8ZkW88U5dy7zQm83hQHZKSPXvlQFgFkr_B4Ya72t9xrsbGwPbFnGMNwO1rey6gMbtex31cIqt8D1Qi8VSGBTB2RTTCmRmCXsC_XVlSkNzQj7XgnwARPC8\/w640-h320\/726411_m1691689399.png\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ELogo o esquema começa a dar certo: os espectadores alienígenas crescem e a monetização do canal aumenta. Com o dinheiro podem até comprar “comida de verdade” – a única comida acessível é um composto processado em cubos.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPorém, transmitir ao vivo sentimentos não é fácil, e logo deixa de ser espontâneo. Os Vuvvs descobrem a encenação e respondem com um processo contra o canal. Pedem o dinheiro pago de volta. Para a mãe (uma advogada desempregada de Harvard) conseguir um bizarro acordo: Beth vai viver uma vida conjugal com um jovem Vuvv que vai desempenhar o papel de um pai de uma típica família nuclear do sonho americano – ele é obcecado pelos sitcoms dos anos 1950 sobre felizes famílias conservadoras norte-americanas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EGrande Reset hipo-utópico\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENão é preciso muito esforço para perceber o forte comentário social do filme, alinhando-se à tendência atual hipo-utópica da ficção científica - diferente da\u0026nbsp;\u003Ci\u003Edistopia\u003C\/i\u003E\u0026nbsp;(onde ainda há um “topos” chamado “futuro” como mundos diferentes dos atuais ou, pelo menos, advertências sobre no quê o mundo atual pode se tornar), na hipo-utopia (no sentido de “futuro insuficiente”) não há mais futuro: o porvir nada mais é do que a projeção dos problemas atuais – a diferença é que no “futuro” eles se transformarão em pesadelos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA história do professor que se matou ao se ver substituído por uma IA alienígena; Beth, a advogada formada em Harvard obrigada a trabalhar num quiosque que vende sopas; ou então o motorista de uma espécie de Uber da ilha flutuante da elite que é um neurocirurgião – precisa fazer “bicos” porque o que ganha é irrisório. Todos os personagens do filme ressoam a precarização do trabalho no capitalismo ATUAL.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EPaisagem com Mão Invisível\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;não é ficção científica\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Estricto sensu\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, mas uma sátira hipo-utópica: a tecnologia alien é aquela que já está entre nós, com as conhecidas consequências sociais e políticas – exclusão, violenta concentração de riqueza, o abismo cada vez mais profundo da desigualdade e assim por diante.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjDdkO7O4H0bGsTLUGj2sZoN_5Aag98SYHBW5WFSgdy3b6d824BphXFiKhH7SYQb_IINmku5etJ5oHDSwnGN7n9P_tEPj9FdR56weydKHB1ap9DdR29daOifNeOm1fBM4q3PtwsqtDSnrbOPwn0Vm4SmbaZap7gzePMuQqlWEpPypXxMIFFZrTTPuuzo2o\/s752\/s-l1200.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"425\" data-original-width=\"752\" height=\"362\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjDdkO7O4H0bGsTLUGj2sZoN_5Aag98SYHBW5WFSgdy3b6d824BphXFiKhH7SYQb_IINmku5etJ5oHDSwnGN7n9P_tEPj9FdR56weydKHB1ap9DdR29daOifNeOm1fBM4q3PtwsqtDSnrbOPwn0Vm4SmbaZap7gzePMuQqlWEpPypXxMIFFZrTTPuuzo2o\/w640-h362\/s-l1200.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas também o filme ressoa uma conhecida tese conspiratória dos meios de pesquisas ufológicas: será que governos e elites econômicas não só sabem sobre a presença alien nesse planeta como também trabalham em estreita parceria com eles? Será que o salto tecnológico das últimas décadas veio principalmente do contato com a tecnologia avançada extraterrestre?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EOu extrapolando essa teoria conspiratória: será que depois de tantos saltos mortais que o Capitalismo deu para se reinventar e mitigar suas próprias contradições, o seu último salto poderia ser, por assim dizer, intergaláctico?\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ELembrando, de forma invertida, a ambição de Cecil Rhodes citada acima – não foi o Capitalismo que anexou os outros planetas, mais foram extraterrestres que forneceram a pedra de toque tecnológica necessária para, mais uma vez, o Capitalismo se revolucionar ao custo social altíssimo.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EKarl Marx jamais imaginaria que a Economia Política se tornaria uma disciplina híbrida com a ficção científica...\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/lAD81wjRnL8?si=gSbamg1Lxn_InNFc\" title=\"YouTube video player\" width=\"600\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1.5pt medium; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"background: orange; font-size: 11pt;\"\u003EFicha Técnica\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ETítulo:\u0026nbsp;Paisagem com Mão Invisível\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EDiretor:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ECory Finley\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003ERoteiro:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003E\u0026nbsp; Cory Finley, M.T. Anderson\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EElenco:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EAsante Blackk, Tiffany Haddish, Kyle Rogers, Brooklyn MacKinzie, Josh Hamilton\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EProdução:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;Annapurna Pictures, MGM\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EDistribuição:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EMGM\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EAno:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E2023\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EPaís:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EEUA\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-family: Roboto; font-size: 10.5pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/09\/uma-invasao-alienigena-ambigua-e-fora.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EUma invasão alienígena ambígua e fora do tempo no filme 'Sob a Pele'\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/09\/ninguem-vai-te-salvar-por-que-queremos.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003E'Ninguém Vai Te Salvar': por que queremos acreditar em discos voadores?\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2021\/12\/serie-invasao-incomunicabilidade-humana.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003ESérie 'Invasão': a incomunicabilidade humana faz visita alien terminar nada bem\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2018\/07\/na-serie-colony-uma-invasao-alienigena.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003ENa série \"Colony\" uma invasão alienígena demasiado humana\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/7365796671493621790"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/7365796671493621790"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/em-paisagem-com-mao-invisivel-o.html","title":"Em 'Paisagem com Mão Invisível' o Capitalismo é extraterrestre"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjdBBBSLWx2oAgxx6wjS9fAV4LUNlpggV3GM1Uw9e2nEZnm28tImRbUWYpahL1Yfuz5iOZ4h5S2A5DZPGnjCU0wzZarL7jkXBBrGZdo-R-YEKUgVy3cGLBIXiZtTVpGKJeymXiR8zKPlH3sONlRRpYgNfA2wC8siXZ9nqCAC1EkGF3jWp6aEPWMSkDHjRY\/s72-w640-h480-c\/Landscape.jpeg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-2563481327948540884"},"published":{"$t":"2023-12-22T07:37:00.000-03:00"},"updated":{"$t":"2023-12-22T07:37:35.712-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Arquétipos"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Cibercultura"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Cinema Americano"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Filme Estranho"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Jung"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Novas tecnologias"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Psicanálise"}],"title":{"type":"text","$t":"'O Homem dos Sonhos': quando as redes sociais se transformam no inconsciente coletivo"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgY20FdgIiMNVe0BeFgUSWr3wf9Y7VZDyjiYC48Gb-Xy-KuH6sLZDAptaovfEiAylG0H7rgIpQjFMUaHcEFFbJYH1JwlgyUTZMrQvdjUAyWSUKfScMtdoEGi4HgIBrhbnAY_As2bOikbvpA58JurDs-C0EYHu3EWNXvO62hhyphenhyphendBbegwtPLDpkUfkuY1TIA\/s1280\/Dream%20Scenario.jpeg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"720\" data-original-width=\"1280\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgY20FdgIiMNVe0BeFgUSWr3wf9Y7VZDyjiYC48Gb-Xy-KuH6sLZDAptaovfEiAylG0H7rgIpQjFMUaHcEFFbJYH1JwlgyUTZMrQvdjUAyWSUKfScMtdoEGi4HgIBrhbnAY_As2bOikbvpA58JurDs-C0EYHu3EWNXvO62hhyphenhyphendBbegwtPLDpkUfkuY1TIA\/w640-h360\/Dream%20Scenario.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Cbr \/\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EQuando o psicanalista suíço Jung formulou a teoria dos arquétipos e do inconsciente coletivo, não pensava que um dia haveria uma tradução eletrônica desse campo onírico coletivo: a Internet e as redes sociais. Uma tradução tão irônica que o diretor e escritor norueguês Kristoffer Borgli (“Sick of Myself”) imaginou uma curiosa metáfora: sem fazer o menor esforço, um homem torna-se viral ao aparecer recorrentemente nos sonhos de um número crescente de pessoas, um estranho fenômeno análogo ao déjà vu ou uma espécie de “Efeito Mandela”. Transforma-se numa celebridade involuntária sem o menor controle sobre sua imagem. Até o momento em que os sonhos começam a se transformar em pesadelos. Este é o filme “O Homem dos Sonhos\" (Dream Scenario, 2023), no qual mais uma vez Nicolas Cage cria meta camadas de si mesmo. As coisas se complicam quando agências de marketing digital e uma startup tecnológica começam a se interessar pelo fenômeno, criando cenários bizarros de uma comercialização selvagem.\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO diretor e escritor norueguês Kristoffer Borgli já havia discutido a cultura influencer das mídias sociais na comédia dramática\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ESick of Myself\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(2022) sob o tema da cultura do narcisismo contemporâneo como uma reversibilidade irônica (\u003Cb\u003E\u003Cspan style=\"color: red;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/05\/sick-of-myself-cultura-do-narcisismo-ou.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: red;\"\u003Eclique aqui\u003C\/span\u003E\u003C\/a\u003E\u003C\/span\u003E\u003C\/b\u003E):\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Eao invés do excesso de ego, quanto mais procuramos o centro das atenções e a aprovação dos outros, mais somos ameaçados pela desintegração e o vazio interior.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO gosto de Borgli em satirizar os cenários absurdos criados pelo comercialismo selvagem retorna com\u0026nbsp;\u003Ci\u003EO Homem dos Sonhos\u003C\/i\u003E\u0026nbsp;(\u003Ci\u003EDream Scenario\u003C\/i\u003E, 2023) que faz o caminho inverso do filme anterior\u0026nbsp;\u003Ci\u003ESick of Myself\u003C\/i\u003E: se lá acompanhávamos uma mulher que faz o impensável utilizando medicamentos perigosos para se tornar famosa, em\u0026nbsp;\u003Ci\u003EO Homem dos Sonhos\u003C\/i\u003E\u0026nbsp;acompanhamos um protagonista que não consegue controlar sua imagem, tornando-se involuntariamente viral através de um estranho fenômeno análogo ao\u0026nbsp;\u003Ci\u003Edéjà vu\u003C\/i\u003E\u0026nbsp;de uma espécie de “Efeito Mandela”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u0026nbsp;Dessa vez nos EUA, com os produtores Nicolas Cage (que também protagoniza o filme) e Ari Aster, Borgli discute a cultura das redes sociais de forma metafórica, ao fazer conexões entre sonhos, o inconsciente coletivo junguiano e como tudo isso pode resultar numa surreal exploração comercial.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENicolas Cage interpreta um professor universitário que inexplicavelmente começa a vaguear pelos sonhos dos outros, dos próprios alunos, conhecidos e estranhos, resultando numa comédia sombria e maravilhosamente estranha.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECareca, introvertido e curvado pelo peso de mil decepções na vida, Paul Matthews (Nicolas Cage) é um compenetrado professor de biologia evolucionista. Com sua voz monótona e aborrecida, leva os alunos ao sono. Um personagem que é a própria antítese de um influenciador viral e conhecido. Até tornar-se famoso por um evento onírico coletivo – os sonhos, a metáfora do diretor para as redes sociais.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiwa5BfNXvl1EZe-o7nmSIwJYtQT3BHHEPX40uu-56qUjFI24GsehtVMbqOx0xK5Z73xZyuLEaZOPA6ls0vkV7sQDYW-nIsATkbI6rc_peqYH8WUsdnjrhkqygd2oK9YeBHBfLG8kOTt1tHcfyrxROxkM8uk2QN0D0X9ygJm_3dLMk4RB1LCS6BnX_AIIk\/s3633\/MV5BNTE2M2M1MmUtMTA1MS00MjkzLTliYzUtOWY0Y2JiNGJlODhjXkEyXkFqcGdeQWFkcmllY2xh._V1_.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"2044\" data-original-width=\"3633\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiwa5BfNXvl1EZe-o7nmSIwJYtQT3BHHEPX40uu-56qUjFI24GsehtVMbqOx0xK5Z73xZyuLEaZOPA6ls0vkV7sQDYW-nIsATkbI6rc_peqYH8WUsdnjrhkqygd2oK9YeBHBfLG8kOTt1tHcfyrxROxkM8uk2QN0D0X9ygJm_3dLMk4RB1LCS6BnX_AIIk\/w640-h360\/MV5BNTE2M2M1MmUtMTA1MS00MjkzLTliYzUtOWY0Y2JiNGJlODhjXkEyXkFqcGdeQWFkcmllY2xh._V1_.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA tese de que a Internet (e principalmente a viralidade das redes sociais) poderia ser uma projeção eletrônica do éter psíquico do Plano Astral vem sendo desenvolvida nos últimos anos. Principalmente pelo trabalho com memes na política\u0026nbsp;\u003Ci\u003Ealt-right\u003C\/i\u003E, como analisado por Gary Lachman no livro “Dark Star Rising – Magick and Power in the Age of Trump”. As redes sociais se aproximariam da tradição esotérica que concebe as relações sociais como que imersas em um oceano de pensamentos que, em determinadas condições, sedimentam-se em egrégoras e arquétipos capazes de provocar “conexões significativas” –\u0026nbsp;\u003Cb\u003E\u003Cspan style=\"color: red;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2019\/08\/livro-dark-star-rising-como-magia-e-o.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: red;\"\u003Eclique aqui\u003C\/span\u003E\u003C\/a\u003E\u003C\/span\u003E\u003C\/b\u003E.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO que se aproxima da noção junguiana de inconsciente coletivo – um inconsciente compartilhado por todos os seres humanos, capaz de criar conexões inconscientes que na nossa vida consciente parecem sempre ser apenas “coincidências”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EConexões que ficam evidentes no mundo onírico dos sonhos. Mas, se política e marketing se interessam tanto pela dinâmica da viralizações e a linguagem dos memes, os sonhos acabam se tornando a fronteira final, um campo ainda inexplorado pela comercialização e controle político.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EDiversos filmes nesse século já refletiram essa agenda, pela qual neurocientistas e engenheiros computacionais do Vale do Silício estão vivamente interessados.\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EVanilla Sky\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"background: white; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"caret-color: rgb(80, 77, 77);\"\u003E,\u003Cspan class=\"apple-converted-space\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Ci style=\"caret-color: rgb(80, 77, 77);\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA Origem\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"background: white; font-size: 11pt; line-height: 19.0667px;\"\u003E,\u003Cspan class=\"apple-converted-space\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Ci style=\"caret-color: rgb(80, 77, 77);\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ESonhando Acordado, Brilho Eterno de uma Mente Sem Lembranças, Strawberry Mansion, Super Me, Corpo e Alma\u0026nbsp;\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Eetc. são algumas produções que ressoam essa agenda tecnocientífica e comercial.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EQue no mundo real se materializa em projetos como o do neurogadget “ Aurora” que promete “sonhos lúcidos” por meio de um aplicativo de smartphone, tornando o mundo onírico produtivo e eficaz, um novo local para desenvolver habilidades para aplica-las no mundo consciente –\u0026nbsp;\u003Cb\u003E\u003Cspan style=\"color: red;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2014\/03\/neurogadget-que-promete-sonhos-lucidos.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: red;\"\u003Eclique aqui\u003C\/span\u003E\u003C\/a\u003E\u003C\/span\u003E\u003C\/b\u003E.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO\u0026nbsp;\u003Ci\u003EHomem dos Sonhos\u003C\/i\u003E\u0026nbsp;transforma tudo isso numa comédia estranha e sombria. Com um Nicholas Cage que nos últimos anos vem dando preferência para projetos cinematográficos cada vez mais estranhos e bizarros.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEimTsvYgGA4kpMM7G8BHPV3tSSujq_V9kn83EGscGtjYCI66RY-UpGhKDbodTiF6A-IxXxpuVwIrIipTjBDWu0YxkeGMVcazzd1XPI29f6qGwWa-nsowyVHpvmYluXM50890CkKJBsQmxTE1WLaEzOAMVEqEiBy4vSWGB8Tq3z9gPsHnDzeVps_wCwhT8Y\/s1280\/dream-1695147914483.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"720\" data-original-width=\"1280\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEimTsvYgGA4kpMM7G8BHPV3tSSujq_V9kn83EGscGtjYCI66RY-UpGhKDbodTiF6A-IxXxpuVwIrIipTjBDWu0YxkeGMVcazzd1XPI29f6qGwWa-nsowyVHpvmYluXM50890CkKJBsQmxTE1WLaEzOAMVEqEiBy4vSWGB8Tq3z9gPsHnDzeVps_wCwhT8Y\/w640-h360\/dream-1695147914483.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO Filme\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENa universidade, Paul Matthews leciona sonolentas aulas sobre biologia evolucionista – campo de conhecimento ironicamente escolhido para o personagem. Afinal, da biologia evolucionista surgiu o conceito de “memética” (Richard Dawkins), campo disciplinar no qual os atuais memes são estudados como fossem entidades biológicas evolutivas que se disseminam como vírus.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;Um professor frustrado por nunca ter se firmado como pesquisador ou publicado um livro. Sua frustração só aumenta quando, num almoço com uma ex-colega de pós-graduação, descobre que ela publicou recentemente um livro sobre formigas que ele próprio tentou publicar por anos sem sucesso. E a acusa de ter roubado suas ideias.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas esses dias de anonimato estão contados. Quando está saindo de um teatro com sua esposa Janet (Julianne Nicholson), é abordado por uma ex-namorada do passado que diz tido um estranho sonho com ele: Paul apenas observava ela tentando socorrer de uma pessoa acidentada, sem prestar ajuda.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEntão ele começa a descobrir que outras pessoas também sonharam com ele – familiares, alunos, conhecidos e, mais tarde, o mundo! Sempre numa situação recorrente: o sonhador está passando por alguma emergência – um aluno é perseguido por um monstro, sua filha está sendo vítima de objetos que caem sobre ela etc. Enquanto Paul calmamente apenas observa a tudo, com uma feição pateticamente tranquila.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESem fazer absolutamente nada, Paul transformou-se numa personalidade viral. Ele conseguiu algum tipo de reconhecimento, mas por nada. Por que não tirar alguma vantagem? Sua inocência de um “nerd” completamente alheio ao mundo da comunicação e marketing, faz ele aceitar o convite de millenials de uma agência de marketing digital. Tudo que Paul quer é a oportunidade de publicar o seu livro sobre a sua tese evolucionista sobre as formigas. Mas agência tem outros planos para ele: comerciais da Sprite. E, quem sabe, Paul aparecer com o próprio refrigerante nos sonhos das pessoas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiQrf-tH4n5I8c63HbFjki1BJpiJrQDPDUACJdHuE-X4G2Br63uODBM9zxtTHVpvmgM9IrkUolruCoDa9am-U7HSVBchPe6Uo3uZ6TSmd6xayjeGBn6j6NQbik8p4mcLl58nZLmaXkg7ajqxm7KYjDtVyqvuZgYMoLB2OWeoFGVDVzD1Zz8zoYVtOzzX6o\/s1200\/654afdf9ba59e.hires.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"800\" data-original-width=\"1200\" height=\"426\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiQrf-tH4n5I8c63HbFjki1BJpiJrQDPDUACJdHuE-X4G2Br63uODBM9zxtTHVpvmgM9IrkUolruCoDa9am-U7HSVBchPe6Uo3uZ6TSmd6xayjeGBn6j6NQbik8p4mcLl58nZLmaXkg7ajqxm7KYjDtVyqvuZgYMoLB2OWeoFGVDVzD1Zz8zoYVtOzzX6o\/w640-h426\/654afdf9ba59e.hires.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E“Você tem sonhado comigo?”, é o mote que Paul tem para parecer engraçado e sociável. Mas as coisas repentinamente mudam de rumo. A nova celebridade descobre que agora os sonhos estão se transformando em pesadelos. Começam a surgir relatos traumatizados de que Paul não mais fica parado observando nos sonhos. Ele agora ataca os sonhadores: assédios, assassinatos, estupros.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EÉ quando a metáfora sobre as redes sociais fica ainda mais evidente: Paul começa a ser “cancelado” - perde o seu emprego (traumatizados, os alunos não querem mais assistir a suas aulas) enquanto em público as pessoas se tornam cada vez mais hostis. Paul até tenta fazer um vídeo desajeitado, dizendo ser ele a maior vítima. O resultado é ainda pior.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EE pensar que tudo o que Paul Matthews queria era a oportunidade para publicar seu livro sobre formigas, aproveitando a notoriedade. Mas outros encontram uma oportunidade ainda melhor: uma startup tecnológica cria um aplicativo que permite aos usuários viagens nos sonhos de outras pessoas – claro, tudo monetizado com a permissão de empresas inserirem anúncios dentro dos sonhos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO Homem dos Sonhos\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;é um comentário ácido sobre o destino do último local de resistência que restou contra as investidas de um sistema regido pela lógica da eficácia, produtividade, eficiência e sua fachada pop: a celebridade.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiFhv5IRcYcnX0Oydi_HOsV-zgTUUR2gykg6bQXD6DHhB9bnz9M6MHY3sSDrSZzsoAo0-QFR71wu_uYMQapUh4sPuH4SARcgoDHx-5NRRDQhHRg57VtFdVupT7TJPr9KEo-pThdxRQzFZ9sPgn23SLZmhb0P-GmtiuAjjZf-4M0_B9U9GVpcc-_0Fx2zJo\/s1226\/Film_Review_-_Dream_Scenario_11643-3085d-1226x0-c-default.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"876\" data-original-width=\"1226\" height=\"458\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiFhv5IRcYcnX0Oydi_HOsV-zgTUUR2gykg6bQXD6DHhB9bnz9M6MHY3sSDrSZzsoAo0-QFR71wu_uYMQapUh4sPuH4SARcgoDHx-5NRRDQhHRg57VtFdVupT7TJPr9KEo-pThdxRQzFZ9sPgn23SLZmhb0P-GmtiuAjjZf-4M0_B9U9GVpcc-_0Fx2zJo\/w640-h458\/Film_Review_-_Dream_Scenario_11643-3085d-1226x0-c-default.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO mundo dos sonhos é a\u0026nbsp;\u003Ci\u003Epièce de resistance\u003C\/i\u003E\u0026nbsp;do indivíduo, o último lugar de privacidade no mundo onírico. Até ser descoberta suas conexões com o inconsciente coletivo e ser criada a sua expressão eletrônica: a Internet e as mídias sociais.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA ideia do filme de Kristoffer Borgli foi inspirada no evento real do “Já Sonhou com esse Homem?” - em janeiro de 2006, em Nova York, a paciente de um conhecido psiquiatra desenha o rosto de um homem que tem aparecido repetidamente em seus sonhos. Em mais de uma ocasião, esse homem teria dado a ela conselhos sobre sua vida privada. A mulher jura que nunca conheceu o homem em sua vida.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEsse retrato ficou esquecido na mesa do psiquiatra até que um dia outro paciente reconhece esse rosto e diz que o homem o visitou com frequência em seus sonhos. Ele também afirma que nunca viu aquele homem em sua vida de vigília.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO psiquiatra decidiu então enviar o retrato para alguns de seus colegas que têm pacientes com sonhos recorrentes. Dentro de alguns meses, quatro pacientes reconheceram o homem como uma presença frequente em seus próprios sonhos. Todos os pacientes se referem a ele como\u0026nbsp;“este homem”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDe janeiro de 2006 até hoje, pelo menos\u0026nbsp;8.000 pessoas afirmaram ter visto esse homem em seus sonhos, em muitas cidades ao redor do mundo: Los Angeles, Berlim, São Paulo, Teerã, Pequim, Roma, Barcelona, Estocolmo, Paris, Nova Dehli, Moscou etc.\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/QiNf3gVMesY?si=Ildb9xGy_r5L86Fh\" title=\"YouTube video player\" width=\"600\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1.5pt medium; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"background: orange; font-size: 11pt;\"\u003EFicha Técnica\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ETítulo:\u0026nbsp;O Homem dos Sonhos\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EDiretor:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EKristoffer Borgli\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ERoteiro:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp; Kristoffer Borgli\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EElenco:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003ELily Bird, Nicolas Cage, Julianne Nicholson\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EProdução:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;A24, Square Peg\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EDistribuição:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003ECalifornia Filmes (Brasil)\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EAno:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E2023\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EPaís:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EEUA\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-family: Roboto; font-size: 10.5pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2018\/03\/em-corpo-e-alma-gnose-possivel-atraves.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EEm \"Corpo e Alma\" a gnose possível através de um sonho lúcido\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2022\/02\/no-futuro-impostos-e-anuncios-invadirao.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003ENo futuro impostos e anúncios invadirão nossos sonhos no filme 'Strawberry Mansion'\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2021\/05\/freud-e-jung-encontram-se-com-o.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EFreud e Jung encontram-se com o Gnosticismo em 'Super Me'\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2021\/04\/a-gnose-junguiana-na-tela-mental-dos.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EA gnose junguiana na tela mental dos sonhos no filme 'Come True'\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Co:p\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/o:p\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/2563481327948540884"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/2563481327948540884"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/o-homem-dos-sonhos-quando-as-redes.html","title":"'O Homem dos Sonhos': quando as redes sociais se transformam no inconsciente coletivo"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgY20FdgIiMNVe0BeFgUSWr3wf9Y7VZDyjiYC48Gb-Xy-KuH6sLZDAptaovfEiAylG0H7rgIpQjFMUaHcEFFbJYH1JwlgyUTZMrQvdjUAyWSUKfScMtdoEGi4HgIBrhbnAY_As2bOikbvpA58JurDs-C0EYHu3EWNXvO62hhyphenhyphendBbegwtPLDpkUfkuY1TIA\/s72-w640-h360-c\/Dream%20Scenario.jpeg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-5093307418127515280"},"published":{"$t":"2023-12-19T19:26:00.001-03:00"},"updated":{"$t":"2023-12-19T19:26:04.339-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Live Extra Cinegnose 360"}],"title":{"type":"text","$t":"Na última Live do ano, saboreie o puro suco de Brasil: o bunker da elite; sequestro mal explicado; toxicomania de minorias e de massas etc."},"content":{"type":"html","$t":"\u003Cp\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhQyLTd_WRXU5OLBgFkWjnccOoA6Jge7Bd8bUJgJ5NFnOBxCUHojD5_Flwk4nekqVJxIxEmoU7DGe3JOpKaYHftcEqoHhcECXzzQUS8v2d1qh21i39winn3zRZeIvQdaXAAXM7qpId8iFgcHeACFZiXvgC_byW-1jPu_IksqxBpzxKcefaOsXbNffW8bMU\/s3332\/Live%20Extra%2032.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1865\" data-original-width=\"3332\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhQyLTd_WRXU5OLBgFkWjnccOoA6Jge7Bd8bUJgJ5NFnOBxCUHojD5_Flwk4nekqVJxIxEmoU7DGe3JOpKaYHftcEqoHhcECXzzQUS8v2d1qh21i39winn3zRZeIvQdaXAAXM7qpId8iFgcHeACFZiXvgC_byW-1jPu_IksqxBpzxKcefaOsXbNffW8bMU\/w640-h360\/Live%20Extra%2032.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003ENa última Live do ano, venha experimentar o sabor do puro suco de Brasil. É na Live Extra Cinegnose 360 #32, nessa quarta-feira (20\/12), às 18h, no Facebook e YouTube. Depois da últimos e controversos Comentários Aleatórios do ano, vamos experimentar o suco de Brasil na Crítica Midiática do meio da semana: as facetas do Brasil profundo no caso da policial civil assassinada num bunker de elite no Jardim Paulistano e no mal explicado sequestro do ex-jogador Marcelinho Carioca; o caso do “Heisenberg” bolsonarista Renato Cariani: a diferença entre toxicomania de minorias e de massas; reforma tributária e moralismo econômico: o imposto do pecado; jornalismo clickbait: jogador do Flu John Kennedy faz alusão a traficante quando faz gol; como o caso Ana Hickman vira uma bomba semiótica de extrema direita; Itaú é feito do futuro... roubado de nós: Itaú e Bradesco ganham fortunas com dinheiro brasileiro investido nos EUA; pau que bate em Chico...: TCU vai fazer auditoria nos presentes de Lula; a nova estratégia de comunicação do governo: dialogar com bolsonaristas.\u003C\/span\u003E\u003Cspan style=\"font-family: Times New Roman, serif;\"\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif; line-height: 20.8px; margin: 6pt 0cm 0cm;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mQdGb7ngq7s?si=86sxu8MLL9U3Im3a\" title=\"YouTube video player\" width=\"560\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/5093307418127515280"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/5093307418127515280"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/na-ultima-live-do-ano-saboreie-o-puro.html","title":"Na última Live do ano, saboreie o puro suco de Brasil: o bunker da elite; sequestro mal explicado; toxicomania de minorias e de massas etc."}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhQyLTd_WRXU5OLBgFkWjnccOoA6Jge7Bd8bUJgJ5NFnOBxCUHojD5_Flwk4nekqVJxIxEmoU7DGe3JOpKaYHftcEqoHhcECXzzQUS8v2d1qh21i39winn3zRZeIvQdaXAAXM7qpId8iFgcHeACFZiXvgC_byW-1jPu_IksqxBpzxKcefaOsXbNffW8bMU\/s72-w640-h360-c\/Live%20Extra%2032.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-1254708166385187276"},"published":{"$t":"2023-12-16T18:00:00.000-03:00"},"updated":{"$t":"2023-12-16T18:00:07.911-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Live Cinegnose 360"}],"title":{"type":"text","$t":"Sete teses sobre Mídia e Política; para 'O Globo' gatos causam esquizofrenia e Dilma não é mulher; comunista no STF: Lula acertou?"},"content":{"type":"html","$t":"\u003Cp\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEisfVk8vtZKRjvucuftxkNY-rJDECZ1AEH88CUcBff3JGA1du4WiJPk-Q6Cyd0dghpoMbJUZTpzmTX2m0ZKTjBpxh74c7qtNEbVUB2Z7RQhDMJvqhT-ksYtPFtK4lwUbB9vN5ia27iM58CJd1E6pEVCBp9kZKUpInfFHZkuTqeFBuR0Ypb4wKc2a1boXxQ\/s3327\/Live%20138%20.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1888\" data-original-width=\"3327\" height=\"364\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEisfVk8vtZKRjvucuftxkNY-rJDECZ1AEH88CUcBff3JGA1du4WiJPk-Q6Cyd0dghpoMbJUZTpzmTX2m0ZKTjBpxh74c7qtNEbVUB2Z7RQhDMJvqhT-ksYtPFtK4lwUbB9vN5ia27iM58CJd1E6pEVCBp9kZKUpInfFHZkuTqeFBuR0Ypb4wKc2a1boXxQ\/w640-h364\/Live%20138%20.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO primeiro juiz comunista em uma corte suprema num país capitalista de uma neocolônia digital... Essa nem Lênin apostaria... Lula acertou? Vamos discutir isso dentro de uma semana de intensos ataques e contra-ataques semióticos, na Live Cinegnose 360 #138, nesse domingo (17\/12), às 18h, no YouTube e Facebook. Começaremos com o som atmosférico sombrio da banda “Interpol”: o zeitgeist da virada de milênio preparou os atentados de 2001 nos EUA. E depois dos trepidantes Comentários Aleatórios, vamos discutir os filmes “O Mundo Depois de Nós” (o apocalipse da cismogênese e caos administrado) e “Esqueceram de Mim” (a quebra do elo geracional por trás do clássico natalino). Sessão especial dos livros do humilde blogueiro: As Sete Teses sobre Mídia e Política no Brasil. E na Crítica Midiática da Semana: do “comunista” Flávio Dino no STF à derrota acachapante do Governo na derrubada dos vetos de Lula: uma guerra semiótica; Gatos podem contaminar tutores com esquizofrenia: jornal O Globo e agenda setting biopolítica; ciclovias de Haddad em SP: o reconhecimento tardio do Estadão; Dilma na primeira classe: para O Globo Dilma não é mulher. Venha também ser comunista na Live Cinegnose 360.\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003ENa segunda-feira, Minutagem, Bibliografia e Discografia da Live Cinegnose 360 #138, na Descrição do vídeo no YouTube.\u003C\/span\u003E\u003Cspan style=\"font-family: Times New Roman, serif;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4SLXu-ExgWI?si=7nN9m0lF9hkEbFdo\" title=\"YouTube video player\" width=\"560\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/1254708166385187276"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/1254708166385187276"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/sete-teses-sobre-midia-e-politica-para.html","title":"Sete teses sobre Mídia e Política; para 'O Globo' gatos causam esquizofrenia e Dilma não é mulher; comunista no STF: Lula acertou?"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEisfVk8vtZKRjvucuftxkNY-rJDECZ1AEH88CUcBff3JGA1du4WiJPk-Q6Cyd0dghpoMbJUZTpzmTX2m0ZKTjBpxh74c7qtNEbVUB2Z7RQhDMJvqhT-ksYtPFtK4lwUbB9vN5ia27iM58CJd1E6pEVCBp9kZKUpInfFHZkuTqeFBuR0Ypb4wKc2a1boXxQ\/s72-w640-h364-c\/Live%20138%20.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-5961404639144604817"},"published":{"$t":"2023-12-16T11:40:00.000-03:00"},"updated":{"$t":"2023-12-16T11:40:09.590-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cinema Americano"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Cultura Pop"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Freud"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Psicanálise"}],"title":{"type":"text","$t":"'Esqueceram de Mim': quando as festas de final no ano viraram o alívio cômico da família"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhRryX_dAZSbFbs7yVJRGybIxmQfyOTqudPOSVu7PABstye18anjb3sn7XqKfUu17gzzpPqK0mnr9HcpBuXP3d7lHlFIEARf9KRKvWohNE-p_7X2dMY8PcM_4zZ5ZyGA0URJa2y1zHZYbuvXtJs-4Dh0IcR2_f5bH1ufhgX9CAbgb_s3T6ZwiStkn8Jn3g\/s4096\/Home%20Alone.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"2479\" data-original-width=\"4096\" height=\"388\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhRryX_dAZSbFbs7yVJRGybIxmQfyOTqudPOSVu7PABstye18anjb3sn7XqKfUu17gzzpPqK0mnr9HcpBuXP3d7lHlFIEARf9KRKvWohNE-p_7X2dMY8PcM_4zZ5ZyGA0URJa2y1zHZYbuvXtJs-4Dh0IcR2_f5bH1ufhgX9CAbgb_s3T6ZwiStkn8Jn3g\/w640-h388\/Home%20Alone.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECom a proximidade das festas de final de ano, a grande mídia é tomada matérias jornalísticas, filmes e séries repletas de contos motivacionais e morais com histórias de reformas íntimas e promessas de Ano Novo em se tornar uma pessoa melhor, mais empática e otimista. Nessa onda de final de ano certamente se destacam as indefectíveis reprises do clássico “Esqueceram de Mim” (Home Alone, 1990), mostrando que o filme resiste ao tempo e a cada exibição parece se tornar melhor. O que fez “Esqueceram de Mim” virar um clássico de Natal? Desde o seu lançamento, o filme mostrou que era muito mais do que um filme infantil de Natal – além de revisitar os arquétipos do abandono e separação ainda vivos na infância, a narrativa da negligência dos pais de Kevin reflete o drama da quebra do elo geracional das famílias modernas. O clássico oferece o alívio cômico em humor negro para o mal-estar das famílias no final de ano: rir de si mesma.\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ETão indefectível no final do ano na TV quanto o show “Roberto Carlos Especial”, são as reprises do filme de 1990\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEsqueceram de Mim\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EHome Alone\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E), o clássico recorrente na programação tanto de canais abertos ou fechados. Época de ano repleto de produções do cinema e audiovisual com estórias sobre contos morais, motivacionais, narrativas sobre reformas íntimas e resoluções de mudanças para o Ano Novo.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EDesde o seu lançamento naquele ano\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEsqueceram de Mim\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;já era um sucesso. Lançado no Dia de Ação de Graças, e produzido com um orçamento baixo para os padrões hollywoodianos (US$ 15 milhões), o filme passou 12 semanas no primeiro lugar das bilheterias e arrecadou mais de 470 milhões de dólares em todo o mundo. Superando rivais naquele ano como também novos clássicos como\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EGhost, Uma Linda Mulher, Edward Mãos de Tesoura, Total Recall, Dick Tracy e Tartarugas Ninja\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E. Mostrando que\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEsqueceram de Mim\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;era muito mais do que um filme infantil de Natal.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EFilmes natalinos tradicionalmente são marcados pelo sentimentalismo açucarado. Afinal, a TV, ao lado da árvore de Natal cercada de caixas de presentes (reais ou apenas caixas vazias decorativas), constituem-se numa espécie de altar da sagração da família.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EMas não é o caso de\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEsqueceram de Mim\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E. E aqui começam as nossas teses do porquê da longevidade desse filme.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EHá subjacente à narrativa uma espécie de humor negro natalino, uma corrente perturbadora que fica cada vez mais aparente à medida em que o espectador deixou a sua infância – a narrativa do filme parece acompanhar esse progressivo desencantamento do mundo, uma rememoração do nosso processo de abandono do mundo da infância na direção dos fantasmas da vida adulta.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EBasta acompanhar a sequência das armadilhas ativadas pelo herói Kevin (Macaulay Culkin), desencadeando toda a força da sua fúria sobre os assaltantes que tentam invadir sua casa – os bandidos são submetidos literalmente a uma bateria de torturas talvez só vistas em masmorras medievais. Como, por exemplo, a cena em que Marv (Daniel Stern) é atingido no rosto por um ferro em brasa.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiSWFypojjGZrsFViEY6AwhfVTd7NGfWvrzLUP6bM0F7RxLRwmzkO7r6azYkrMLgtM4Pjz6StqmmojSHuSnw99QxfQl2yy5MxpMu_HzF8AOsOg3RFMLi3kJb_wNohoUD_DKUOouYLaDKRqBKEWLfktp1NcsIbBcq6wz0SLsd4_TSna_XEBmjZWZgUAHhgo\/s640\/in-home-alone-1990-kevin-gets-called-a-little-jerk-by-his-v0-sxl62dhx3t7a1.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"320\" data-original-width=\"640\" height=\"320\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiSWFypojjGZrsFViEY6AwhfVTd7NGfWvrzLUP6bM0F7RxLRwmzkO7r6azYkrMLgtM4Pjz6StqmmojSHuSnw99QxfQl2yy5MxpMu_HzF8AOsOg3RFMLi3kJb_wNohoUD_DKUOouYLaDKRqBKEWLfktp1NcsIbBcq6wz0SLsd4_TSna_XEBmjZWZgUAHhgo\/w640-h320\/in-home-alone-1990-kevin-gets-called-a-little-jerk-by-his-v0-sxl62dhx3t7a1.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EMas\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEsqueceram de Mim\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;também é mais uma produção que explora o drama arquetípico da separação e do abandono – desde a animação\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EBambi\u0026nbsp;\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E(1942), de Walt Disney, personagens arquetípicos em torno do drama do abandono (o Inocente, o órfão, o aventureiro etc.) são recorrentemente explorados no cinema e audiovisual. Principalmente para o público infantil, no qual as memórias do drama edípico (a renúncia à Mãe para ingressar no mundo do Pai – o trabalho, a Lei, a renúncia ao prazer) ainda estão vivas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas também cada vez mais também para o público adulto, criando produções polissêmicas infantil\/adulto, como as animações da Pixar.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA questão é que\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEsqueceram de Mim\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;não só ecoa esse arquétipo subjacente como também o atualiza – desde o pós-guerra, as sociedades de massas vivem o fenômeno chamado de “quebra do elo geracional”, isto é, a ausência tanto simbólica quanto física da ausência dos pais. Tanto pelo esvaziamento simbólico da autoridade e relevância paternas (gerada pela “cultura jovem” promovida pela sociedade de consumo), quanto pela diminuição dos rendimentos que leva aos pais aumentarem cada vez mais a jornada de trabalho, alienando-se da formação e educação dos filhos – que acaba sendo terceirizada pelo complexo terapêutico-midiático.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEsqueceram de Mim\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;parece ser sempre atual porque todas essas questões ressoam nas festas de final do ano, quando de repente a rotina cotidiana é suspensa e a família se reencontra, explodindo todas essas contradições.\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEsqueceram de Mim\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;oferece o alívio cômico a esse drama familiar natalino.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO Filme\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ETudo começa nos subúrbios de Chicago com uma casa de uma família hiperativa, cheia de pessoas na véspera de uma viagem de férias de Natal em Paris. Há parentes e crianças em todos os lugares, e quando a família dorme demais e tem que correr para o aeroporto, Kevin é de alguma forma deixado para atrás na confusão. Quando ele acorda mais tarde naquela manhã, a casa está vazia.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EKevin, um menino de oito anos, é encrenqueiro, arrumando discussões com seus primos enquanto todos estão correndo com os preparativos da viagem da família. Ele é colocado de castigo no sótão, dorme e é esquecido pelos familiares que, de tão atrasados para chegar ao aeroporto, erram na contagem das crianças.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiBQ9p9ooUY6v8pT0RyWx8uqFGr1aMTR21NYe25uCmTUOWKkEkZysQKFX4tN4DtPn2ndv7MMFl0IUWtUrnk2qT4rf-G3vXyTmGGnUVisHlooFmy0jnJrjnhvq4e-oPf4AtMkO5oCLB21n88j07MsPXMxGfkHCMcBavhE2k_b-5PMSrP9JO8wzKpqC3JsFM\/s1792\/Home-Alone-2-1.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1008\" data-original-width=\"1792\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiBQ9p9ooUY6v8pT0RyWx8uqFGr1aMTR21NYe25uCmTUOWKkEkZysQKFX4tN4DtPn2ndv7MMFl0IUWtUrnk2qT4rf-G3vXyTmGGnUVisHlooFmy0jnJrjnhvq4e-oPf4AtMkO5oCLB21n88j07MsPXMxGfkHCMcBavhE2k_b-5PMSrP9JO8wzKpqC3JsFM\/w640-h360\/Home-Alone-2-1.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENo dia seguinte, ao se ver sozinho em casa, Kevin acha que realizou o seu desejo mais secreto: “Eu fiz minha família desaparecer!”, revivendo a mitologização da realidade da primeira infância. Pronto! Ele está liberto da repressão familiar: assistir a vídeos proibidos, comer à vontade sundaes e outras “porcarias”, passeios de trenó arriscados e comprar o que quiser no supermercado etc.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjEflDwvW7JTr5gU4pfedJ5SV7IumZJ6aXIygA6kRyVrRuyrQH_OZjFu13KVkYyYngaBzno-v0HquxOQ49HO2ryQto1T6AdO1_QByIJIQl45iIi9CZs8RVRLIe9MzGszW4ndBRPxpYTc5ay-OTjm6fhumGcGhBdhK7SLP2LkCyPLlGNsRdie4yb2lUPvRU\/s1298\/home-alone-4.png\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"544\" data-original-width=\"1298\" height=\"268\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjEflDwvW7JTr5gU4pfedJ5SV7IumZJ6aXIygA6kRyVrRuyrQH_OZjFu13KVkYyYngaBzno-v0HquxOQ49HO2ryQto1T6AdO1_QByIJIQl45iIi9CZs8RVRLIe9MzGszW4ndBRPxpYTc5ay-OTjm6fhumGcGhBdhK7SLP2LkCyPLlGNsRdie4yb2lUPvRU\/w640-h268\/home-alone-4.png\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EInfelizmente, os assaltantes (Joe Pesci e Daniel Stern) estão determinados a tirar uma vantagem das casas vazias do subúrbio de classe alta e roubar o que quiserem até abarrotar sua van. Acham que um menino de oito anos só e assustado não é páreo para suas habilidades criminais.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas Kevin, depois de superado o medo infantil (o filme revisita todos os temores infantis como o porão, os lugares escuros e assustadores de uma casa e o vizinho idealizado como uma espécie de “bicho papão”), imbuído da missão de defender a família, inventa uma bateria de armadilhas que transformam a sua casa numa câmara de tortura para os ladrões: a mão queimada em uma maçaneta de porta em brasa, o couro cabeludo de Joe Pesci queimado, pés sendo empalados em enfeites de Natal quebrados espalhados estrategicamente pelo chão, eletrocuções, batidas violentas na cabeça, escorregões mortais etc., transformam as sequências finais numa hilária progressão exponencial de desgraças que fazem lembrar aquele desenho animado do coite que tentava capturar o papa-léguas no deserto – e sempre acabava esmagado, queimado ou encontrando o fundo de abismos.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEidLZo0oPaQPUfz7txILoJIIWU1-JNkA8KrB6gBb0s86VHgdmlUtaUyYc_S0n2Z0JjQSViJfl4q_EV4k2GIJWsj0wD0VaTw9SbRIPA5a8nKGNBn1tujeyMzstdZyVf94jdDHVQrZIuiTb2T3bAw0b4PFu4i0U23XrQ3bok8SVj8eHAaW-RbD9KhdYXc4pU\/s512\/home-alone-lead.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"288\" data-original-width=\"512\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEidLZo0oPaQPUfz7txILoJIIWU1-JNkA8KrB6gBb0s86VHgdmlUtaUyYc_S0n2Z0JjQSViJfl4q_EV4k2GIJWsj0wD0VaTw9SbRIPA5a8nKGNBn1tujeyMzstdZyVf94jdDHVQrZIuiTb2T3bAw0b4PFu4i0U23XrQ3bok8SVj8eHAaW-RbD9KhdYXc4pU\/w640-h360\/home-alone-lead.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO tema de por trás de\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEsqueceram de Mim\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;é sério: o desaparecimento dos pais. No filme, a metáfora do drama real da quebra do elo geracional na modernidade, com o surgimento do fosso simbólico e físico entre pais e filhos. Ecoando o drama psíquico mais profundo: o da dissolução de Édipo, o abandono do seio materno para entrar no inseguro mundo adulto que o aguarda no futuro.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPor isso, a negligência dos pais (Cathlen O’Hara e John Heard) por esquecerem Kevin é muito simbólica. Principalmente a luta para ultrapassar obstáculos quase intransponíveis como os funcionário das companhias aéreas e a língua francesa, no desespero em retornar para resgatar Kevin em pleno rush natalino. É a luta para transpor a própria quebra do elo geracional, do tamanho do oceano atlântico que separa a América da Europa.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA recorrência de\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEsqueceram de Mim\u0026nbsp;\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ea cada final de ano tornou-se um alívio cômico dessa família moderna de abandonos e elos quebrados. Repentinamente colocada junta após o ano inteiro, o filme parece agora funcionar como um alívio cômico das “saias justas” familiares: a oportunidade para rir de si mesmo.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/_gWdCTJ12U0?si=PCHaZmcs8lkQSm3w\" title=\"YouTube video player\" width=\"600\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1.5pt medium; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"background: orange; font-size: 11pt;\"\u003EFicha Técnica\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ETítulo:\u0026nbsp;Esqueceram de Mim\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EDiretor:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EChris Columbus\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ERoteiro:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp; John Hughes\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EElenco:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EMacaulay Culkin, Joe Pesci, Daniel Stern, John Heard, Catherine O’Hara\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EProdução:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;Hughes Entertainment\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EDistribuição:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003E20\u003Csup\u003Eth\u003C\/sup\u003E\u0026nbsp;Century Fox\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EAno:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E1990\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EPaís:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EEUA\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-family: Roboto; font-size: 10.5pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2012\/12\/a-dialetica-da-familia-de-charlie-e.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EA dialética da família: de \"Charlie e Lola\" aos \"Simpsons\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2012\/04\/por-que-os-pais-desapareceram-do.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EPor Que os Pais Desapareceram do Imaginário Infantil?\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/05\/um-lugar-secreto-e-se-vida-adulta-for.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003E'Um Lugar Secreto': e se a vida adulta for apenas uma extensão perversa da infância?\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2021\/09\/edipo-culpa-e-fantasia-cliche-no-terror.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EÉdipo, culpa e fantasia-clichê no terror do filme 'We Need to Do Something'\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif; margin: 0cm; text-align: left;\"\u003E\u003Cbr \/\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/5961404639144604817"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/5961404639144604817"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/esqueceram-de-mim-quando-as-festas-de.html","title":"'Esqueceram de Mim': quando as festas de final no ano viraram o alívio cômico da família"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhRryX_dAZSbFbs7yVJRGybIxmQfyOTqudPOSVu7PABstye18anjb3sn7XqKfUu17gzzpPqK0mnr9HcpBuXP3d7lHlFIEARf9KRKvWohNE-p_7X2dMY8PcM_4zZ5ZyGA0URJa2y1zHZYbuvXtJs-4Dh0IcR2_f5bH1ufhgX9CAbgb_s3T6ZwiStkn8Jn3g\/s72-w640-h388-c\/Home%20Alone.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-7399910447720505251"},"published":{"$t":"2023-12-14T21:31:00.000-03:00"},"updated":{"$t":"2023-12-14T21:31:10.474-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cibercultura"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Cinema Americano"},{"scheme":"http://www.blogger.com/atom/ns#","term":"guerra híbrida"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Livros"}],"title":{"type":"text","$t":"O apocalipse da cismogênese e do caos administrado em 'O Mundo Depois de Nós'"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhoIQ94v3RZSag-hzcU4eN4gcXF-7cveToHCmV7_I_CRJbvrFcwiANc6zVSJZFwF6jNPj78qYiBycHOWmpaMTf6GpSx66hAKQQW4D03FE9P0rlumJfJcaK-ek8nnMHUIfrGGPBCyW72xp6Y5hxlXAVkhJyoU-HvsUsLajwOH-7Xx-AXrK9l_pWLepJMF4o\/s1000\/leave-the-world-behind-netflix.jpeg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"600\" data-original-width=\"1000\" height=\"384\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhoIQ94v3RZSag-hzcU4eN4gcXF-7cveToHCmV7_I_CRJbvrFcwiANc6zVSJZFwF6jNPj78qYiBycHOWmpaMTf6GpSx66hAKQQW4D03FE9P0rlumJfJcaK-ek8nnMHUIfrGGPBCyW72xp6Y5hxlXAVkhJyoU-HvsUsLajwOH-7Xx-AXrK9l_pWLepJMF4o\/w640-h384\/leave-the-world-behind-netflix.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA produção Netflix “O Mundo Depois de Nós” (Leave the World Behind, 2023) parece mais um filme sobre apocalipse: o que está acontecendo? Um ataque cibernético? Um apocalipse geomagnético? Um ataque terrorista? Pouco importa. Estamos diante de um curioso filme “alt-apocalipse – o fim do mundo como o conhecemos é um mero pretexto para discutir outra questão: como cada vez mais nos isolamos, nos dividimos e polarizamos num ecossistema midiático que nos deixa cada vez mais vulneráveis. Ninguém precisa empurrar as pessoas para um penhasco. Apenas as empurre na direção do penhasco que elas farão o resto por conta própria. Se “Não Olhe para Cima” discutia como as bolhas das redes sociais nos tornam cegos e solipsistas, “O Mundo Depois de Nós” vai além: como o atual ecossistema midiático (ou mesmo a ausência dele no fim do mundo) cria cismogêneses e caos administrado.\u0026nbsp;\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESessenta anos depois do quadro “O Grito” de Edward Munch, o sociólogo norte-americano publicava o clássico da sociologia “A Multidão Solitária”, em 1950. O que Munch pressentiu na arte, Riesman comprovou empiricamente em um estudo sociológico: a solidão em meio à multidão e a ascensão de um novo indivíduo com um “giroscópio psicológico” voltado para o exterior, às tendências e climas de opinião. Para não se sentirem tão isoladas e ter a sensação de fazer parte de uma comunidade.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EGraças a esse novo tipo de pessoa “alter-dirigida”, apesar da fragmentação e isolamento da sociedade de massas do século XX, através das mídias foi criado algum tipo de consenso ou esfera pública – claro, um consenso construído através de uma interesseira engenharia de opinião pública: relações públicas, propaganda, publicidade etc.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EConsenso no qual se sustentou a democracia liberal e o sistema político representativo.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas essa engenharia de consenso foi implodida no século XXI através das tecnologias de convergência e as redes sociais com o seu principal efeito colateral: o efeito bolha através dos algoritmos dos mecanismos de busca e dos perfis nas mídias sociais – motores de busca e algoritmos se transformam em curadorias de conteúdo, gerando bolhas solipsistas.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECriando comunidades virtuais, mas que na realidade apenas aprofundam aquela explosiva expressão da solidão em “O Grito”, mitigada pela engenharia do consenso do século XX.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAcompanhamos as consequências políticas recentes dessa nova mudança estrutural na esfera pública: polarização política, impossibilidade em criar consensos políticos, crise da democracia representativa e a ascensão global da extrema direita e desestabilizações de países por meio de guerra híbridas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EFilmes recentes como\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EThe Seed\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(2021) ou\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ENão Olhe para Cima\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(2021) ou séries como\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EYears and Years\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(2019) ou alguns episódios de\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EBlack Mirror\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;vêm construindo narrativas dramáticas e tragicômicas de como bolhas solipsistas pulverizam noções como “fato”, “verdade” ou “realidade” para incitar divisões pessoais e políticas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgmR0XQokzHpM6fbM9k-vJxkdlLqc7uhpsrxH9MOC7jCqFPzTomYNZuj3roqFGZBEHvv5isojYnXiyYyzQSefaicbvsD86eTjDNmYF9TayLxCyN6nH8_EkJk4-kyU_O7dYU0JSTHJwow7ytLi64IXVUb5062hMMGJBzTNY83AANjYCeMMm8ssdKBS2pYMo\/s1200\/AAAAQUwDRDqnHnlNfv7FbNF5oZWfdvL-r1Qqu38Iq6BufSmexK5zJSlDdlUBGPyNeSSLS2iJIbVVAdKKp7KYEYdZa-ofE90IJJJInB6M1wBnRTtGdYmDJdvFRYMPjtuJAIOIp-AUcY9nn9lCgT1s-42tEXHV.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"633\" data-original-width=\"1200\" height=\"338\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgmR0XQokzHpM6fbM9k-vJxkdlLqc7uhpsrxH9MOC7jCqFPzTomYNZuj3roqFGZBEHvv5isojYnXiyYyzQSefaicbvsD86eTjDNmYF9TayLxCyN6nH8_EkJk4-kyU_O7dYU0JSTHJwow7ytLi64IXVUb5062hMMGJBzTNY83AANjYCeMMm8ssdKBS2pYMo\/w640-h338\/AAAAQUwDRDqnHnlNfv7FbNF5oZWfdvL-r1Qqu38Iq6BufSmexK5zJSlDdlUBGPyNeSSLS2iJIbVVAdKKp7KYEYdZa-ofE90IJJJInB6M1wBnRTtGdYmDJdvFRYMPjtuJAIOIp-AUcY9nn9lCgT1s-42tEXHV.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO Mundo Depois de Nós\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ELeave the World Behind\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, 2023), dirigido por Sam Esmail (Mr. Robot), baseado no livro de Rumaan Alam “Leave the World Behind”, é mais uma contribuição a essa lista de produções do cinema e audiovisual que refletem essa crise não só daquilo que outrora se chamou de “esfera pública”, mas de como a própria sociabilidade está sendo colocada em xeque.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO filme engana: à primeira vista, parece mais um filme sobre apocalipse com todos os seus tropos – uma família presa em circunstâncias que estão destruindo o mundo como conhecemos; a progressiva incomunicabilidade com celulares sem serviço e a Internet que cai; animais se portando de maneira estranha como se prenunciassem algo terrível que está por vir etc.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas, por assim dizer, o filme é uma espécie de “alt-apocalipse”: o prenúncio de algum tipo de catástrofe em andamento é apenas um cenário para algo mais importante que tanto o livro quanto o filme querem discutir – algo está errado na América, um país que se tornou dividido e passou a entrar em guerra consigo mesmo. E tudo começa nas relações interpessoais, irremediavelmente trincadas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO Filme\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EJulia Roberts e Ethan Hawke estrelam Amanda e Clay Sandford, uma executiva de publicidade e seu marido professor de estudos de inglês e mídia (as profissões dos protagonistas são significativas para o propósito da narrativa), que vivem uma vida confortável, mas não extravagante, em sua casa no Brooklyn.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh0P4WH_nTVJmTf9p6EXGHmw26WLsV1cIX1LEMRqiroXKVw8WvN1KNZPP0C_yWemXFImm6f5z6RqotwO9VMlA-eRqhfCvHKq07B6FoozAbylOcy8BTx2aMio9gOV9zVVoF7B7eSUoazrXuKgKCPoUiZB75nHYKXkUYRMeyljltu87cMkO6kcGEJ9RnC-LQ\/s1300\/screenshot_2023-12-11_at_2.28.47_pm.png\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"855\" data-original-width=\"1300\" height=\"420\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh0P4WH_nTVJmTf9p6EXGHmw26WLsV1cIX1LEMRqiroXKVw8WvN1KNZPP0C_yWemXFImm6f5z6RqotwO9VMlA-eRqhfCvHKq07B6FoozAbylOcy8BTx2aMio9gOV9zVVoF7B7eSUoazrXuKgKCPoUiZB75nHYKXkUYRMeyljltu87cMkO6kcGEJ9RnC-LQ\/w640-h420\/screenshot_2023-12-11_at_2.28.47_pm.png\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMotivada por um profundo aborrecimento com a humanidade (“eu odeio as pessoas”), Amanda, uma misantropa com tendências racistas, impulsivamente aluga através do Airbnb uma casa de temporada afastada, sem o marido e os filhos adolescentes saberem. A ideia, transmitida para seu marido Clay, é “deixar o mundo para trás”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDe qualquer forma a casa alugada é linda e eles até ficam felizes por algumas horas. Tudo começa com um bizarro incidente - na praia eles testemunham um gigantesco navio petroleiro que se projeta diretamente na areia, encalhando e assustando todos os banhistas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPara desespero da filha Rose (Farrah MacKenzie), fã da série Friends, ela descobre que a Internet caiu. Justamente quando assistiria ao último episódio da série. O que significa também ficar sem mídia social, sem e-mail ou qualquer contato com o mundo exterior. Celulares ficam sem serviço e a TV saiu do ar.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECo se nada disso fosse o suficiente, a campainha toca, para descobrirem que quem apareceu à porta é o proprietário da casa em busca de refúgio. Um homem chamado G.H. Scott (Mahershala Ali) e sua filha Ruth Scott (Myha’la), uma família negra que faz levantar as sombrancelhas de Amanda.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EUm apagão atingiu Nova York e, sem alternativa, Scott decidiu se refugiar na sua casa de campo, mesmo sabendo que foi alugada. Levantando suspeitas entre si numa inegável situação de tensão racial, terão que pelo menos dividir a casa naquela noite.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas fica claro que há mais do que um simples apagão: satélites ficaram sem serviço, derrubando todo o sistema GPS de navegação, os animais parecem que estão enlouquecendo (cervos se reúnem no quintal da casa como se quisessem observar os humanos), do nada flamingos ocupam a piscina, panfletos de propaganda caem do céu jogados por drones, com textos em árabe (alguém traduz como “Morte à América”). E finalmente, um som ultrassônico alto e penetrante quase ensurdece a todos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDepois disso reina o caos. Como, por exemplo, carros autônomos enlouquecidos que se empilham em um gigantesco engavetamento numa estrada, impedindo a fuga dos protagonistas. O que está acontecendo? Algum ataque cibernético? Algum tipo de bomba inteligente? Sabotagem? Atentado terrorista?\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EE para completar, a família Sandford tem como vizinho um ativista QAnon de extrema direita – um ameaçado Kevin Bacon brandindo uma espingarda, ameaçando qualquer um que se aproxime da sua casa transformada em bunker.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgBwO5vXK6INnrzBAfzbTPozqYMqGc_ivWA9ApMC15OguL-apA-ZWK5JhsEoVSWxKud1UDHEgYKDQtDOr2qqGmRBjT08lW9ucmB53MtA0x1jZLgqOreRPNLBoIvNeDKatc6voXbdY4z-P8b8Lug8jqNz48IqkJGzyPzmTQqvEQiQURiye3kar89vP_2LoQ\/s758\/7298-Leave-the-World-Behind-2023-Movie-Timestamp-H02M01S37.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"758\" data-original-width=\"575\" height=\"640\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgBwO5vXK6INnrzBAfzbTPozqYMqGc_ivWA9ApMC15OguL-apA-ZWK5JhsEoVSWxKud1UDHEgYKDQtDOr2qqGmRBjT08lW9ucmB53MtA0x1jZLgqOreRPNLBoIvNeDKatc6voXbdY4z-P8b8Lug8jqNz48IqkJGzyPzmTQqvEQiQURiye3kar89vP_2LoQ\/w486-h640\/7298-Leave-the-World-Behind-2023-Movie-Timestamp-H02M01S37.webp\" width=\"486\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO Mundo Depois de Nós\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;não deixa claro o que está causando tudo: um apocalipse geomagnético ou um golpe de Estado perpetrado por terroristas? Isso porque estamos num “alt-apocalipse”. O fim do mundo é um mero pretexto para discutir outra questão: ninguém precisa empurrar a América de um penhasco. Apenas empurre as pessoas na direção do penhasco que elas farão o resto por conta própria.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAs sementes da destruição já foram plantadas nas pessoas – elas apenas precisam de um pouco de água e luz solar para crescerem. Basta o empurrãozinho de alguma sugestão de apocalipse.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA linha de diálogo chave do filme é a de G. H. Scott, quando, junto com Clay, fogem da mira da espingarda do vizinho QAnon:\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cblockquote style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003ENão achei que deixaríamos isso acontecer, pensei que fossemos mais espertos... uma simples manobra de três fases que poderia derrubar o governo de um país por dentro... a primeira fase é o isolamento, desativar sua comunicação e transporte; preparando pra a segunda fase, caos sincronizado... aterrorizar com ataques secretos e desinformação, sem um inimigo ou motivo claro, jogando umas contra as outras... e a terceira fase aconteceria por conta própria: Golpe de Estado, guerra civil, colapso...\u003C\/span\u003E\u003C\/blockquote\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO Mundo Depois de Nós\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;trata de solidão, cismogênese e desinformação. Todos os elementos do roteiro daquilo que chamamos de guerra híbrida – como criar uma guerra por procuração, incutindo divisões e isolamento. O que é favorecido pelas bolhas solipsistas criadas pelas mídias sociais e “curadorias de conteúdo” dos algoritmos. Tudo dentro daquilo que o jornalista Andre Korybko, autor do livro “Guerra Híbridas: das revoluções coloridas aos golpes”, o conceito de\u0026nbsp;\u003Ci\u003Ecaos administrado\u003C\/i\u003E:\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; text-indent: 1cm;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cblockquote style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EO estudo detalhado da sociedade de um estado-alvo e das tendências gerais da natureza humana (auxiliado por pesquisas antropológicas, sociológicas, psicológicas e outras) permite construir um quadro de como é o funcionamento “natural” daquela sociedade. Armados com esse conhecimento, os praticantes da Guerra Híbrida podem prever com precisão quais “botões apertar” por meio de provocações para obter respostas esperadas de seus alvos, tudo com a intenção de perturbar o status quo por processos locais de desestabilização manipulados por forças externas. Podem ser conflitos étnicos, movimentos de protesto (“Revoluções Coloridas”) ou a exacerbação de rivalidades regionais. O ponto principal é produzir o maior efeito com o mínimo de esforço e, então, explorar a evolução dos acontecimentos e a incerteza crescente a fim de realizar os planos políticos.\u003C\/span\u003E\u003C\/blockquote\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA alusão à série\u0026nbsp;\u003Ci\u003EFriends\u003C\/i\u003E\u0026nbsp;é irônica. Tudo que Rose quer é que a plataforma de streaming retorne para assistir ao episódio final. Uma série sobre amizades, num ecossistema midiático que estimula o isolamento. A vulnerabilidade necessária para cismogêneses e desinformação.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA América conseguiu dividir a si mesma. Agora exporta o\u0026nbsp;\u003Ci\u003Eknow how\u003C\/i\u003E\u0026nbsp;como guerra híbrida para desestabilizar seus opositores geopolíticos.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/X6UBHGb0OA0?si=VoAuDPJd_YlrjvRz\" title=\"YouTube video player\" width=\"600\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1.5pt medium; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"background: orange; font-size: 11pt;\"\u003EFicha Técnica\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ETítulo:\u0026nbsp;O Mundo Depois de Nós\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EDiretor:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ESam Esmail\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ERoteiro:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp; Rumaan Alam e Sam Esmail\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EElenco:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EJulia Roberts, Mahershala Ali, Ethan Hawke, Myha’la, Kevin Bacon\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EProdução:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;Esmail Corp, Netflix Studios\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EDistribuição:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003ENetflix\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EAno:\u0026nbsp;2023\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EPaís:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EEUA\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-family: Roboto; font-size: 10.5pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2021\/06\/a-psyop-militar-que-critica-brasileira.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EA PsyOp militar que a crítica brasileira não entendeu no filme \"Nova Ordem\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2021\/09\/sera-que-o-departamento-de-estado-dos.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003ESerá que o Departamento de Estado dos EUA assistiu ao filme 'Cronicamente Inviável'?\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2017\/12\/os-sinais-silenciosos-que-antecedem-um.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EOs sinais silenciosos que antecedem um golpe em \"The Handmaid's Tale\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/09\/pinochet-vampiros-e-teratopolitica-no.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EPinochet, vampiros e teratopolítica no filme 'O Conde'\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Co:p\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/o:p\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/7399910447720505251"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/7399910447720505251"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/o-apocalipse-da-cismogenese-e-do-caos.html","title":"O apocalipse da cismogênese e do caos administrado em 'O Mundo Depois de Nós'"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhoIQ94v3RZSag-hzcU4eN4gcXF-7cveToHCmV7_I_CRJbvrFcwiANc6zVSJZFwF6jNPj78qYiBycHOWmpaMTf6GpSx66hAKQQW4D03FE9P0rlumJfJcaK-ek8nnMHUIfrGGPBCyW72xp6Y5hxlXAVkhJyoU-HvsUsLajwOH-7Xx-AXrK9l_pWLepJMF4o\/s72-w640-h384-c\/leave-the-world-behind-netflix.jpeg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-1813793291604084021"},"published":{"$t":"2023-12-12T19:29:00.000-03:00"},"updated":{"$t":"2023-12-12T19:29:56.687-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Live Extra Cinegnose 360"}],"title":{"type":"text","$t":"Lula vai cair no buraco da Braskem? Janja hackeada: é a \"misoginia\"; Porta dos Fundos cancela Natal: é o timing da guerra semiótica"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjPI2uSbxnVl-Mms7Bko_p0pK80LmGS_RRtUjFWpgyvycVggfFgojop01jSTmbVu4NXJz-9BLRxbjjy3mGbipXYhOKPY1RLl7zzbttXh0dPw1rPOodkN1m1__cYhEOjH9fH2j9szjTGeRXslwmZtYCVB2hLSNCfxE0yajB9QNWVoST4yl2DJMFoCMA_QYI\/s3377\/Live%20Extra%2031.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1879\" data-original-width=\"3377\" height=\"356\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjPI2uSbxnVl-Mms7Bko_p0pK80LmGS_RRtUjFWpgyvycVggfFgojop01jSTmbVu4NXJz-9BLRxbjjy3mGbipXYhOKPY1RLl7zzbttXh0dPw1rPOodkN1m1__cYhEOjH9fH2j9szjTGeRXslwmZtYCVB2hLSNCfxE0yajB9QNWVoST4yl2DJMFoCMA_QYI\/w640-h356\/Live%20Extra%2031.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EComo vai acabar o mar de buracos da Braskem? Em mais uma CPI feita por encomenda para frear a pauta econômica no Congresso... e, quem sabe, desgastar Lula. É a velha guerra semiótica que, mais uma vez, discutiremos, na Live Extra Cinegnose 360 #31, nessa quarta-feira (13\/12), às 18h, no YouTube e Facebook. Depois dos Comentários Aleatórios que andará no fio da navalha entre a Ciência e o Oculto, teremos a Crítica Midiática do meio da semana: ironias do neoliberalismo progressista: o caso da reitora negra de Harvard que criticou Israel; Semiótica: a roupa de Zelensky na posse de Milei; a “Liga da Justiça” contra Flavio Dino na sabatina do Congresso; Jornalismo de Guerra: Mauro Vieira denunciado por injúria racial em hotel; sem timing na guerra semiótica, Porta dos Fundos cancela especial de Natal; CPI da Braskem: o tempo é a arma do Centrão; Perfil de Janja hackeado: a culpa é da “misoginia”. E outras bombinhas semióticas!\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif; line-height: 20.8px; margin: 6pt 0cm 0cm;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cbr \/\u003E\u003Cdiv\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/N87c2UYz_tc?si=S2yMssiNOhyNEiXX\" title=\"YouTube video player\" width=\"560\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/1813793291604084021"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/1813793291604084021"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/lula-vai-cair-no-buraco-da-braskem.html","title":"Lula vai cair no buraco da Braskem? Janja hackeada: é a \"misoginia\"; Porta dos Fundos cancela Natal: é o timing da guerra semiótica"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjPI2uSbxnVl-Mms7Bko_p0pK80LmGS_RRtUjFWpgyvycVggfFgojop01jSTmbVu4NXJz-9BLRxbjjy3mGbipXYhOKPY1RLl7zzbttXh0dPw1rPOodkN1m1__cYhEOjH9fH2j9szjTGeRXslwmZtYCVB2hLSNCfxE0yajB9QNWVoST4yl2DJMFoCMA_QYI\/s72-w640-h356-c\/Live%20Extra%2031.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-2039776717210075489"},"published":{"$t":"2023-12-09T16:45:00.000-03:00"},"updated":{"$t":"2023-12-09T16:45:10.049-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Live Cinegnose 360"}],"title":{"type":"text","$t":"'Durutti Column'; Mídia fatura com ausência de Lula na posse de Milei; Globo incentiva justiceiros de Copacabana; a saborosa água da Sabesp"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh8X18wL8g2dJo5_xQjd_HC_9_Owv9U0wYTk8UzMucMKj2veoS07qpgnXjPrfztTytBh3j5ee_woTqplj-c8cUldJEUAAhMkw30herjgrRBkALZKddmf9O7YBkE09ceK57vVoqoj_Bnm80-1ZOLqlpONORLPUJeBPvzWALGPhssNMOvd9fhxst7DQofPJE\/s3350\/Live%20137jpg.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1888\" data-original-width=\"3350\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh8X18wL8g2dJo5_xQjd_HC_9_Owv9U0wYTk8UzMucMKj2veoS07qpgnXjPrfztTytBh3j5ee_woTqplj-c8cUldJEUAAhMkw30herjgrRBkALZKddmf9O7YBkE09ceK57vVoqoj_Bnm80-1ZOLqlpONORLPUJeBPvzWALGPhssNMOvd9fhxst7DQofPJE\/w640-h360\/Live%20137jpg.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EQuer comprar minha estatal?... Eu te dou o dinheiro! Não existe pecado abaixo do equador! Essa é a delícia de capitalismo dos trópicos. Vamos discutir esse e outros temas na Live Cinegnose 360 #137, nesse domingo (10\/12), às 18h, no YouTube e Facebook. Vamos abrir os trabalhos com o rock impressionista da dupla “Durutti Column”: o pós-punk com timbre e texturas. E depois de mais controversos Comentários Aleatórios, vamos discutir o novo filme de Ridley Scott “Napoleão” (o demiurgo e o zeitgeist da guerra) e, com seis indicações ao Oscar, “Jojo Rabbit” (a psicologia de massas do Nazismo). Na sessão dos livros, teses sobre a mídia brasileira e a “saúde perfeita”. E na Crítica Midiática da Semana: Venezuela e Israel: dois pesos e duas medidas; EUA cortam ajuda militar à Ucrânia, diz a “Military Watch Magazine”; Privatização da Sabesp: o capitalismo dos trópicos; como a Globo incentiva os justiceiros de Copacabana; Identitarismo midiático comemora a primeira mulher general brasileira; agora grande mídia fatura com ausência de Lula na posse de Milei. E outras bombas semióticas... Venha conspirar nesse domingo! \u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003ENa segunda-feira, Minutagem, Bibliografia e Discografia da Live Cinegnose 360 #137 na Descrição do vídeo no Youtube.\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif; line-height: 20.8px; margin: 6pt 0cm 0cm;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7REzfw4iylo?si=P_JNIyB9CukuAAmm\" title=\"YouTube video player\" width=\"560\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/2039776717210075489"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/2039776717210075489"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/durutti-column-midia-fatura-com.html","title":"'Durutti Column'; Mídia fatura com ausência de Lula na posse de Milei; Globo incentiva justiceiros de Copacabana; a saborosa água da Sabesp"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh8X18wL8g2dJo5_xQjd_HC_9_Owv9U0wYTk8UzMucMKj2veoS07qpgnXjPrfztTytBh3j5ee_woTqplj-c8cUldJEUAAhMkw30herjgrRBkALZKddmf9O7YBkE09ceK57vVoqoj_Bnm80-1ZOLqlpONORLPUJeBPvzWALGPhssNMOvd9fhxst7DQofPJE\/s72-w640-h360-c\/Live%20137jpg.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-6370501032378068550"},"published":{"$t":"2023-12-09T09:31:00.000-03:00"},"updated":{"$t":"2023-12-09T14:50:26.157-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cinema Americano"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Freud"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mal"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Propaganda"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Simbologia"}],"title":{"type":"text","$t":"A psicologia de massas do nazismo no filme \"Jojo Rabbit\""},"content":{"type":"html","$t":"\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-DD9n3trtbgs\/Xlez62_CygI\/AAAAAAAAVQs\/M4zZ6Qk-uU4ABntentegGyOYhm8JJjEjwCLcBGAsYHQ\/s1600\/Jojo%2BRabbit.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"384\" data-original-width=\"512\" height=\"480\" src=\"https:\/\/1.bp.blogspot.com\/-DD9n3trtbgs\/Xlez62_CygI\/AAAAAAAAVQs\/M4zZ6Qk-uU4ABntentegGyOYhm8JJjEjwCLcBGAsYHQ\/s640\/Jojo%2BRabbit.jpg\" width=\"600\" \/\u003E\u003C\/span\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Ci\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Ci\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003ENazistas são maus, frios e assassinos. É a própria encarnação do Mal no cinema, criando dramas pessoais e tragédias humanas. Tão poderosos que, através da propaganda política, teriam poderes totais sobre as massas hipnotizadas. Mas o filme “Jojo Rabbit” (seis indicações ao Oscar em 2020 e disponível no Star +) é uma visão alternativa nesse senso comum. Equilibrando-se corajosamente no fio da navalha entre tragédia e humor, o diretor Taika Waititi mergulha na guerra interior do pequeno protagonista: entre o superego do seu amigo imaginário (nada menos que o próprio Hitler) e o inconsciente secreto que se esconde no sótão da sua casa. Jojo finge ser uma nazista cruel da juventude hitlerista. Mas tudo o que quer é fazer parte de um clube. “Jojo Rabbit” cria uma representação fílmica da psicologia freudiana no nazismo: no fundo, as pessoas sentem-se solitárias e mal-amadas – sós, procuram a sensação de pertencimento. Nem que seja entre nazistas.\u003C\/span\u003E\u003C\/i\u003E\u003C\/div\u003E\n\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cbr \/\u003E\n\u003C\/span\u003E\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003ENazistas sempre foram os vilões perfeitos para o cinema: frios, maus, calculistas, cínicos, assassinos. Como não poderia deixar de ser, filmes sobre nazistas e segunda guerra mundial sempre focalizaram nos dramas pessoais, famílias que se separam e o horror diante do genocídio, o ódio e o racismo organizado como um sistema político-ideológico.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003EMas além da maldade, os nazistas parecem dotados de algum tipo de poder hipnótico sobre as massas, capazes de agitar as multidões e arrastá-las à irracionalidade.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003EEssa visão que perpassa todos os subgêneros dos filmes sobre nazismo (exploitation, históricos, biográficos, humor negro etc.) é um senso comum diretamente originado do polímata francês Gustave Le Bon, no século XIX – para ele, as multidões seriam contagiadas pelo poder hipnótico dos líderes. Solto na multidão, o indivíduo abandonaria a responsabilidade individual e cederia às emoções. Um prato cheio para a propaganda política.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003EMas o filme\u0026nbsp;\u003Ci\u003EJojo Rabbit\u003C\/i\u003E\u0026nbsp;(2019), com seis indicações ao Oscar (Melhor Filme, Roteiro Adaptado, Atriz Coadjuvante, Figurino, Montagem e Design de Produção), do diretor judeu polinésio Taika Waititi, traz um enfoque diferente. Mais freudiano para fenômenos de massa como foi o nazismo no século XX.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\"\u003E\u003Ci\u003EJojo Rabbit\u003C\/i\u003E\u0026nbsp;é uma comédia dramática que satiriza a Alemanha nazista já nos estertores da guerra e na iminência da derrota, cujo protagonista é um garoto solitário que tem como amigo imaginário nada menos do que Adolf Hitler. É justamente aí que está a aposta arriscada de Waititi quanto ao tom do humor – um dos maiores genocidas da História como uma figura paterna alternativa, aparecendo para oferecer apoio e conselhos. Aliás, interpretado pelo próprio diretor.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003Cbr \/\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cscript async=\"\" src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"\u003E\u003C\/script\u003E\n\n\u003Cbr \/\u003E\n\u003C\/span\u003E\u003Cins class=\"adsbygoogle\" data-ad-client=\"ca-pub-5671019166925136\" data-ad-format=\"fluid\" data-ad-layout=\"in-article\" data-ad-slot=\"4256021505\" style=\"display: block; text-align: center;\"\u003E\u003C\/ins\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cscript\u003E\n     (adsbygoogle = window.adsbygoogle || []).push({});\n\u003C\/script\u003E\n\n\u003Cbr \/\u003E\n\u003C\/span\u003E\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003EMas é justamente nesse improvável amigo imaginário de um garoto de dez anos que está a novidade de\u0026nbsp;\u003Ci\u003EJojo Rabbit\u003C\/i\u003E\u0026nbsp;entre a cinematografia do nazismo: o garoto é um fanático aspirante à juventude nazista, mas não porque foi contagiado pelo poder hipnótico da propaganda nazi em uma pequena cidade no interior da Alemanha.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003ESolitário (seu pai e irmã morreram e vive com sua mãe), ele está desesperado pelo anseio de pertencer a um grupo, ser reconhecido, respeitado e amado. Adere ao nazismo, assim como poderia aderir a qualquer movimento que estivesse em evidência.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003ETudo o que deseja é ter a sensação de pertencimento. Nada mais freudiano do que a psicologia de massas na qual se baseia o drama do pequeno protagonista: o que as pessoas mais temem não é a morte, mas a tragédia de não serem amadas – de morrerem em vida, sós e anônimas. Por isso, tendem a acompanhar a maioria, pelo medo de ficarem para trás. Não amadas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-AIXHeu6x_Tk\/Xle0RRSQcYI\/AAAAAAAAVQ0\/IYmya1WAcdcR-vblsWAU--fS1MMoxZlvACLcBGAsYHQ\/s1600\/Jojo%2BRabbit%2B1.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"550\" data-original-width=\"1100\" height=\"320\" src=\"https:\/\/1.bp.blogspot.com\/-AIXHeu6x_Tk\/Xle0RRSQcYI\/AAAAAAAAVQ0\/IYmya1WAcdcR-vblsWAU--fS1MMoxZlvACLcBGAsYHQ\/s640\/Jojo%2BRabbit%2B1.jpg\" width=\"600\" \/\u003E\u003C\/span\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Ch3\u003E\n\u003Cb\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003EO Filme\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EJojo Betzler (brilhantemente interpretado por Roman Griffin Davis) é um garoto solitário em algum lugar da Alemanha nazista nos últimos estágios da guerra.\u003C\/span\u003E\u003C\/span\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan style=\"letter-spacing: 0.15pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Cspan style=\"box-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant-caps: inherit; line-height: inherit;\"\u003E\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EEle mora com sua mãe Rosie (Scarlett Johansson), tendo perdido o pai e a irmã.\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan style=\"letter-spacing: 0.15pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Cspan style=\"box-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant-caps: inherit; line-height: inherit;\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EDesesperado por pertencer a alguma coisa, o pequeno Jojo torna-se um membro fanático da Juventude Hitlerista, sempre acompanhado pela assessoria do seu amigo imaginário Adolf Hitler.\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EEste Hitler imaginário é um amálgama de superego nazista e racionalizações reconfortantes. Às vezes, ele se enfurece (“Me acalme!”). Quando não tem o que dizer, oferece cigarros para o garoto. Às vezes ele fala gírias adolescentes... e come unicórnios.\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EJojo parte para um campo de treinamento para jovens de Hitler, liderado pelo ex-capitão da SS alcoólatra chamado Capitão K (Sam Rockwell) e sua grotesca assistente, Fraulein Rahm (Rebel Wilson).\u003C\/span\u003E\u003C\/span\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan style=\"letter-spacing: 0.15pt;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cspan style=\"box-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant-caps: inherit; line-height: inherit;\"\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003ENão demonstrando a crueldade necessária ao ser desafiado a matar um coelho, é humilhado pelo grupo e passa a ser chamado de “Jojo Rabbit”.\u003C\/span\u003E\u003C\/span\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan style=\"letter-spacing: 0.15pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Cspan style=\"box-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant-caps: inherit; line-height: inherit;\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EDepois de uma conversa motivacional com o Hitler imaginário, Jojo então tenta demonstrar suas proezas marciais arrebatando uma granada de mão, apenas para explodir em si mesmo, tornando-se manco e com grandes cicatrizes no rosto.\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EJojo, um antissemita fanático, descobre horrorizado, que sua mãe está escondendo uma adolescente judia, Elsa (Thomasin McKenzie) no sótão.\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\"\u003E\u003Cspan style=\"border: 1pt windowtext; font-family: Roboto; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-ImYS5wfasR4\/Xle0l99pZdI\/AAAAAAAAVQ8\/DltFNwgrBR46wJWhsMVmgLTZZaXdnRUbgCLcBGAsYHQ\/s1600\/jojo_rabbit_kimberley_frenchtwentieth_century_fox_widemd.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"198\" data-original-width=\"360\" height=\"352\" src=\"https:\/\/1.bp.blogspot.com\/-ImYS5wfasR4\/Xle0l99pZdI\/AAAAAAAAVQ8\/DltFNwgrBR46wJWhsMVmgLTZZaXdnRUbgCLcBGAsYHQ\/s640\/jojo_rabbit_kimberley_frenchtwentieth_century_fox_widemd.jpg\" width=\"600\" \/\u003E\u003C\/span\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\"\u003E\u003Cspan style=\"border: 1pt windowtext; font-family: Roboto; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EIncapaz de traí-la sem também trair sua própria mãe, Jojo faz um pacto desconfortável com Elsa, insistindo que ela revele os segredos sinistros dos judeus para um livro que está escrevendo chamada “Yoohoo Jew”.\u003C\/span\u003E\u003C\/span\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan style=\"letter-spacing: 0.15pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Cspan style=\"box-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant-caps: inherit; line-height: inherit;\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EPara assustar ainda mais Jojo, Elsa informa os “segredos” dos judeus: eles têm chifres, são atraídos por coisas brilhantes e penduram-se no teto quando dormem, como morcegos.\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Ch3\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cb\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003EDinâmica freudiana\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/h3\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003EElsa é capaz de entender a dinâmica psíquica freudiana do pequeno Jojo: \"Você não é nazista, Jojo... Você é uma criança de dez anos que quer apenas fazer parte de um clube”, explica para o menino.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan style=\"letter-spacing: 0.15pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Cspan style=\"box-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant-caps: inherit; line-height: inherit;\"\u003E\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EEla ainda concede a Jojo a experiência do seu primeiro beijo.\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan style=\"letter-spacing: 0.15pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Cspan style=\"box-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant-caps: inherit; line-height: inherit;\"\u003E\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EMas Jojo permanece dividido entre seus sentimentos possessivos por Elsa e a lealdade a seu amigo imaginário, cada vez mais inconformado com a aliança:\u003C\/span\u003E\u003C\/span\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan style=\"letter-spacing: 0.15pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\"Então, como tudo está indo com aquela coisa de judeu lá em cima?\"\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan style=\"letter-spacing: 0.15pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Cspan style=\"box-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant-caps: inherit; line-height: inherit;\"\u003E\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EHitler pergunta.\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan style=\"letter-spacing: 0.15pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Cspan style=\"box-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant-caps: inherit; line-height: inherit;\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EQuando Jojo questiona sobre o que fazer, Hitler retruca: \"Você acha que eu sou o especialista?\"\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003EOs simbolismos freudianos da narrativa são evidentes: enquanto Jojo carrega o seu superego patético e desajeitado de Hitler, na sua casa, escondido no sótão, está seu inconsciente – a adolescente judia, o seu primeiro amor e a descoberta da sexualidade latente da pré-adolescência.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-N0ejxmiWV3A\/Xle04rZ4pLI\/AAAAAAAAVRE\/AoEEusJajQkhIVgtH0OyO1_IweQqdQ1mQCLcBGAsYHQ\/s1600\/Jojo-Rabbit-Cast-1.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"700\" data-original-width=\"1400\" height=\"320\" src=\"https:\/\/1.bp.blogspot.com\/-N0ejxmiWV3A\/Xle04rZ4pLI\/AAAAAAAAVRE\/AoEEusJajQkhIVgtH0OyO1_IweQqdQ1mQCLcBGAsYHQ\/s640\/Jojo-Rabbit-Cast-1.jpg\" width=\"600\" \/\u003E\u003C\/span\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003EHá uma guerra lá fora, mas também Jojo está em guerra consigo mesmo. Seu inconsciente lutando contra o superego pateticamente cada vez mais insatisfeito com as negociações de Jojo com a menina judia – uma força real, desdenhosa e zombeteira, que brinca com os preconceitos assumidos por Jojo na luta do seu ego para ser amado por todos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003EAtravés das lentes de Waititi, Jojo na verdade não tem medo de Elsa por ser judia. Mas por ela ser adolescente e ele um garoto de dez anos aspirando pelas descobertas da adolescência.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003EPara todos, Jojo quer demonstrar que é um nazista que “ama matar”. Mas é incapaz de dar um nó nos cadarços dos próprios sapatos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003ENa medida em que a narrativa avança, Jojo muda da inocência da infância para a maturidade brutalmente forçada. Literalmente, a cor do seu mundo se esvai, simbolicamente representada pela fotografia do filme.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003EAssim como no filme\u0026nbsp;\u003Ci\u003EA Vida é Bela\u003C\/i\u003E\u0026nbsp;(aliás, citado em uma breve sequência por Scarlett Johansson), na medida em que a narrativa avança de forma amarga, o tom de humor e as piadas começam a se equilibrar no fio da navalha. O filme até ameaça descarrilhar nessa ambiguidade tonal, mas Waititi consegue se equilibrar na sequência final entre tragédia e alívio cômico – principalmente pela performance do pequeno amigo gordinho e picaresco chamado Yorki (Archie Yates) que quase rouba as cenas no filme.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cspan class=\"notranslate\"\u003E\u003Ci\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EJojo Rabbit\u003C\/span\u003E\u003C\/i\u003E\u003C\/span\u003E\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u0026nbsp;é inspirado em “Caging Skies”, livro da escritora neozelandesa-belga Christine Leunens. Como o diretor admite “não ser um contador de histórias dramáticas”, Waititi acrescentou o führer amigo imaginário para equilibrar drama e comédia.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\"\u003E\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003EMas o diretor conseguiu mais do que isso: representar filmicamente a dinâmica da psicologia de massas do nazismo.\u003C\/span\u003E\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003Cbr \/\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\"\u003E\u003Cspan class=\"notranslate\"\u003E\u003Cspan style=\"border: 1pt windowtext; letter-spacing: 0.15pt; padding: 0cm;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv style=\"text-align: center;\"\u003E\n\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/e3X6SuwSY84\" width=\"600\"\u003E\u003C\/iframe\u003E\n\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm; text-indent: 70.9pt;\"\u003E\n\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"background-color: white; border-collapse: collapse; color: black;\"\u003E\u003Ctbody\u003E\n\u003Ctr\u003E\u003Ctd style=\"border-bottom-color: rgb(63, 108, 175); border-bottom-width: 1.5pt; border-bottom: 1.5pt solid rgb(63, 108, 175); border-left-style: none; border-right-style: none; border-style: solid none; border-top-color: rgb(63, 108, 175); border-top-width: 1.5pt; border-top: 1.5pt solid rgb(63, 108, 175); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Ch3 align=\"left\" style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cspan lang=\"PT\" style=\"background-color: orange; color: black;\"\u003EFicha Técnica\u003C\/span\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan style=\"background-color: orange; color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\n\u003C\/td\u003E\u003C\/tr\u003E\n\u003Ctr\u003E\u003Ctd style=\"background-color: #c9d7ea; background-position: initial initial; background-repeat: initial initial; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cb\u003ETítulo: Jojo Rabbit\u003C\/b\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003C\/td\u003E\u003C\/tr\u003E\n\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cb\u003EDiretor:\u0026nbsp;\u003C\/b\u003ETaika Waititi\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003C\/td\u003E\u003C\/tr\u003E\n\u003Ctr\u003E\u003Ctd style=\"background-color: #c9d7ea; 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background-position: initial initial; background-repeat: initial initial; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\"\u003EProdução:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan lang=\"EN-US\"\u003E\u0026nbsp;TSG Entertainment, Piki Films\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Cspan lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003C\/td\u003E\u003C\/tr\u003E\n\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"PT\"\u003EDistribuição:\u003Cspan class=\"apple-converted-space\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan lang=\"PT\"\u003E20th\u003C\/span\u003E\u003C\/span\u003E\u0026nbsp;Century Fox Brazil\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003C\/td\u003E\u003C\/tr\u003E\n\u003Ctr\u003E\u003Ctd style=\"background-color: #c9d7ea; background-position: initial initial; background-repeat: initial initial; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"PT\"\u003EAno:\u003Cspan class=\"apple-converted-space\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan lang=\"PT\"\u003E2019\u003C\/span\u003E\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003C\/td\u003E\u003C\/tr\u003E\n\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"PT\"\u003EPaís:\u003Cspan class=\"apple-converted-space\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003Cspan class=\"apple-converted-space\"\u003E\u003Cspan lang=\"PT\"\u003ENova Zelândia, EUA\u003C\/span\u003E\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003C\/td\u003E\u003C\/tr\u003E\n\u003C\/tbody\u003E\u003C\/table\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Ctable border=\"1\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; border: medium; color: black;\"\u003E\u003Ctbody\u003E\n\u003Ctr\u003E\u003Ctd style=\"border-bottom-color: rgb(79, 129, 189); border-bottom-width: 1pt; border-bottom: 1pt solid rgb(79, 129, 189); border-left-style: none; border-right-style: none; border-style: solid none; border-top-color: rgb(79, 129, 189); border-top-width: 1pt; border-top: 1pt solid rgb(79, 129, 189); padding: 0cm 5.4pt; width: 453.55pt;\" valign=\"top\" width=\"605\"\u003E\u003Ch3\u003E\n\u003Cb\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"background-color: orange; font-family: Roboto;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\n\u003C\/td\u003E\u003C\/tr\u003E\n\u003Ctr\u003E\u003Ctd style=\"border-bottom-color: rgb(79, 129, 189); border-bottom-width: 1pt; border-bottom: 1pt solid rgb(79, 129, 189); border-left-style: none; border-right-style: none; border-style: none none solid; border-top-style: none; padding: 0cm 5.4pt; width: 453.55pt;\" valign=\"top\" width=\"605\"\u003E\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cb\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cb\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2011\/11\/woody-allen-conseguiu-transformar-o-seu.html\" style=\"color: purple;\"\u003ENo filme “Zelig” Woody Allen faz uma fábula sobre a psicologia de massas do século XX\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cb\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\n\u003C\/td\u003E\u003C\/tr\u003E\n\u003Ctr\u003E\u003Ctd style=\"background-color: #d3dfee; background-position: initial initial; background-repeat: initial initial; border: medium; padding: 0cm 5.4pt; width: 453.55pt;\" valign=\"top\" width=\"605\"\u003E\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2013\/08\/as-10-tecnicas-do-kit-semiotico-de.html\" style=\"color: purple;\"\u003EAs 10 técnicas do kit semiótico de manipulação das multidões\u003C\/a\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2017\/11\/filme-solaris-de-tarkovski-e-o-anti.html\" style=\"color: purple;\"\u003E\u003C\/a\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2014\/05\/o-que-matou-theodor-w-adorno.html\" style=\"color: purple;\"\u003E\u003C\/a\u003E\u003C\/b\u003E\u003Cb\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\n\u003C\/td\u003E\u003C\/tr\u003E\n\u003Ctr\u003E\u003Ctd style=\"border: medium; padding: 0cm 5.4pt; width: 453.55pt;\" valign=\"top\" width=\"605\"\u003E\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cb\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cb\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2012\/04\/scorsese-faz-critica-cultura-da.html\" style=\"color: purple;\"\u003EScorsese faz crítica à cultura das celebridades no filme “O Rei da Comédia”\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cb\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\n\u003C\/td\u003E\u003C\/tr\u003E\n\u003Ctr\u003E\u003Ctd style=\"background-color: #d3dfee; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(79, 129, 189); border-bottom-width: 1pt; border-bottom: 1pt solid rgb(79, 129, 189); border-left-style: none; border-right-style: none; border-style: none none solid; border-top-style: none; padding: 0cm 5.4pt; width: 453.55pt;\" valign=\"top\" width=\"605\"\u003E\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cb\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cb\u003E\u003Cspan face=\"\u0026quot;verdana\u0026quot; , sans-serif\" style=\"font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2014\/03\/a-filosofia-do-ressentimento-em-um.html\" style=\"color: purple;\"\u003EA filosofia do ressentimento em “Um Homem com Duas Vidas”\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cb\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\n\u003C\/td\u003E\u003C\/tr\u003E\n\u003C\/tbody\u003E\u003C\/table\u003E\n\u003Cdiv align=\"left\" class=\"MsoNormal\" style=\"font-size: 11pt; line-height: 19.0667px; margin: 6pt 0cm;\"\u003E\n\u003Cbr \/\u003E\u003C\/div\u003E\n"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/6370501032378068550"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/6370501032378068550"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2020\/02\/a-psicologia-de-massas-do-nazismo-no.html","title":"A psicologia de massas do nazismo no filme \"Jojo Rabbit\""}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/1.bp.blogspot.com\/-DD9n3trtbgs\/Xlez62_CygI\/AAAAAAAAVQs\/M4zZ6Qk-uU4ABntentegGyOYhm8JJjEjwCLcBGAsYHQ\/s72-c\/Jojo%2BRabbit.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-1689278382977959926"},"published":{"$t":"2023-12-08T21:21:00.000-03:00"},"updated":{"$t":"2023-12-08T21:21:37.549-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cinema Americano"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Dromologia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Paul Virilio"}],"title":{"type":"text","$t":"'Napoleão' de Ridley Scott: o demiurgo, o outsider e o zeitgeist da guerra"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgz4opvrubIfo9-YuicM_Wk-Ye2KxRQGVmBsLYCg5IPkOmzBw6DcCUviZx0l6-HZs0fl6fzowyAfspmg3zAi10NP3hF5FeUwoz9PPQTyFro1eWz5jVysQ7YH66g9IPM3GRTaFOMwHYz9hQdWPOd3o_Nmi1mwUohXaRnVlAiFIlUL2F0IUvK0hyphenhyphenVa3AhZNk\/s1200\/Napoleon-Teaser-banner.png\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"675\" data-original-width=\"1200\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgz4opvrubIfo9-YuicM_Wk-Ye2KxRQGVmBsLYCg5IPkOmzBw6DcCUviZx0l6-HZs0fl6fzowyAfspmg3zAi10NP3hF5FeUwoz9PPQTyFro1eWz5jVysQ7YH66g9IPM3GRTaFOMwHYz9hQdWPOd3o_Nmi1mwUohXaRnVlAiFIlUL2F0IUvK0hyphenhyphenVa3AhZNk\/w640-h360\/Napoleon-Teaser-banner.png\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ERidley Scott desdenha as críticas feitas ao seu último filme “Napoleão” (2023), de historiadores e, principalmente, dos franceses: “eles nem gostam de si mesmos...”, respondeu. A precisão histórica não é o objetivo do diretor, mas principalmente fazer um “estudo do personagem” e transformar em protagonistas as cartas trocadas entre Napoleão e a amante Josephine, que se tornaram a espinha dorsal do filme. Além de Scott voltar a dois temas que são recorrentes na sua carreira: o Demiurgo e o “outsider” que desafia a tudo e a todos ao seu redor, para tentar resgatar algo de precioso dentro de si. Se a natureza da guerra revela o zeitgeist de uma civilização, então para Scott Napoleão foi o divisor de águas: o último herói da guerra clássica na qual o objetivo final é o domínio do território. Derrotado pelo futuro – a tecno-indústria inglesa com a logística do controle da velocidade e do tempo. A avant-première do que seria a guerra do século XX, das blitzkrieg nazistas e da velocidade dos mísseis.\u0026nbsp;\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ECríticas não estão faltando contra o novo filme de Ridley Scott,\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ENapoleão\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(2023). Para começar, as dos próprios franceses que consideraram o épico sobre um importante personagem da história do país como “profundamente desajeitado” e “involuntariamente engraçado”. A que Scott respondeu direto: “os franceses nem gostam de si mesmos”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDepois, as críticas de historiadores que sugerem que o filme tem muitas imprecisões históricas. Mais uma vez, Scott foi direto: “Sério, cara!... Você estava lá? Não? Bem, então cala a boca!”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EQualquer estudante de História sabe como termina a trajetória de Napoleão Bonaparte: Waterloo, 1815. Depois de mais de mais de duas décadas dominando os campos de batalha e a história europeias, Napoleão foi finalmente confrontado por um inimigo diante do qual suas estratégias como brilhante general não mais funcionaram.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ENapoleão, aquele outrora obscuro\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Eoutsider\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;da Córsega, o oficial de artilharia que - através da crueldade e astúcia - se levantou para governar a França e conquistar grande parte da Europa, morreu derrotado, no exílio e sozinho.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas para Hollywood e Ridley Scott a História não acabou com ele. Através da costumeira performance física do ator Joaquim Phoenix, o filme mostra que Napoleão teria sido menos uma lição de história e muito mais um bom estudo de personagem.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPara Scott, há mais de dez mil livros publicados sobre Napoleão: “desde que morreu se publica um livro sobre ele toda semana... Eu não acho que seja uma aula de história. Eu acho que é um estudo de caráter com violência, com ação, com tudo o que você tem”, afirmou o diretor –\u0026nbsp;\u003Cb\u003E\u003Cspan style=\"color: red;\"\u003E\u003Ca href=\"https:\/\/www.cbsnews.com\/news\/director-ridley-scott-on-napoleon\/\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: red;\"\u003Eclique aqui\u003C\/span\u003E\u003C\/a\u003E\u003C\/span\u003E\u003C\/b\u003E.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO diretor Ridley Scott tem um inegável talento para lidar com narrativas em diferentes épocas históricas: da Roma antiga (\u003Ci\u003EGladiador\u003C\/i\u003E, 2000) para a época das Cruzadas (\u003Ci\u003ECruzada\u003C\/i\u003E, 2005;\u0026nbsp;\u003Ci\u003ERobin Hood\u003C\/i\u003E, 2010); da era do Renascimento (\u003Ci\u003E1492 – A conquista do paraíso\u003C\/i\u003E, 1992) para o século XIX (Os Duelistas, 1977); e no futuro com\u0026nbsp;\u003Ci\u003EAlien\u003C\/i\u003E\u0026nbsp;(1979),\u0026nbsp;\u003Ci\u003EBlade Runner\u003C\/i\u003E\u0026nbsp;(1982) e\u0026nbsp;\u003Ci\u003EPrometheus\u0026nbsp;\u003C\/i\u003E(2012).\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EConfirmando uma velha crença de que um artista conta uma única história em toda a sua vida, em Ridley Scott percebe-se que ele volta sempre ao mesmo tema do estranho que desafia a tudo e a todos ao seu redor para, no final, resgatar algo que é exclusivamente precioso para si mesmo.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhAXFbmzbR9Ef-N9ypNa595K2lO1-meXJY350YDb4zRFLlboY1DHFZ2Y4IiutItcjZ3whyckPPPnMGg7aLF_UUZsgQuCiRwELv-Sv7VEhe4rI8NKtBjtN-tLlyWJdlEBOfzrthfSD6X97Ifproi2vq_9paAC09IWNtnj0CFf9BQRSs2AbwLPelMX2GqqLk\/s600\/22napoleon-review-ptkg-articleLarge.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"350\" data-original-width=\"600\" height=\"374\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhAXFbmzbR9Ef-N9ypNa595K2lO1-meXJY350YDb4zRFLlboY1DHFZ2Y4IiutItcjZ3whyckPPPnMGg7aLF_UUZsgQuCiRwELv-Sv7VEhe4rI8NKtBjtN-tLlyWJdlEBOfzrthfSD6X97Ifproi2vq_9paAC09IWNtnj0CFf9BQRSs2AbwLPelMX2GqqLk\/w640-h374\/22napoleon-review-ptkg-articleLarge.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EFoi assim com Deckard em\u0026nbsp;\u003Ci\u003EBlade Runner\u003C\/i\u003E\u0026nbsp;(o simbolismo do unicórnio que o protagonista resgata para saber se ele é humano ou mais um replicante) e também com a Dra. Elizabeth Shaw em\u0026nbsp;\u003Ci\u003EPrometheus\u003C\/i\u003E\u0026nbsp;(desafiando a tudo para manter a fé em um sentido para a criação humana perpetrada pelos “Engenheiros”).\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EDessa vez, Scott vai combinar esse tema com outro personagem também recorrente na sua obra: o Demiurgo – em\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EAlien\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, era a Corporação proprietária da nave Nostromo; em\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EBlade Runner\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, o criador de replicantes Tyrrel; em\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EPrometheus\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, os “Engenheiros”; em\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EÊxodo\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, o confronto titânico entre Deus e o Faraó etc.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAo transformar Napoleão em um personagem mais intimista do que histórico a ser estudado. Para além dos triunfos nos campos de batalha, estava Josephine, a viúva aristocrática que se tornou sua esposa e imperatriz. As cartas de Bonaparte a Josephine se tornou a peça central da história – o calcanhar de Aquiles de Napoleão, alguém que conseguiu levá-lo aos salões mais nobres da França.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESem ela, Napoleão não passava de uma força bruta que precisava ser lapidada.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas uma força de uma época que estava chegando ao fim – a época das batalhas de infantaria na qual o decisivo era a conquista do espaço. Talvez, o último grande nome de uma época superada pelo poder de dominar o tempo. Como Waterloo e o seu algoz, Duque de Wellington (Rupert Everett), provaram.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgfz6-lU6L4oTcMB9eZ_Wdvsba4Nb9b_9tJXJSvlaamvZu0bwrpvznbj1TVnPC_NhuL0bJ9jc96gnb3LHrWw3_lwiz0P_YpCCJTlqVnDTShPMq5ZPlXoA3YVyQo7oC0NzutppaCyzyXlli8KikkACx9dlmJZ4GzndxKXUPmKmmk1OaCLX5rSAxMuSSMM8k\/s600\/21xp-napoleon-03-mwvc-articleLarge.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"401\" data-original-width=\"600\" height=\"428\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgfz6-lU6L4oTcMB9eZ_Wdvsba4Nb9b_9tJXJSvlaamvZu0bwrpvznbj1TVnPC_NhuL0bJ9jc96gnb3LHrWw3_lwiz0P_YpCCJTlqVnDTShPMq5ZPlXoA3YVyQo7oC0NzutppaCyzyXlli8KikkACx9dlmJZ4GzndxKXUPmKmmk1OaCLX5rSAxMuSSMM8k\/w640-h428\/21xp-napoleon-03-mwvc-articleLarge.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Ch3 style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO Filme\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cdiv\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENaturalmente, o filme começa durante a Revolução Francesa, enquanto Bonaparte sobe a escada política da França com sua perspicácia de guerra acima de tudo – ele assiste à decapitação de Maria Antonieta em Paris, cena que, para os historiadores, jamais aconteceu.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EUma sequência inicial mostra o Cerco de Toulon, em 1793, com impressionantes detalhes gráficos. Nessa batalha que Napoleão cimentou sua reputação como um mestre estratégico, além do lendário ódio contra os ingleses.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEnquanto Bonaparte de Phoenix lidera um ataque noturno a um forte no porto, o ator expressa todo o medo de uma maneira que sugere um retrato mais humano de um personagem histórico. Toda a sequência é filmada com detalhes fascinantes, desde a bala de canhão que rasga o peito de um cavalo até as figuras em chamas que fogem dos navios no porto.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO Cerco de Toulon torna Bonaparte heroico o suficiente para exigir a atenção de Josephine (Vanessa Kirby), uma aristocrata prisioneira durante o Reino do Terror que conheceu Napoleão em 1795. As cartas de Napoleão a Josephine são a espinha dorsal do filme de Scott, uma escolha que deve dar calor e paixão ao projeto. Pouco depois do encontro, o verdadeiro Napoleão escreveu para Josephine: “Eu acordei cheio de você. Sua imagem e a memória dos prazeres inebriantes de ontem à noite não deixaram descanso para meus sentidos.”\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEm todo filme há uma inegável admiração de Scott pelo “Pequeno Cabo”, um homem que veio de meios modestos; que sabia que estava destinado a coisas maiores, depois quis criar o seu destino quando surgiram oportunidades; e que transformou uma mistura de inteligência estratégica, habilidades de liderança de segunda natureza, rancor e um instinto de grandes gestos em uma receita para a vitória, principalmente contra seus descrentes.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgenO4cuGi9xCAGg1S7xICOADSi8e9MZ3_1w6u00fkIqCsPBTFTqAXsabGg3YcZYh0DkxhkCJtVhSvKt4KpnjWz6s-qbq2woOfMBQh3diROqXQoWFZ3DTtII64SNTcM_d4VEKIJcnxqk1BXOrzt1fp7Rxq2LA94R6mLVG1etbxGjmkZgpfR9V6vPpDeWdI\/s979\/vanessa-kirby-napoleon-64abf7b66dbb9-e1689084773618.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"512\" data-original-width=\"979\" height=\"334\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgenO4cuGi9xCAGg1S7xICOADSi8e9MZ3_1w6u00fkIqCsPBTFTqAXsabGg3YcZYh0DkxhkCJtVhSvKt4KpnjWz6s-qbq2woOfMBQh3diROqXQoWFZ3DTtII64SNTcM_d4VEKIJcnxqk1BXOrzt1fp7Rxq2LA94R6mLVG1etbxGjmkZgpfR9V6vPpDeWdI\/w640-h334\/vanessa-kirby-napoleon-64abf7b66dbb9-e1689084773618.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENapoleão Bonaparte tinha objetivos diferentes em vários estágios de sua vida, mas seu principal durante o auge de seu poder como imperador da França e governo militar\u0026nbsp;\u003Cb\u003Efoi conquistar os países poderosos que se opunham a ele\u003C\/b\u003E. Ou seja, a Rússia, mas Napoleão também queria controlar outros. Esse objetivo também se estendeu a áreas do Império Otomano, embora Napoleão não tenha chegado lá depois de ter perdido milhares e milhares de tropas durante suas várias campanhas militares – a estatística final do filme é terrível: no final, somando todas as campanhas, Napoleão levou à morte três milhões de soldados.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEmbora Napoleão fosse um defensor inicial da Revolução Francesa e da remoção da monarquia, Scott faz questão de mostrar a ansiedade dele não só em se coroar como imperador, mas as suas tentativas de criar sua própria linhagem para continuar governando a França mesmo depois da sua morte – Josephine era estéril. O que levou ao divórcio forçado (mesmo continuando a se encontrar furtivamente com ela) para casar-se com a arquiduquesa da Áustria, Maria Luísa.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEssa ansiedade e o ódio contra os ingleses demonstra algo a mais que está latente em uma linha de diálogo no qual Napoleão conversa com o embaixador da Grã-Bretanha e desdenha o poder marítimo do país inimigo: “Se você se acha tão ótimo, porque precisa de navios?”, desafia. E que termina numa cena totalmente imaginada por Napoleão (antes de ser levado prisioneiro pelos ingleses para a Ilha de Santa Helena, no Atlântico), numa conversa despreocupada com Wellington, a bordo do navio do HMS Bollerophon (foi o navio no qual Bonaparte se rendeu), parabenizando-o pela qualidade do café da manhã – cena que nos faz lembrar do famoso negacionismo psíquico da “síndrome de Napoleão”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEssas duas cenas mostram que a ansiedade de Napoleão em vencer os ingleses e criar a sua linhagem que domine o continente era, talvez, do pressentimento histórico de um fim de uma era, representada por ele: a da guerra clássica como conquista do espaço e territórios.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEikgcTUfz1FJJwYbJ0uK-VDlb_CS9S6NstR2fnG2M__wu9iGcdktMrfV1l-n39_zy0RqgV0CXRaI_VKUccgzGfD9UgDtWfI9BBv-HQvRr89bCh_M7BTiUfcQMnXwiXkaYgiqpTYdOvr33l7xeJl4xa-yPEKsAx7ns2DFfTMG4w13FAGDbi7AdAlDM2zqcg\/s3356\/2REAEERjpg-JS858358891.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1863\" data-original-width=\"3356\" height=\"356\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEikgcTUfz1FJJwYbJ0uK-VDlb_CS9S6NstR2fnG2M__wu9iGcdktMrfV1l-n39_zy0RqgV0CXRaI_VKUccgzGfD9UgDtWfI9BBv-HQvRr89bCh_M7BTiUfcQMnXwiXkaYgiqpTYdOvr33l7xeJl4xa-yPEKsAx7ns2DFfTMG4w13FAGDbi7AdAlDM2zqcg\/w640-h356\/2REAEERjpg-JS858358891.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA Inglaterra passa a priorizar inovações técnicas, tecnológicas, no campo dos transportes, máquinas a vapor, engenhos rápidos, daí tira sua superioridade econômica, torna-se a primeira grande nação industrial. E revolucionar a sua estratégia-logística das batalhas: a estratégia do “fleet in being” que, segundo o pensador Paul Virilio, é a a “logística realizando plenamente a estratégia como arte do movimento dos corpos não vistos”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EPor isso, segundo ele, os ingleses permaneceram por muito tempo como os melhores relojoeiros do mundo, o domínio do mar, exige o poder do Tempo, exige “visar a lua”, tem-se aí a Guerra do Tempo – Leia VIRILIO, Paul.\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EVelocidade e Política\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, Estação Liberdade, 1996.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENapoleão desdenhava a frota invencível da Grã-Bretanha, estando ainda organicamente ligado à velha guerra física, geográfica, envolvendo o controle das tropas, do relevo (engenharia militar) e da resiliência ao clima.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEnquanto a tecnologia industrial inglesa já apontava para o novo mundo que as\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Eblitzkriegs\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;nazistas do século XX confirmariam: guerra é o domínio da velocidade, do tempo e do desaparecimento – não é à toa a preferência inglesa pelos oceanos: o espaço plano, veloz, como um corpo sem órgãos, no qual os navios poderão até desaparecer, como na pintura dos futuros encouraçados.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh1FXHtgbeuFp2LiyDqzoJ_5fhvDbOXvetvd7NKwdDCHwvzdi1Rz4FTm5jb_sdy6RSJenkewntJOrd5H4edSy16ZBuv6Sr8A94zCa_NqoqIlkbcsJY3v2kESdNMKNxPkYZEdfybS0f3nIaYc3aX2xi34xSmEQeMFEUyKo9eUHlVPlGSA33uy27Alw6mpJQ\/s480\/Napoleon%20Hero%20Image%20Edited.png\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"270\" data-original-width=\"480\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh1FXHtgbeuFp2LiyDqzoJ_5fhvDbOXvetvd7NKwdDCHwvzdi1Rz4FTm5jb_sdy6RSJenkewntJOrd5H4edSy16ZBuv6Sr8A94zCa_NqoqIlkbcsJY3v2kESdNMKNxPkYZEdfybS0f3nIaYc3aX2xi34xSmEQeMFEUyKo9eUHlVPlGSA33uy27Alw6mpJQ\/w640-h360\/Napoleon%20Hero%20Image%20Edited.png\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENapoleão ainda era o remanescente da era da infantaria como peões em um jogo de xadrez no tabuleiro militar (não é por menos o assustador número de mortos na soma das campanhas de Bonaparte) no qual o general planeja e os marechais executam – o que lembra a resposta dada por Napoleão ao seu general que objetou que as circunstâncias eram desfavoráveis diante da campanha proposta. “Bah! Eu faço as circunstâncias!”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EVelocidade, Tempo e Desaparecimento. Elementos presentes na derrota final na Batalha de Waterloo. Seu exército não era páreo para eles: o início da batalha foi adiado, permitindo a Wellington esperar a chegada do exército prussiano que se camuflou na floresta, no flanco direito de Napoleão, para enfrentar a lendária divisão da Guarda Imperial de Napoleão – os veteranos, até então invencíveis.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEnquanto Napoleão privilegiava os clássicos conceitos de batalha como fricção, ponto culminante da ofensiva, centro de gravidade etc., os ingleses praticavam o diversionismo, extensão deliberada do tempo de batalha e formações rápidas da infantaria em quadrado para fuzilar os cavaleiros franceses e assim por diante.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESuas palavras finais na no exílio em Santa Helena foram: “França, Exército, Josephine”. Napoleão estava no passado, enquanto a revolução tecno industrial inglesa era o futuro.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMesmo assim, tornou-se um símbolo e um ícone ao mesmo tempo sedutor e nostálgico. Desde Tolstoi, no qual abandono de Moscou e a subsequente retirada das tropas de Napoleão foram tomados como símbolos da libertação milagrosa da Mãe Rússia, análoga à própria ressurreição. Hitler ficou fascinado por ele.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas o culto pós-guerra de Napoleão continua vivo para aqueles que querem anular os horrores do século XX e reviver o que eles tomam como a aventura romântica da guerra.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/EI_4r-zM4c8?si=e3bekdn2Oy5Hzr1x\" title=\"YouTube video player\" width=\"600\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1.5pt medium; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"background: orange; font-size: 11pt;\"\u003EFicha Técnica\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ETítulo:\u0026nbsp;Napoleão\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EDiretor:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ERidley Scott\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003ERoteiro:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003E\u0026nbsp; David Scarpa\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EElenco:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EJoaquim Phoenix, Vanessa Kirby, Tahar Rahim, Rupert Everett\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EProdução:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;Apple Studios, Scott Free Productions\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EDistribuição:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EColumbia Pictures\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EAno:\u0026nbsp;2023\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EPaís:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EEUA\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-family: Roboto; font-size: 10.5pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2015\/01\/a-humanidade-esta-no-fogo-cruzado-de.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EA humanidade está no fogo cruzado entre deuses e reis no filme \"Êxodo\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2012\/06\/os-deuses-estao-mortos-no-filme.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EOs deuses estão mortos no filme \"Prometheus\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2018\/01\/paul-virilio-pensar-velocidade-o.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003E\"Paul Virilio - Pensar a Velocidade\": o Acidente Integral é o nosso futuro?\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2014\/03\/por-que-celebramos-velocidade.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EPor que celebramos a velocidade?\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Co:p\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/o:p\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/1689278382977959926"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/1689278382977959926"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/napoleao-de-ridley-scott-o-demiurgo-o.html","title":"'Napoleão' de Ridley Scott: o demiurgo, o outsider e o zeitgeist da guerra"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgz4opvrubIfo9-YuicM_Wk-Ye2KxRQGVmBsLYCg5IPkOmzBw6DcCUviZx0l6-HZs0fl6fzowyAfspmg3zAi10NP3hF5FeUwoz9PPQTyFro1eWz5jVysQ7YH66g9IPM3GRTaFOMwHYz9hQdWPOd3o_Nmi1mwUohXaRnVlAiFIlUL2F0IUvK0hyphenhyphenVa3AhZNk\/s72-w640-h360-c\/Napoleon-Teaser-banner.png","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-3671379808493578601"},"published":{"$t":"2023-12-05T18:34:00.000-03:00"},"updated":{"$t":"2023-12-05T18:34:38.930-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Live Extra Cinegnose 360"}],"title":{"type":"text","$t":"Mídia brasileira também quer uma guerra; Lula TEM que ir à posse de Milei; o capitalismo sem risco no Brasil do Grande Reset Global"},"content":{"type":"html","$t":"\u003Cp\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgd9LBixlHfu59gKL-MZnG6R4vvbe_-OG9SPDl-40tzZHxFRMfTxCmWclQBX5fQyqWpbgr1V5Roo3wqrM_aTh5PCBNGtbRSrT_ohNJj9DX68d3A-bimAw7KOYFl6t5RViOFRhMeR1vxNR6wOXBtwNZJ2cDLM6g4r4TIFJInEXsc-GCmzxGWHeUxzeLIVRQ\/s3300\/Live%20Extra%2030.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1870\" data-original-width=\"3300\" height=\"362\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgd9LBixlHfu59gKL-MZnG6R4vvbe_-OG9SPDl-40tzZHxFRMfTxCmWclQBX5fQyqWpbgr1V5Roo3wqrM_aTh5PCBNGtbRSrT_ohNJj9DX68d3A-bimAw7KOYFl6t5RViOFRhMeR1vxNR6wOXBtwNZJ2cDLM6g4r4TIFJInEXsc-GCmzxGWHeUxzeLIVRQ\/w640-h362\/Live%20Extra%2030.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EÀs armas cinegnósticos! Vamos defender nossas fronteiras do ditador sanguinário da Venezuela... tudo por causa da “maldição do petróleo”. Para entender essa narrativa da grande mídia, venha participar da Live Extra Cinegnose 360 #30, nessa quarta-feira, às 18h, no YouTube e Facebook. Após os costumeiros e controversos Comentários Aleatórios, a Crítica Midiática do meio da semana: Grande mídia diz que Lula não deve ir à posse de Milei... então, Lula TEM que ir; sinais do Grande Reset Global: o Cybertruck de Musk, bilionários acumularam mais riqueza pela herança e o fim do Hotel Transamérica em SP; Para grande mídia Brasil vai à guerra na Guiana; OMS e a pandemia climática; Delícia de Capitalismo sem risco em SP: Via Mobilidade, Pacaembu, Sabesp etc.; Palmeiras campeão, com Crefisa, INSS e com tudo...\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif; line-height: 20.8px; margin: 6pt 0cm 0cm;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cbr \/\u003E\u003Cdiv\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/E7CQpis_20c?si=U-KyfdodlKnrhAvO\" title=\"YouTube video player\" width=\"560\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/3671379808493578601"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/3671379808493578601"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/midia-brasileira-tambem-quer-uma-guerra.html","title":"Mídia brasileira também quer uma guerra; Lula TEM que ir à posse de Milei; o capitalismo sem risco no Brasil do Grande Reset Global"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgd9LBixlHfu59gKL-MZnG6R4vvbe_-OG9SPDl-40tzZHxFRMfTxCmWclQBX5fQyqWpbgr1V5Roo3wqrM_aTh5PCBNGtbRSrT_ohNJj9DX68d3A-bimAw7KOYFl6t5RViOFRhMeR1vxNR6wOXBtwNZJ2cDLM6g4r4TIFJInEXsc-GCmzxGWHeUxzeLIVRQ\/s72-w640-h362-c\/Live%20Extra%2030.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-6248677803649824081"},"published":{"$t":"2023-12-02T18:36:00.000-03:00"},"updated":{"$t":"2023-12-02T18:36:44.154-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Live Cinegnose 360"}],"title":{"type":"text","$t":"Final Countdown do 'Europe'; as delícias do capitalismo no Brasil sem risco; o elogio de uma esquerda louca"},"content":{"type":"html","$t":"\u003Cp\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: justify;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhqR7sFSEOI8kRsaI-H8CWQN9vpwJp5IcNCRHXq8AAQKXGOei8lqJyfL_7n4qorj1544gJXbFafOQYEmVit6j4WS5Vk4Kz6UcrX5jFt6GPcIaMncY6VjikYUQ8H5vJPUenymNxwhJVx1kUcGG90wlSsRmphmzgi26HpQ9kywaEOuunIzyoyziTiQecfoD8\/s3318\/Live%20136.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1888\" data-original-width=\"3318\" height=\"364\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhqR7sFSEOI8kRsaI-H8CWQN9vpwJp5IcNCRHXq8AAQKXGOei8lqJyfL_7n4qorj1544gJXbFafOQYEmVit6j4WS5Vk4Kz6UcrX5jFt6GPcIaMncY6VjikYUQ8H5vJPUenymNxwhJVx1kUcGG90wlSsRmphmzgi26HpQ9kywaEOuunIzyoyziTiQecfoD8\/w640-h364\/Live%20136.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cdiv style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 14.6667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EUma Live entre a loucura, a sanidade e o método... Quais as fronteiras entre racionalidade e o delírio na comunicação política? Venha discutir esse e outros temas na Live Cinegnose 360 #136, nesse domingo, às 18h, no YouTube e Facebook. Para começar, os vinis da banda ‘Europe”: não há “Final Countdown” na indústria musical sueca. Depois, vamos discutir a série “A Queda da Casa de Usher” (Justiça cármica e a elite predatória) e “Matando Deus” (Nitzsche, Gnosticismo e Teocídio). Na sessão dos Livros do Humilde Blogueiro, a osmose entre guerra e cinema. E na Crítica Midiática da semana: a delícia do capitalismo sem risco no Brasil - Via Mobilidade e Braskem; Alerta: caso Braskem se voltará contra Lula; A amnésia da esquerda; Um elogio para a loucura na esquerda; Bolsonaro, crime organizado e futebol: relações promíscuas; mais de 200 revistas médicas querem que OMS declare estado de emergência... o que está por trás?\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003ENa segunda-feira a Minutagem, Bibliografia e Discografia da Live Cinegnose #136 na Descrição do vídeo no Youtube.\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: center;\"\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/yN9PxmI1Hag?si=0DGzjjTBgwzp-qui\" title=\"YouTube video player\" width=\"560\"\u003E\u003C\/iframe\u003E\u003C\/i\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/6248677803649824081"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/6248677803649824081"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/final-countdown-do-europe-as-delicias.html","title":"Final Countdown do 'Europe'; as delícias do capitalismo no Brasil sem risco; o elogio de uma esquerda louca"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhqR7sFSEOI8kRsaI-H8CWQN9vpwJp5IcNCRHXq8AAQKXGOei8lqJyfL_7n4qorj1544gJXbFafOQYEmVit6j4WS5Vk4Kz6UcrX5jFt6GPcIaMncY6VjikYUQ8H5vJPUenymNxwhJVx1kUcGG90wlSsRmphmzgi26HpQ9kywaEOuunIzyoyziTiQecfoD8\/s72-w640-h364-c\/Live%20136.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-7169425426488580622"},"published":{"$t":"2023-12-02T16:16:00.000-03:00"},"updated":{"$t":"2023-12-02T16:16:42.839-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cinema Americano"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Edgar Allan Poe"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Gótico"},{"scheme":"http://www.blogger.com/atom/ns#","term":"HP Lovecraft"},{"scheme":"http://www.blogger.com/atom/ns#","term":"séries"},{"scheme":"http://www.blogger.com/atom/ns#","term":"terror"}],"title":{"type":"text","$t":"'A Queda da Casa de Usher': Allan Poe e o acerto de contas cármico com a elite predatória"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhKwxImanikka2Ns54tCzpOxbVww14j9HfRwEmjw8eaUgfBxCkOeTXJWNulDMF2-iUwJ_RnNVfDIxUFniGSjaLxgFT8d0f3HAy2gLVgR9SoTsBc3q6GDffO-5kT3vsvwbBTNZonJyBO2iNM7yBzuuI9X0F4r7Mp6vo3yvECmrWTnu__TV3mzR2LSwdvrGg\/s1280\/the-fall-of-the-house-usher-netflix.jpeg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"720\" data-original-width=\"1280\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhKwxImanikka2Ns54tCzpOxbVww14j9HfRwEmjw8eaUgfBxCkOeTXJWNulDMF2-iUwJ_RnNVfDIxUFniGSjaLxgFT8d0f3HAy2gLVgR9SoTsBc3q6GDffO-5kT3vsvwbBTNZonJyBO2iNM7yBzuuI9X0F4r7Mp6vo3yvECmrWTnu__TV3mzR2LSwdvrGg\/w640-h360\/the-fall-of-the-house-usher-netflix.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECom a proximidade das festas de final de ano, a área do cinema e audiovisual é tomada por contos morais otimistas sobre mudanças pessoais e reavaliações do significado da vida. Então, vá contra a corrente e encare uma série sobre execuções da justiça cármica dentro do universo do escritor gótico norte-americano Edgar Allan Poe. É a produção Netflix “A Queda da Casa de Usher” (2023), uma adaptação da obra escritor trazida para a era da Big Farma sobre a ascensão e o declínio de uma família americana bilionária cuja origem do império está num analgésico opiáceo que vicia e destrói a vida de milhões – obviamente inspirado no escândalo atual da Purdue Farma da família Sackler, responsável pela epidemia de opioides nos EUA com o analgésico OxyCotin. Os herdeiros Usher começam a morrer misteriosamente. Apontando para um tipo de escrutínio para além da Justiça terrestre: o horror metafísico dos fantasmas do consciência e do passado que vêm fazer o acerto de contas com a elite predatória.\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EBohemian Club é um clube exclusivo masculino fundado em 1872 localizado em Monte Rio, Califórnia. Todo verão, no mês de julho, seus membros (2.500 no total, membros da elite financeira, midiática e política global) participam de um “acampamento” onde se programam dentro de uma intensa pauta constituída por palestras sobre conjuntura mundial, lazer e um estranho ritual conhecido como\u0026nbsp;“Cremation of Care”\u0026nbsp;feito sob os pés da estátua de uma coruja com 12 metros de altura. Em todos os aspectos, emulando um ritual babilônico pagão, num evento fechado onde câmeras ou celulares são proibidos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E“Cremation of Care” é um show musical, pirotécnico e teatral cujo texto, pronunciado pela Coruja através do sistema de som, faz uma alegoria do banimento de todas as preocupações e culpas da consciência dessa elite, como relata Porter Garnett no livro\u0026nbsp;\u003Ci\u003EThe Bohemian Jinks: A Trealise\u003C\/i\u003E.\u0026nbsp;Queimam aos pés da Coruja, numa pira incendiária, um boneco em forma humana como estivessem se livrando dos fantasmas da consciência.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EUma elite que parece consciente de todo mal planetário gerado pelo tripé composto pelas finanças, armas e farmoquímica: guerras, envenenamento em massa por agrotóxicos e fármacos, o abismo da desigualdade e a destruição ambiental pelo modo de vida dos 1% mais ricos do planeta.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA série Netflix\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA Queda da Casa de Usher\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(2023) é uma orgia literária sobre a morte, colocando em primeiro plano esses fantasmas que eventualmente assaltam a consciência dos membros daqueles que decidem a vida e a morte de milhões.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA série é uma adaptação da obra homônima do clássico gótico americano do escritor Edgar Allan Poe, trazido para a era da Big Farma sobre a ascensão e o declínio de uma família americana bilionária cuja origem do império está na mina de ouro que representou um analgésico opiáceo chamado Ligodone feito pela Fortunato Pharma - viciando e destruindo a vida de milhões.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA adaptação da obra de Poe é obviamente inspirada no escândalo atual da Purdue Farma da família Sackler, responsável pela epidemia de opioides nos EUA com o analgésico OxyCotin, resultando numa escalada de ações judiciais de governos locais e estaduais contra a empresa, além da irremediável destruição de milhares de vidas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EUma história de oito episódios sobre vingança, poder, traição e muito sangue, criado por Mike Flanagan a partir de uma vertiginosa colagem de alusões às obras que compõe o universo do escritor gótico: “A Máscara da Morte Escarlate”, “O Corvo”, “O Poço e o Pêndulo”, “A Narrativa de Arthur Gordon Pym” entre outras. São verdadeiros “ovos de Páscoa” para os fãs de Edgar Allan Poe.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAo mesmo tempo que a família Usher sofre o escrutínio do público sob um julgamento liderado pelo advogado Dupin (nome recorrente em personagens das obras de Poe), os herdeiros começam a morrer misteriosamente. Apontando para um outro tipo de escrutínio: o do horror metafísico dos fantasmas da consciência que vem fazer o acerto de contas, acompanhado de uma mulher sinistra com laços estreitos no passado com os Usher e presença recorrente em todos os acontecimentos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgPCh1bIlvgfp8gm77kIThEgXLV-lw2F8eo3baAhwtZWx10on2DZ7ECpSHZG19DnYCr7Qf-awp6cw_B78xDSlEIsiSanb1wZGix3MTu6Yhj7TGbJ3iJ-J7DIwEyfV621zlkHQC0ghB5Tjh-lPITYOQTjtNwpK74oRiBhAEU9KubevO7nslVDIpzGk7WnJw\/s1200\/AAAAQf-W5WvqhA9yNlQ_S2jwqD7LrqOcY3XiJs6Lfj4jFkhtw5DPPcfpMDfuZNWYd4dIBYS6iQ3jFCzJRDHPki-sBnUI7QvQ7OcSzxkrDddvAKfj3Nf8SuZDokFcRm770Y0hzwcxMbxd1wjUE2Mb-UrvFDyy.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"800\" data-original-width=\"1200\" height=\"426\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgPCh1bIlvgfp8gm77kIThEgXLV-lw2F8eo3baAhwtZWx10on2DZ7ECpSHZG19DnYCr7Qf-awp6cw_B78xDSlEIsiSanb1wZGix3MTu6Yhj7TGbJ3iJ-J7DIwEyfV621zlkHQC0ghB5Tjh-lPITYOQTjtNwpK74oRiBhAEU9KubevO7nslVDIpzGk7WnJw\/w640-h426\/AAAAQf-W5WvqhA9yNlQ_S2jwqD7LrqOcY3XiJs6Lfj4jFkhtw5DPPcfpMDfuZNWYd4dIBYS6iQ3jFCzJRDHPki-sBnUI7QvQ7OcSzxkrDddvAKfj3Nf8SuZDokFcRm770Y0hzwcxMbxd1wjUE2Mb-UrvFDyy.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECom a proximidade das festas do final de ano, a forma como os fantasmas do passado assalta a consciência do magnata Roderick Usher (Bruce Greenwood) lembra um clássico conto moralista de Charles Dickens “Um Cântico de Natal” (“Christmas Carol”) de 1843: a estória de Ebenezer Scrooge, velho ranzinza e sovina que passou a vida inteira juntando uma fortuna, desprezando qualquer contato com as pessoas. Na noite de Natal recebe a visita de três fantasmas que o assombram, mostrando visões do passado, do presente e do futuro da sua vida, levando-o a uma transformação íntima e reavaliando o significado da vida.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EMas em\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA Queda da Casa de Usher\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;esse tom moralista desaparece. Roderick tem visões de fantasmas monstruosos, decorrentes de opções conscientes tomadas na vida, ao lado da sua maquiavélica irmã gêmea Madeline (Mary McDonell).\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EInexoravelmente, os Usher vão ter que confrontar com as consequências das execuções cármicas da fortuna que conduz ao desfortúnio.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ERoderick e Madeline não terão nenhum ritual como o “Cremation of Care” para expiar a culpa e arrependimento. E muito menos algum confessionário católico para pedir o perdão divino. Apenas a fria e precisa execução de uma justiça cósmica que transpassa a obra de Edgar Allan Poe e que tanto fascinou outro autor do gótico norte-americano: H.P. Lovecraft.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA Série\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA Queda da Casa de Usher\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;se passa simultaneamente no passado, presente e futuro: como os irmãos gêmeos Roderick e Madeline assumem de forma sangrenta o controle da Fortunato Farma em 1980 – lembrando a velha máxima de Balzac: “Por detrás de uma grande fortuna há um crime”; o processo atual contra a Fortunato Farma, liderado pelo Procurador-Geral Auguste Dupin (Carl Lumbly); e, no futuro, quando Roderick Usher convida, numa noite tempestuosa, Dupin para confessar toda a verdade sobre a história criminosa e violenta de sua família – e, principalmente, o porquê da morte em série dos seus filhos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEitppQpR0XUI-ra-3TWuzZdttwkj1pHqOpGS6-yxyeLpwxkgbG3GpT-dDH8owY-i7i4GeOYrnIbbBcNVEwu77RmQXlH2-14m1emhlnhLfP_9Aq8D63eF6X9abTxgmOtk95TDyvOMWV9oLkNBT055E1a3ihR5vgL9Ezv8Qj5E_LIqv-nd3kZKQ3Db-tXa6o\/s1500\/The-Fall-of-the-House-of-Usher-100623-01-fc6a01379efd490b9b220093f271dd5c.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1000\" data-original-width=\"1500\" height=\"426\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEitppQpR0XUI-ra-3TWuzZdttwkj1pHqOpGS6-yxyeLpwxkgbG3GpT-dDH8owY-i7i4GeOYrnIbbBcNVEwu77RmQXlH2-14m1emhlnhLfP_9Aq8D63eF6X9abTxgmOtk95TDyvOMWV9oLkNBT055E1a3ihR5vgL9Ezv8Qj5E_LIqv-nd3kZKQ3Db-tXa6o\/w640-h426\/The-Fall-of-the-House-of-Usher-100623-01-fc6a01379efd490b9b220093f271dd5c.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAo abrir a série, os fãs são apresentados a Roderick Usher (Bruce Greenwood), o CEO acinzentado da Fortunato Pharma — um enorme conglomerado farmacêutico com uma droga de assinatura que é equivalente ao opioide altamente viciante OxyContin. Embora ele tenha tudo ao seu alcance, Roderick está profundamente angustiado. Todos os seis filhos morreram recentemente, deixando Roderick, sua irmã gêmea Madeline (Mary McDonnell), sua neta, Lenore (Kyliegh Curran), sua nova noiva Juno (Ruth Codd) e o capanga “conserta-tudo” Arthur Pym (um Mark Hamill irreconhecível) como os membros restantes do império Usher.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAssustado com a aparição de uma mulher misteriosa e com dons sobrenaturais (Carla Gugino) durante o funeral final de seus filhos, Roderick convoca o procurador Auguste Dupin para sua casa abandonada da infância para oferecer uma confissão de seus variados crimes.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDupin passou décadas de sua carreira tentando incriminar os Ushers, mas nunca conseguiu sequer indiciá-los. Ansioso para ouvir o que tem a dizer, Dupin se senta frente a frente com Roderick para ouvi-lo a contar a história de sua vida - começando com sua infância e terminando com as mortes chocantes de seus filhos.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EOs filhos de Roderick, Frederick (Henry Thomas), e sua filha, Tamerlane (Samantha Sloyan), são os irmãos mais velhos, nascidos do casamento do CEO com sua primeira esposa, Annabel Lee (Katie Parker). Depois, há os bastardos Usher: o mentor de relações públicas Camille (Kate Siegel), o magnata dos videogames Napoleon (Rahul Kohli), a ambiciosa e eticamente questionável cientista Victorine (T'Nia Miller), às voltas com fraudes nas pesquisas para favorecer a Fortunato Farma, e o mais jovem, o amante de festas com drogas e orgias Prospero (Sauriyan Sapkota). Os quatro mais novos nasceram da frivolidade sexual de Roderick depois de assumir o império Fortunato.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EDivididos em oito capítulos, os seis episódios do meio de\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA Queda da Casa de Usher\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, cada um nomeado por um conto aterrorizante de Poe, ilustram as terríveis mortes de cada um dos filhos Usher.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh_4ymNa1SI_OlvYLvtr1KXya6MDtNBYYuYoISPz9tYFr3PLictErEHuXWPcVHetOe2kjsADUUJWPk5nCpSUikZARVT-fDFfU58kuErFLUWDWRZv6nDCBukGqbtAcsvO0LzV1TAtwUrri4KZQFwC_FNxJSww4ptuSyM1sXJmjmq5C2fYgahEgfy-y_W9-c\/s1920\/la-caida-de-la-casa-usher-netflix-6527c2aac602e.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1080\" data-original-width=\"1920\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh_4ymNa1SI_OlvYLvtr1KXya6MDtNBYYuYoISPz9tYFr3PLictErEHuXWPcVHetOe2kjsADUUJWPk5nCpSUikZARVT-fDFfU58kuErFLUWDWRZv6nDCBukGqbtAcsvO0LzV1TAtwUrri4KZQFwC_FNxJSww4ptuSyM1sXJmjmq5C2fYgahEgfy-y_W9-c\/w640-h360\/la-caida-de-la-casa-usher-netflix-6527c2aac602e.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO Capitalismo viciante\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO interessante é que a série não se limita à descrição da execução cármica dos Usher. Aqui e ali nas linhas de diálogo há verdadeiras pérolas de como uma elite predatória consegue, através dos mecanismos do Capitalismo, manipular a opinião pública e maximizar os seus lucros às custas da socialização das perdas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EUma dessas pérolas é o miniconto de como tornar limões e limonadas rentáveis no Capitalismo:\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cblockquote\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EDupin\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;- Quando a vida te dá limões, faça limonada?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ERoderick\u0026nbsp;\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E– Não! Primeiro, faça uma campanha multimídia para convencer as pessoas de que os limões estão escassos... Só funciona se você estocar limões, controlar o abastecimento e usar a mídia. Limões são o único modo de dizer \"eu te amo\", um acessório indispensável para noivados e aniversários. Fora com as rosas! Que venham os limões. Anúncios dizendo que ela não vai mais transar se não tiver limões. Traga a De Beers. Braceletes de limão edição limitada, diamantes chamados gotas de limão. Faça a Apple chamar o novo sistema operacional de OS-Lemôn. Com um acento no \"o\" (...) Cobre 40% a mais por limões orgânicos... Encha o Capitólio de lobistas, faça uma Kardashian chupar um limão num filme erótico. Use hashtags. Algo não é \"legal\", \"maneiro\" ou \"incrível\", e sim \"limão\". \"Viu aquele filme?\" \"Foi à quele show? Foi limão pra caralho!\" ... Crie um código genético que fará o limão se parecer com um seio e tenha uma patente do gene da sequência do DNA do seio-limão. (...) Sente-se, recolha os milhões e, depois, quando tiver terminado e tiver vendido seu império por alguns bilhões de dólares... SÓ ENTÃO VOCÊ FAZ A PORRA DA LIMONADA!\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/blockquote\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EUma brilhante exposição cínica dos mecanismos de mercado para simular escassez física (estocagem) e imaginária (mídia e propaganda) para criar um alto valor agregado – o limão vira mais do que um limão... vira algo cool, sedutor, moda, tendência etc.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgVysxPlgRbVOyjjJtDhCuX_DuRygnS1LjOnZM1mx3rCrJVxjnMPiw4gJIM-0_QTSSSZWKJSDRdRd2Ut7mx70U8py4O_3b7EJAakmN_XEe2iddtnWfayW9iye2ObHx3SlO8ROGZI7FwdYIA976RYronmel1CAfNVZO3WxXkWp4gBsK-BFHi4MEtrkJGmhY\/s2784\/4045748-haunting-of-hill-house-1626602236.png\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1386\" data-original-width=\"2784\" height=\"318\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgVysxPlgRbVOyjjJtDhCuX_DuRygnS1LjOnZM1mx3rCrJVxjnMPiw4gJIM-0_QTSSSZWKJSDRdRd2Ut7mx70U8py4O_3b7EJAakmN_XEe2iddtnWfayW9iye2ObHx3SlO8ROGZI7FwdYIA976RYronmel1CAfNVZO3WxXkWp4gBsK-BFHi4MEtrkJGmhY\/w640-h318\/4045748-haunting-of-hill-house-1626602236.png\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAtravés de linhas de diálogo cínicas como essa, Roderick eloquentemente revela como foi sua ascensão ao topo de Fortunato e, em seguida, revela como cada um de seus filhos morreu em detalhes cruéis.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEle conta sua obsessão em empurrar para a sociedade uma droga altamente viciante e comercializá-la fraudulentamente, quase ecoando a ascensão da vida real da família Sackler, que administrava a Purdue Farma e que se tornaram os principais responsáveis na atual epidemia de opioides nos EUA.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPor sua vez, Dupin — cuja história com os Ushers vai muito além dos tribunais — tenta desvendar o mistério no centro da história de Roderick: porque a linhagem Usher parece estar se extinguindo rapidamente.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EDessa maneira\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA Queda da Casa de Usher\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;se alinha a tendência no cinema e audiovisual nos últimos anos de não perdoar os 1% da população obscenamente mais ricos do planeta:\u0026nbsp;\u003Ci\u003EParasita, O Cardápio, Glass Onion: Um Mistério Knives Out, Triângulo da Tristeza,\u0026nbsp;\u003C\/i\u003E\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ea série\u0026nbsp;\u003Ci\u003ESucession\u0026nbsp;\u003C\/i\u003Eentre outros.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EComo explicar que essa tendência? Talvez porque crie o prazer catártico da vingança misturado com um entretenimento voyeurista. Na\u0026nbsp;\u003Ci\u003EQueda da Casa de Usher\u003C\/i\u003E, pelo menos, temos um prazer a mais: a imersão no universo gótico de Edgar Allan Poe.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/8F56weVOYVg?si=2QSakmGHMiVM6xzD\" title=\"YouTube video player\" width=\"600\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1.5pt medium; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"background: orange; font-size: 11pt;\"\u003EFicha Técnica\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ETítulo:\u0026nbsp;A Queda da Casa de Usher\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ECriação:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EMike Flanagan\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003ERoteiro:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003E\u0026nbsp; Mike Flanagan, Rebecca Klingel\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EElenco:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EBruce Greenwood, Mary McDonnell, Carla Gugino, Carl Lumbly, Mark Hamill, Ruth Codd, T’Nia Miller, Rahul Kohli\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EProdução:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;Intrepid Pictures\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EDistribuição:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003ENetflix\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EAno:\u0026nbsp;2023\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EPaís:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EEUA\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-family: Roboto; font-size: 10.5pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2010\/09\/o-sabor-gnostico-no-filme-um-sonho.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EO Sabor Gnóstico no Filme \"Um Sonho Dentro de Um Sonho\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2021\/06\/elon-musk-se-junta-com-o-horror-de.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EElon Musk se junta com o horror de Edgar Allan Poe no filme 'Oxigênio'\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/01\/o-olhar-hollywoodiano-para-luta-de.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EO olhar hollywoodiano para a luta de classes no filme 'O Menu'\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/03\/filme-triangulo-da-tristeza-leva-hegel.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EFilme 'Triângulo da Tristeza' leva Hegel, Marx e luta de classes para o Oscar 2023\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Co:p\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/o:p\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/7169425426488580622"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/7169425426488580622"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/12\/a-queda-da-casa-de-usher-allan-poe-e-o.html","title":"'A Queda da Casa de Usher': Allan Poe e o acerto de contas cármico com a elite predatória"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhKwxImanikka2Ns54tCzpOxbVww14j9HfRwEmjw8eaUgfBxCkOeTXJWNulDMF2-iUwJ_RnNVfDIxUFniGSjaLxgFT8d0f3HAy2gLVgR9SoTsBc3q6GDffO-5kT3vsvwbBTNZonJyBO2iNM7yBzuuI9X0F4r7Mp6vo3yvECmrWTnu__TV3mzR2LSwdvrGg\/s72-w640-h360-c\/the-fall-of-the-house-usher-netflix.jpeg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-4125199262002790727"},"published":{"$t":"2023-12-01T18:27:00.000-03:00"},"updated":{"$t":"2023-12-01T18:27:25.509-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"guerra criptografada"},{"scheme":"http://www.blogger.com/atom/ns#","term":"guerra híbrida"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Jürgen Habermas"},{"scheme":"http://www.blogger.com/atom/ns#","term":"media life"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mídia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"não-acontecimento"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Propaganda"},{"scheme":"http://www.blogger.com/atom/ns#","term":"pseudo-evento"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Relações Públicas"}],"title":{"type":"text","$t":"A esquerda também precisa de loucos"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgLc1DAMsP-JZLqprTQXbdOrFmXk9Ad8n3YD8hCNGSG1Gr5T_GiFFTtcjTPrjpXR7EWvWEfA3a2almPhNm0i_HGxNpMiNsqL5STrbOBPgyokRHzFnEd1I-BytYg_PvU-r1ET0Anxg2w9w5uMykB48rZWpyL3B7ZRXLT4dw5zl9YidGkXLXh_OB9OYsQxGQ\/s4096\/LOUCOS.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"2516\" data-original-width=\"4096\" height=\"394\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgLc1DAMsP-JZLqprTQXbdOrFmXk9Ad8n3YD8hCNGSG1Gr5T_GiFFTtcjTPrjpXR7EWvWEfA3a2almPhNm0i_HGxNpMiNsqL5STrbOBPgyokRHzFnEd1I-BytYg_PvU-r1ET0Anxg2w9w5uMykB48rZWpyL3B7ZRXLT4dw5zl9YidGkXLXh_OB9OYsQxGQ\/w640-h394\/LOUCOS.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA esquerda precisa de loucos! Este humilde blogueiro não está se referindo à opção existencial de ser esquerdista ou mesmo professor – que, sabemos, exige uma grande dose de loucura. O que este “Cinegnose” se refere é a recorrência de personagens caricaturais e canastrões promovidos pelas estratégias semióticas alt-right: Trump, Milei, Bolsonaro, Zelensky et caterva. São loucos, mas com método: o marketing político storytelling. Eles performam personagens arquetípicos (para ocultar suas verdadeiras agendas) que viram bombas semióticas – a única coisa que fura as bolhas digitais que flutuam no mar do “contínuo midiático atmosférico”, a transmutação atual da velha esfera pública. Não vivemos mais na “sociedade do espetáculo”, mas na “media life”: o que chamamos de “realidade” é aquilo que mais se assemelha às imagens e narrativas ficcionais. Por que a esquerda não faz o mesmo? Por que não fazer a extrema direita sentir o gosto do próprio veneno? Criar seus próprios Mileis, Bolsonaros e Zelenskys? Criar seus próprios loucos, mas com sinais trocados.\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA esquerda está precisando de loucos! É claro que a afirmação desse humilde blogueiro está carregada de hipérbole para alcançar um efeito retórico. Em outras palavras, podemos dizer que a esquerda precisa mostrar ao distinto público atores que performem personagens loucos... mas com muito método.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEssa tese tem origem em duas recentes constatações: primeiro, a vitória do personagem Javier Milei na Argentina – de candidato improvável que aparecia em programas de infotenimento na TV alegando ter poderes parapsíquicos, além de se referir como professor de kamasutra (tudo misturado com bravatas da teoria econômica como, p. ex., bater numa piñata em forma de Banco Central) à vitória eleitoral com surpreendente vantagem percentual.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESegundo, as manifestações nas ruas nesse último domingo de apoiadores de Bolsonaro contra Lula, STF e a morte de um patriota no presídio da Papuda. E o inútil debate que se seguiu nas redes sociais: de um lado, fotos dos atos com ângulos favoráveis que sugerem manifestações massivas; e do outro, perfis de esquerda repetindo que a manifestação “flopou”, selecionando fotos com trechos vazios da Avenida Paulista. Além da espiral da estimativa de participantes: mil? Treze mil?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EQual foi a última vez que vimos manifestações de rua progressistas fora do período eleitoral?\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO fato é que desde as jornadas de junho de 2013, a militância progressista desapareceu das ruas. Mesmo numa conjuntura na qual visivelmente o governo Lula está sendo achacado e emparedado por um Congresso mais de extrema-direita da história da Nova República. Enquanto armadilhas fiscais deixadas desde o governo Temer (e pelo STF em 2017) transformam o arcabouço fiscal e a política de déficit zero numa armadilha política para um governo que opera com margens cada vez mais reduzidas no Congresso – criando o paradoxo da receita do Governo não crescer mesmo com um PIB em ascensão.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA vitória de Milei na Argentina, ao lado das perspectivas nada animadoras nos EUA do retorno de Trump à Casa Branca (além do apoio incondicional dos EUA ao governo de extrema direita de Netanyahu na guerra Israel\/Hamas), mostra que a extrema direita internacional (a chamada “alt-right”) continua em movimento e em ascensão global.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjILXiEq7ti3zY-UknGpyns1gloyWBopS5gX1Loa7GbJEUsxsxWYlrRypekp_sQnwdfTGKWJki3u6-cpAPQZs3HplhzgQQ9ZtkAvZh7nUuckGDKC3-Crv1oCyycwhHlMzdUfJx6vV3WMgclRCnCH8lwYh4Y5kG5z0-1ptFxluXgp2lxmgKxT8THUhvzhRc\/s4096\/Loucos1.jpg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"2475\" data-original-width=\"4096\" height=\"386\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjILXiEq7ti3zY-UknGpyns1gloyWBopS5gX1Loa7GbJEUsxsxWYlrRypekp_sQnwdfTGKWJki3u6-cpAPQZs3HplhzgQQ9ZtkAvZh7nUuckGDKC3-Crv1oCyycwhHlMzdUfJx6vV3WMgclRCnCH8lwYh4Y5kG5z0-1ptFxluXgp2lxmgKxT8THUhvzhRc\/w640-h386\/Loucos1.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMarketing, loucos e storytelling\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cdiv\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO que há em comum em todos esses personagens que chegam ao poder pelo voto? Todos eles são “loucos”. Colocando em outros termos, até não faz muito tempo, se disséssemos que um candidato que cita versículos bíblicos para justificar um genocídio, ou outro que demitia candidatos em um reality show na TV, ou ainda aquele que se saiu do anonimato do Congresso através de programas de humor na TV; ou um candidato que pedia conselhos políticos por via mediúnica para o espírito de um cachorro, se disséssemos que todos eles tinham chances reais de vencer uma eleição, diríamos que louco somos nós.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas surpreendentemente eles se tornaram críveis, verossímeis ou pertinentes na percepção do público. Ou, o que é pior, para a grande mídia são normalizados e passam a ser tratados como “players” no jogo democrático. Talvez porque todos eles sejam crias da própria mídia.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EPorém a “loucura” desses personagens tem método: o\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Emarketing político storytelling\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E. Para o atual marketing político, o candidato deixou de ser um produto à venda: ele precisa agora de uma narrativa, estar inserido em uma experiência contada por meio de uma história.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EIsto significa que é muito mais fácil para nós lembrar histórias do que os fatos frios e objetivos porque os nossos cérebros fazem pouca distinção entre uma experiência que estamos lendo sobre o que está realmente acontecendo. Além disso, nossos cérebros são incrivelmente ávidos de histórias. Passamos cerca de um terço de nossas vidas em devaneios - nossas mentes estão constantemente à procura de distrações.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EIsso implica que os candidatos não são mais produtos à venda com embalagens nas quais estão estampados slogans ou discursos políticos e ideológicos. Isso é uma crítica já superada. Uma crítica ao velho marketing político, tradicional e folclórico que ainda existe nos rincões do planeta.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEles devem agora performar personagens arquetípicos (no total de doze, à escolha:\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO Inocente, Explorador, Sábio, Herói, Fora da lei, Mágico, Normal, Amante, Palhaço, Protetor, Criador, Poderoso\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;– como proposto por Carl Pearson da Maryland University,\u0026nbsp;\u003Cb\u003E\u003Cspan style=\"color: red;\"\u003E\u003Ca href=\"https:\/\/www.carolspearson.com\/about\/the-pearson-12-archetype-system-human-development-and-evolution\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: red;\"\u003Eclique aqui\u003C\/span\u003E\u003C\/a\u003E\u003C\/span\u003E\u003C\/b\u003E), como protagonistas de uma história que está se desenrolando diante do público:\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ETrump:\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;O Poderoso e “Avatar” (dentro da Jornada do Herói): aquele que chega anunciando a chegada de um novo tempo (“Make America Great Again”). Por isso, torna-se líder e autoritário;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EBolsonaro:\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;O Herói, aquele que prova seu valor por uma missão corajosa e difícil: livrar a pátria dos comunistas e\/ou corruptos;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EMilei:\u0026nbsp;\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO Palhaço, o “Trickster” que opera com os opostos: ordem e caos, destruição e criação. Aquele que quer quebrar a ordem dos deuses ou da natureza. O arquétipo do Trapaceiro parece ser uma comédia de opostos, criando momentos de alívio cômico.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiqcqcxsQ9zAbwaIVYgH_chNMhbXzr1-AAqcUCxW8mMY-HZxpffy5wLXqTsqzpIrgk5PR4jIvo43JxUzbi3nXVnnuPPatqz-SaxSILOfaAKMfx4RJcvrCZIZWHBA7hA9VEVhq3_XIWdy_ssFweQnGbkFDmpuMwqu_H9ToDzZC9369bfEz5VKOM_DjNrqgA\/s640\/image_processing20200812-7169-uopw5f.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"380\" data-original-width=\"640\" height=\"380\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiqcqcxsQ9zAbwaIVYgH_chNMhbXzr1-AAqcUCxW8mMY-HZxpffy5wLXqTsqzpIrgk5PR4jIvo43JxUzbi3nXVnnuPPatqz-SaxSILOfaAKMfx4RJcvrCZIZWHBA7hA9VEVhq3_XIWdy_ssFweQnGbkFDmpuMwqu_H9ToDzZC9369bfEz5VKOM_DjNrqgA\/w640-h380\/image_processing20200812-7169-uopw5f.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Ch3 style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Ch3 style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEsfera pública e contínuo midiático atmosférico\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cdiv\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EClaro que o desempenho desses arquétipos deve ser da forma mais canastrona possível: histriônica, overacting, exagerada. Afinal, a gênese desses personagens está no mundo ficcional midiático dos reality shows, entretenimento e infotenimento.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EHá três motivos históricos que estão por trás do sucesso dessa estratégia de comunicação\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ealt-right\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E:\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E(a) nenhuma agenda neoliberal “puro sangue” ganha eleições. Uma agenda que fala em acabar, cortar, destruir, acompanhado do indefectível saco de maldades (cortes dos programas e garantias sociais) não é boa de votos. Por isso, deve ser mascarada por uma\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Estorytelling\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, repletas de narrativas com destinos manifestos, morte e ressureição, a presença do imponderável etc.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E(b) a transformação estrutural da esfera pública. Sabemos que no século XX a esfera pública clássica do século XIX (o jornalismo literários, café e clubes de discussões) sofreu a sua primeira transformação estrutural com as Relações Públicas e a Propaganda (Jürgen Habermas chamou isso de “refeudalização da esfera pública”). Nesse século assistimos à segunda mudança estrutural: o efeito bolha criado pelos mecanismos de busca na Internet e redes sociais.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECom o enfraquecimento das mídias de programação generalista (as mídias de massa) temos bolhas solipsistas que parecem flutuar em um contínuo midiático atmosférico – apenas aquilo que consegue transpassar as bolhas são as bombas semióticas que criam ondas concêntricas de impacto.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EContínuo midiático atmosférico\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E: aquilo que substituiu a velha esfera pública de opiniões orientada para o consenso – a esfera política detona bombas semióticas visando repercussões nesse contínuo amorfo que envolve as bolhas digitais. Esse contínuo amorfo é incapaz de gerar consensos, maiorias ou tendências. Ao contrário, gera polarizações: a resposta para cada onda de repercussão de uma bomba semiótica que cria ondas que varrem esse oceano amorfo, é cada bolha responde de forma reativa, fragmentada e solipsista.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E(c) A sociedade do espetáculo, conforme descrita por Guy Debord, evoluiu no século XXI para a “media life”, conforme analisado por Mark Deuze (leia\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EMedia Life\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, Polity, 2012): é impossível pensar a realidade fora do horizonte das imagens e relatos anteriormente feitos sobre a própria realidade – vivemos no ecossistema midiático assim como os peixes vivem no oceano. Extrapolando a tese de Mark Deuze, percebemos a realidade como “real” na medida em que ela se assemelha às imagens anteriormente feitas pela mídia do que parece ser o real.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EColocado em outros termos: quanto mais os eventos se pareçam com as narrativas ficcionais, mais verossímeis ou críveis se parecem. A mídia precede a realidade. Ou melhor: a realidade é a autodescrição que a mídia faz de si mesma. A realidade é\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Etautista\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;– tautologia + autismo midiático.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjmWH4bPWUB6qEk_CR16gNesLDZZE4wCy22Si9nmxXVY7-H_oaF0HplJA748xsOFOnXBWKOZTdpOOxIeADz0KkMMqiFwZYI_JilLzbMFP7Qug-HU_DwZByfAIBbB6N5OHLxWoZXLzJe0TJwCX0iAmwAW4fi5jYZorsWwTfeMKZUUxCbWFTu0NGsk22RSaw\/s1400\/image.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"933\" data-original-width=\"1400\" height=\"426\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjmWH4bPWUB6qEk_CR16gNesLDZZE4wCy22Si9nmxXVY7-H_oaF0HplJA748xsOFOnXBWKOZTdpOOxIeADz0KkMMqiFwZYI_JilLzbMFP7Qug-HU_DwZByfAIBbB6N5OHLxWoZXLzJe0TJwCX0iAmwAW4fi5jYZorsWwTfeMKZUUxCbWFTu0NGsk22RSaw\/w640-h426\/image.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003Cb\u003E\u003Ci\u003E\u003Cspan style=\"background-color: black; color: white;\"\u003EDJ Marshmello e o executivo da Adidas: a realidade morreu\u003C\/span\u003E\u003C\/i\u003E\u003C\/b\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA realidade morreu?\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cdiv\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPor exemplo, o jornalista e escritor José Eduardo Agualusa fala que a “realidade morreu”, ao aproximar dois eventos que parecem distantes no tempo e no espaço: a “media prank” da dupla de ativistas conhecidos por “The Yes Man” e a vitória de Javier Milei.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EFamosos por criar eventos falsos como “pegadinhas” voltadas contra a mídia, eles atacaram novamente na Web Summit, realizada recentemente em Lisboa. No palco principal, se passaram como o DJ Marshmello e um executivo da Adidas. Disseram que a Adidas iria empreender um bizarro projeto chamado “AdVerse” (a sátira do Metaverso), mundo virtual no qual os operários da empresa teriam tudo aquilo que a vida real (e seus salários) não permite – além de um chip implantado para rastrear a produtividade dos trabalhadores...\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA dupla recebeu aplausos efusivos da plateia. Não pela sátira da “pegadinha”. Mas porque acreditaram ser tudo real! –\u0026nbsp;\u003Cb\u003E\u003Cspan style=\"color: red;\"\u003E\u003Ca href=\"https:\/\/oglobo.globo.com\/cultura\/jose-eduardo-agualusa\/coluna\/2023\/11\/acho-que-a-realidade-morreu.ghtml\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: red;\"\u003Eclique aqui\u003C\/span\u003E\u003C\/a\u003E\u003C\/span\u003E\u003C\/b\u003E. Certamente porque o inacreditável projeto não era tão inacreditável assim: emulava narrativas distópicas das produções de ficção cientifica atuais do cinema e audiovisual.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPara Agualusa, Javier Milei revive a mesma farsa delirante dos The Yes Man – uma sátira grosseira do neoliberalismo que todos levaram a sério.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EColocando em perspectiva esses três pressupostos históricos e a recorrente inapetência das esquerdas em retomar as ruas, mesmo em apoio a um governo supostamente de esquerda, resta uma única estratégia: a de lutar no mesmo campo simbólico da extrema direita.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EApropriação e troca de sinais\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cdiv\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EIsso implica em apropriar-se semioticamente da mesma estratégia de comunicação\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ealt-right\u0026nbsp;\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E– aliás, coisa que a própria extrema direita já fez ao se apropriar das pautas da esquerda. A última, a apropriação caricatural da pauta dos direitos humanos ao protestar contra a morte de um “patriota” do 08\/01 nos cárceres da Papuda.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiDFghsW7tJTNYB886VBKUUWq5T8gfzW7uvvkcF8b4bCvHLNZz45-jZWJ1diIKqWw69uk1ueNe4gShMJKE5V9ZfqD4tZU3R9IYbd2HfHovi1nPHC1HjmJ6mdasYsjT3W-hXfhfjboCofdFDpECOyucA7VSIJQbpz43hZihSAkppQyCuM5H5gB6bfkSF2yI\/s1280\/maxresdefault.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"720\" data-original-width=\"1280\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiDFghsW7tJTNYB886VBKUUWq5T8gfzW7uvvkcF8b4bCvHLNZz45-jZWJ1diIKqWw69uk1ueNe4gShMJKE5V9ZfqD4tZU3R9IYbd2HfHovi1nPHC1HjmJ6mdasYsjT3W-hXfhfjboCofdFDpECOyucA7VSIJQbpz43hZihSAkppQyCuM5H5gB6bfkSF2yI\/w640-h360\/maxresdefault.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EVoltamos, então, à afirmação hiperbólica que abriu esse texto: a esquerda precisa de loucos!\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEstá na hora de a esquerda abandonar (ou, pelo menos, deixar em\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Estand by\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E) seu imaginário kantiano-hegeliano, escatológico e religioso sobre as relações entre política e História: como se a história necessariamente cumprisse algum imperativo categórico no qual os eventos se desdobram para a realização da verdade final do Bem (o Socialismo) e da Salvação (o messianismo religioso) – é comum ouvirmos da esquerda impotente coisas do tipo “a História ensinará!” ou “a História julgará!”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESinto dizer que a História, assim como o próprio Cosmos, é absolutamente indiferente a existência humana... Algo assim como o horror cósmico de H.P. Lovecraft.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EÉ o momento de a esquerda perceber que houve uma drástica inversão de sinais: hoje é ela que se tornou institucional, certinha, a favor da tranquila gestão entre poderes para viver numa espécie de gaiola dourada: tem o governo, mas não a máquina do Estado. Enquanto o\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Escript\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;do radicalismo, das mudanças, das irrupções e da audácia ficou paradoxalmente para a extrema direita.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA estratégia semiótica\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ealt-right\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;é um desfile de narrativas ficcionais com personagens arquetípicos loucos, canastrões e caricaturais. Para ocultar agendas e pautas que jamais ganhariam uma eleição.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO máximo que a esquerda chegou em composições de personagens cênicos para o palco da política foi Lula: ele encarna o\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Esebastianismo\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;– a tradução de uma indignação com a ordem política vigente na perspectiva da salvação miraculosa a partir da ressureição de um herói. E Lula teve diversas delas, sendo a última, o renascimento dos cárceres da PF de Curitiba.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas ainda é um personagem tributário do imaginário messiânico religioso, católico.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO marketing\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Estorytelling\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, ao criar narrativas ficcionais (logo, “verdadeiras”) a partir dos doze personagens arquetípicos listados acima, são, pela sua própria natureza símbolos do imaginário coletivo, mais amplos, globais. Portanto, capazes de transformarem-se em bombas semióticas que criam ondas concêntricas no contínuo midiático atmosférico, transpassando todas as bolhas nesse mar amorfo.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ENão é por menos que o moderno marketing de gestão de marcas explora as técnicas de\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Estorytelling\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E: “se a Microsoft fosse uma pessoa, como ela seria?” - pergunta da qual parte todas as campanhas de marca.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EPor que não? Por que a esquerda também não cria seus Mileis, Bolsonaros e Zelenskys? Criar seus próprios loucos, mas com sinais trocados. A estratégia semiótica\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ealt-right\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;troca esses sinais o tempo inteiro. Por que a esquerda não faz o mesmo? Por que não fazer a extrema direita sentir o gosto do próprio veneno?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ETambém “aloprar” o cenário político (conceito de\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ealoprar\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E: fazer coincidir o tempo político com o tempo midiático –\u0026nbsp;\u003Cb\u003E\u003Cspan style=\"color: red;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/08\/comunicacao-alt-right-cria-dissonancias.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: red;\"\u003Eclique aqui\u003C\/span\u003E\u003C\/a\u003E\u003C\/span\u003E\u003C\/b\u003E) criando crises, boatos e polêmicas como factoides, pseudo-eventos ou não-acontecimentos. Guerra semiótica criptografada, como versa na teoria da guerra híbrida.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ETalvez um vislumbre dessa proposta está na ação do influenciador digital Bernardo Moreira que, munido de celular para gravar e publicar sua ação nas redes, invadiu o Congresso para provocar o deputado de extrema direita Nikolas Ferreira (notório pelo discurso no Dia Internacional da Mulher ao debochar usando uma peruca em plena Câmara) para chamá-lo de “Nicole chupeta” e de “não trabalhar”.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ERevoltado, o deputado sentiu o gosto do próprio veneno (a habitual linguagem\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ealt-right\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;de produção de conteúdos para as redes sociais), “espanou”, chamou a polícia legislativa enquanto o tempo inteiro era segurado pelos pares para não partir para a briga de fato.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ETalvez o leitor mais “iluminista” que ainda acredita no primado kantiano da Razão, condene ética e moralmente esse tipo de “loucura” sugerida por esse humilde blogueiro, por jogar a política na mesma latrina criada pelas táticas\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ealt-right\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;que simplesmente pulverizaram as noções de verdade e realidade.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESe ainda a esquerda acredita na existência de uma realidade ou, pelo menos, nas chamadas “condições objetivas da História” às quais as “correlações de forças” na sociedade estariam subordinadas, então a tese de personagens loucos também na esquerda deve ser tomada a sério – hoje a centralidade das correlações de forças não pertence mais ao campo da História, mas do ecossistema midiático.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-family: Roboto; font-size: 10.5pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2014\/08\/marina-silva-e-as-novas-bombas.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: #86a203;\"\u003EMarina e as novas bombas semióticas do \"Sim!\" e do \"Storytelling\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/11\/ele-nao-e-um-lider-e-um-sintoma-ironias.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003E\"Ele não é um líder, é um sintoma\"... ironias e lições na vitória de Javier 'El Loco' Milei\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/08\/comunicacao-alt-right-cria-dissonancias.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EComunicação 'alt-right' cria dissonâncias cognitivas para aloprar cenário político\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2020\/10\/trump-x-biden-desconstrucao-pos-moderna.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003ETrump X Biden: a desconstrução pós-moderna de um debate político\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; 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Milei goes to Washington; Fantástico joga isca do Hamas... e esquerda morde"},"content":{"type":"html","$t":"\u003Cp\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEje_taqhyeK5Ywo8Y3nDLGS45Bdmz1-8_tHGn_VdqcFmLKsXkB4V27MM0NS9rFwt0Ro47k5WdgVEFqJVEdx7tcclSNNuNIxZ87mAQfEX7XUjy_Mqg7lSQ9u5_70uL8G9Qc6pABIe0vljJxLPdjPf5R2gcBYP0ijkwuOQf4r8fYORpi0ez9cIF0b9mdN7-g\/s3300\/Live%20Extra%2029.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1870\" data-original-width=\"3300\" height=\"362\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEje_taqhyeK5Ywo8Y3nDLGS45Bdmz1-8_tHGn_VdqcFmLKsXkB4V27MM0NS9rFwt0Ro47k5WdgVEFqJVEdx7tcclSNNuNIxZ87mAQfEX7XUjy_Mqg7lSQ9u5_70uL8G9Qc6pABIe0vljJxLPdjPf5R2gcBYP0ijkwuOQf4r8fYORpi0ez9cIF0b9mdN7-g\/w640-h362\/Live%20Extra%2029.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003Cbr \/\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EComo sabemos que o golpe militar híbrido ainda não acabou? Quando quem vai ser nomeado para o STF ou PGR vira uma questão midiática e o Judiciário não sai dos holofotes do show diário. Venha discutir essas e outras questões na Live Extra Cinegnose 360 #29, nessa quarta-feira (29\/11), às 18h, no YouTube e Facebook. Depois dos viajantes e polêmicos Comentários Aleatórios tem a Crítica Midiática do meio da semana: Golpe militar híbrido continua com STF, PGR e com tudo; crise de Energia na Europa por trás da chacina de Gaza: por que mídia não fala disso? Milei Goes to Washington: a estratégia alt-right de comunicação; “Fantástico” entrevista co-fundador do Hamas... e a esquerda morde a isca; Bolsonaristas vão às ruas: por que a esquerda as abandonou? Flamengo na mira do escândalo dos sites de apostas: por que Palmeiras e Flamengo se tornaram mais fortes na era Bolsonaro?\u0026nbsp;\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Times New Roman, serif;\"\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif; line-height: 20.8px; margin: 6pt 0cm 0cm;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/TlgOed8sZHw?si=Zmo4-MJhjrabvK91\" title=\"YouTube video player\" width=\"560\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/4407829662787195784"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/4407829662787195784"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/11\/nessa-quarta-golpe-militar-hibrido.html","title":"Nessa quarta: Golpe militar híbrido ainda não acabou; Milei goes to Washington; Fantástico joga isca do Hamas... e esquerda morde"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEje_taqhyeK5Ywo8Y3nDLGS45Bdmz1-8_tHGn_VdqcFmLKsXkB4V27MM0NS9rFwt0Ro47k5WdgVEFqJVEdx7tcclSNNuNIxZ87mAQfEX7XUjy_Mqg7lSQ9u5_70uL8G9Qc6pABIe0vljJxLPdjPf5R2gcBYP0ijkwuOQf4r8fYORpi0ez9cIF0b9mdN7-g\/s72-w640-h362-c\/Live%20Extra%2029.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-5550525870355864920"},"published":{"$t":"2023-11-25T18:47:00.004-03:00"},"updated":{"$t":"2023-11-25T19:04:42.146-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Live Cinegnose 360"}],"title":{"type":"text","$t":"'Frankie Goes To Hollywood'; Caso Milei: esquerda precisa de storytelling; Gaza é um estúdio de TV? O timing da PEC do STF: é a economia, estúpido!"},"content":{"type":"html","$t":"\u003Cp\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjx-3rtKkoOZEB7TcBf47NmVtcpRbwNK5UStF43eBvXG0vo5ehAv_q7DFBoMigh7siqb6kjKpLxuqAX10x4Pbn05NB2KL6eCJsKgkvCMIu33ge0jUu_E5TL_e04ecksTXeLG4A9TaHhfcyQPQ91QMLu9w_pIr5Caf6OnxCofOlYXHJXkV6bQukqlprUQi4\/s3318\/Live%20135.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1874\" data-original-width=\"3318\" height=\"362\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjx-3rtKkoOZEB7TcBf47NmVtcpRbwNK5UStF43eBvXG0vo5ehAv_q7DFBoMigh7siqb6kjKpLxuqAX10x4Pbn05NB2KL6eCJsKgkvCMIu33ge0jUu_E5TL_e04ecksTXeLG4A9TaHhfcyQPQ91QMLu9w_pIr5Caf6OnxCofOlYXHJXkV6bQukqlprUQi4\/w640-h362\/Live%20135.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ESerá que, como ocorreu na guerra da Ucrânia, a Faixa de Gaza se tornou um gigantesco estúdio de TV? Mas, com imagens borradas pelos satélites. Esse modus operandi cênico daquilo que chamamos de “realidade” é um dos temas da Live Cinegnose 360 #135, nesse domingo (26\/11), às 18h, no YouTube e Facebook. Começando com os vinis do humilde blogueiro: “Frankie Goes To Hollywood”: hedonismo, ambush marketing e a cena gay dos anos 1980. E depois de mais trepidantes Comentários Aleatórios, vamos analisar a série Netflix “Corpos” (determinação quântica e existencialismo gnóstico) e a animação Kung Fu Panda (a “paz interior” para pais e filhos). Na sessão dos livros: storytelling e a cultura dos aplicativos. E na Crítica Midiática da semana: fotos da semana e análise crítica e semiótica das primeiras páginas dos jornais; o que a Guerra da Ucrânia tem a ver com o genocídio de Gaza? Gaza: um estúdio de TV... mas com a contra-prova do real; O chocante vídeo de Israel com crianças pedindo o massacre de Gaza; O timing da PEC que limita STF: é a economia, estúpido! O sinal amarelo da pesquisa sobre aprovação do governo Lula; Por que Mauro Cid e Queiroz reaparecem na grande mídia? \u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Ci\u003E\u003Cdiv style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/i\u003E\u003C\/div\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003ENa segunda-feira, Minutagem, Bibliografia e Discografia da Live Cinegnose 360 #135 na Descrição do vídeo no YouTube\u003C\/span\u003E\u003Cspan style=\"font-family: Times New Roman, serif;\"\u003E.\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Times New Roman, serif;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cspan style=\"font-family: Times New Roman, serif;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif; line-height: 20.8px; margin: 6pt 0cm 0cm;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_Ty5HQyP80Q?si=9iyW8GL5fgnsMX8C\" title=\"YouTube video player\" width=\"560\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/5550525870355864920"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/5550525870355864920"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/11\/frank-goes-to-hollywood-caso-milei.html","title":"'Frankie Goes To Hollywood'; Caso Milei: esquerda precisa de storytelling; Gaza é um estúdio de TV? O timing da PEC do STF: é a economia, estúpido!"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjx-3rtKkoOZEB7TcBf47NmVtcpRbwNK5UStF43eBvXG0vo5ehAv_q7DFBoMigh7siqb6kjKpLxuqAX10x4Pbn05NB2KL6eCJsKgkvCMIu33ge0jUu_E5TL_e04ecksTXeLG4A9TaHhfcyQPQ91QMLu9w_pIr5Caf6OnxCofOlYXHJXkV6bQukqlprUQi4\/s72-w640-h362-c\/Live%20135.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-4038312771203265082"},"published":{"$t":"2023-11-24T19:13:00.001-03:00"},"updated":{"$t":"2023-11-24T19:14:14.116-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cinema europeu"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Física e Gnosticismo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Gnosticismo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"quântico"},{"scheme":"http://www.blogger.com/atom/ns#","term":"séries"}],"title":{"type":"text","$t":"Determinismo quântico e existencialismo gnóstico na série 'Corpos'"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi3XYOs6KL7Xho96vdtT0uaBKDDmbfZvxU4Yadf_zVCKXtkyFRUOuYT49jo2SJJkYi_Ai6Yo2ufm5PKadu22MjdK9a2WyUPBWN8FenfmmksTvHfUU95fzF7HyvuPlY98oPC7GRHQt6md0yKalov30OtnFQS0mBaRJ6xolvShGsEILyI7hoor1CwT-HA8AA\/s1000\/Bidies%20series.webp\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"562\" data-original-width=\"1000\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi3XYOs6KL7Xho96vdtT0uaBKDDmbfZvxU4Yadf_zVCKXtkyFRUOuYT49jo2SJJkYi_Ai6Yo2ufm5PKadu22MjdK9a2WyUPBWN8FenfmmksTvHfUU95fzF7HyvuPlY98oPC7GRHQt6md0yKalov30OtnFQS0mBaRJ6xolvShGsEILyI7hoor1CwT-HA8AA\/w640-h360\/Bidies%20series.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ELiberdade versus Determinismo foi um tema que sempre assombrou a Filosofia. Com a morte de Deus e da causalidade newtoniana por meio da Relatividade e da mecânica quântica, parecia que o livre-arbítrio tinha ganhado a discussão. Até surgir o paradoxo quântico do “Closed Timelike Curve” (CTC), linha do tempo fechada na qual se inspirou o clássico “Em Algum Lugar no Passado” (1980) - situações paradoxais nas quais partículas parecem ter surgidas do nada, revivendo o determinismo em um outro nível. A série Netflix “Corpos” (Bodies, 2023- ) eleva o paradoxo da CTC ao nível do existencialismo gnóstico da “Teodiceia”: é possível existir livre-arbítrio num mundo criado por um ser que tudo sabe? Quatro detetives em quatro períodos diferentes no tempo investigam um mesmo crime – um corpo que aparece numa mesma viela em Londres. Todos unidos em um loop tempo\/espaço envolvido em uma conspiração em um ciclo fechado de 150 anos.\u0026nbsp;\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ETão antiga quanto a história da Filosofia, é a discussão do tema do livre-arbítrio e o determinismo: será que somos livres? Ou nossas ações são determinadas e fatais por uma conjunção de causas tão vasta que a ignoramos, e, por isso, passamos a viver a ilusão da liberdade?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENo passado era uma questão da Teodiceia: é possível existir um livre-arbítrio num mundo criado por um Deus que tudo sabe?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EJá com o desenvolvimento da ciência moderna e a ideia das leis científicas inscritas no real (bastando ao cientista apenas saber “ler” essas leis) surge mais uma vez a dúvida sobre o livre-arbítrio num mundo governado agora por leis deterministas – ações que acreditamos ser de escolha consciente, na verdade seria um comportamento não-voluntário influenciado pelas leis da natureza e da sociedade.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA relatividade e a mecânica quântica pareciam ter resolvida essa aporia para o lado do livre-arbítrio. A Relatividade Geral de Einstein tinha posto o fim ao tempo e espaço absolutos newtoniano e a mecânica quântica o princípio da incerteza e da nuvem probabilística dos eventos das micropartículas. Mais ainda, a relatividade do tempo e a sobreposição quântica trouxeram o imaginário da viagem no tempo e de universos paralelos simultâneos resultantes das liberdades de escolhas.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EMas as coisas complicam com aquilo que a Física chama de “Closed Timelike Curve” (CTC) – linha do tempo fechada lembrando muito a forma de um bambolê, criando situações paradoxais nas quais partículas parecem ter surgidas do nada,\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ecriatio ex nihilo\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgIzRsD6414ATFrl8MRtl83gQDK62TwHvkhyNoiMI24ZPQBvRnhjyTAJ2JFpg-hgoWkdtb2G6bYhuDRxOYML-E6SagOOgJiPwB3xWQ2mHRHIrjzD6mm_GmovBMrLPGkEaODv2s6efx90q2jQECpjxcqVXt38W6SKFr1zH1smGDLAoW6GfLDQurkZ24Tc84\/s1200\/23144016138279.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"675\" data-original-width=\"1200\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgIzRsD6414ATFrl8MRtl83gQDK62TwHvkhyNoiMI24ZPQBvRnhjyTAJ2JFpg-hgoWkdtb2G6bYhuDRxOYML-E6SagOOgJiPwB3xWQ2mHRHIrjzD6mm_GmovBMrLPGkEaODv2s6efx90q2jQECpjxcqVXt38W6SKFr1zH1smGDLAoW6GfLDQurkZ24Tc84\/w640-h360\/23144016138279.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EUm bom exemplo desse paradoxo no cinema é o relógio no clássico\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEm Algum Lugar no Passado\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(1980): Elise teria o “primeiro” relógio em 1912, e em seguida entregaria para Richard em 1972, de modo que poderia dar-lhe de volta ao retornar no tempo para 1912. O relógio existiria sem nunca ter sido criado.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO que é apenas o paradoxo de um pequeno objeto nesse filme clássico, na série\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ECorpos\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;(\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EBodies\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;– 2023-) se torna o plot central, cada vez mais complicado na medida em que os oito episódios evoluem.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMuitos já a consideram um “clássico instantâneo” – um thriller policial noir que explora um alto conceito de ficção científica: a CTC aplicada em investigações policiais sobre aparentemente um mesmo crime que está ocorrendo em quatro pontos distantes no tempo: em 2023 um cadáver anônimo é encontrado em uma rua de Londres; exatamente o mesmo corpo também é encontrado por policiais em 1890, 1941 e 2053. À medida que detetives de diferentes períodos de tempo investigam, segredos perturbadores logo surgem como se tudo estivesse interligado em um CTC.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA série criada por Paul Tomalin, adaptação do escritor de HQs britânicas, Si Spencer, faz um malabarismo com os plots ocorrendo simultaneamente, muitas vezes apresentando a tela com múltiplas divisões em cenas contíguas que parecem se repetir no tempo em épocas e personagens diferentes.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EOs corpos em questão, encontrados pelos policiais, são de uma mesma pessoa, nu, sempre deitado no chão de uma viela em Londres, na mesma posição, sugerindo uma linha de tempo que está se desenrolando há 150 anos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EClaro que a mecânica quântica estará por trás do mistério, mais precisamente a descoberta de um físico gravitacional quântico que descobre um estranho comportamento de micropartículas: delas se dividirem e se distribuírem no passado, presente e futuro, sobrepondo-se e influenciando mutuamente, criando a CTC.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgW9wfZuetRS0sgUhiGBmppl_kBqSTO2YRMagJUEo-H6D78vsZHKPaMod9n9UOiyIviM4ahEHqujcFLx1h0_zFSVKmh4K3JTQZ9plJA72Z_9XkomtIoKCofTuI-CtKJ0QfpZjD2jLCS5Qk_SrpnNMwuJ2D8_9OqhlLQORI4BUz1fzthrPtzlhJtqn-YWrg\/s1296\/Bodies_n_S1_E2_00_45_29_05-copy-H-2023.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"730\" data-original-width=\"1296\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgW9wfZuetRS0sgUhiGBmppl_kBqSTO2YRMagJUEo-H6D78vsZHKPaMod9n9UOiyIviM4ahEHqujcFLx1h0_zFSVKmh4K3JTQZ9plJA72Z_9XkomtIoKCofTuI-CtKJ0QfpZjD2jLCS5Qk_SrpnNMwuJ2D8_9OqhlLQORI4BUz1fzthrPtzlhJtqn-YWrg\/w640-h360\/Bodies_n_S1_E2_00_45_29_05-copy-H-2023.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEm\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ECorpos\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, todos os\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Eplots\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;simultâneos parecem nada mais do que realizar algo que foi pré-determinado ao longo do loop tempo\/espaço. Portanto, novamente temos a tensão entre livre-arbítrio e determinismo ressurge: será que ao longo da cadeia de eventos, haverá algo, uma decisão ou um ato espontâneo que quebre o loop?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ETanto no clássico\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EEm Algum Lugar do Passado\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;como na série\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ECorpos\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, a questão do amor é central: lá em 1980, a criação “do nada” do relógio somente foi possível através do amor entre Elise e Richard. Em\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ECorpos\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E, na maneira como podemos superar a falta dele.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA Série\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ENo primeiro é apresentado ao espectador todos os plots que comporão os intrincados oito episódios.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EComeçamos percorrendo o presente de 2023, onde a detetive Shahara Hasan (Amaka Okafor) interpreta uma mãe solteira muçulmana, cujo trabalho tira o tempo da família e que tem um jeito com jovens delinquentes.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEm meio a uma manifestação de extrema-direita em que Hasan foi chamada para ajudar a manter a ordem, ela vê no meio da multidão uma criança com uma arma. Ela o persegue, apenas para ser deixar o jovem fugir ao se deparar com um corpo masculino nu, caído em uma viela e com um furo sangrando em uma das cavidades oculares.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEinjstsyFpQSvSwzk3S5iNNrnSdxUkGUdINTqVKMGB_ITgL2PX5A2Oh72y1L9woO4xDitTrdsJwsIaSUwK-uRfr-ygBJjxpd54jxSh9QZrQTj9Hshs_o772E5bKPecfk86ca5o4IIwsN_R0EURIH-i8Im-sXgPWkYw99VKcbuXWeknutL9dvMRF0KmifxM\/s640\/f4d08ead22894cfb1de2b96f1f41ab30.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"480\" data-original-width=\"640\" height=\"480\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEinjstsyFpQSvSwzk3S5iNNrnSdxUkGUdINTqVKMGB_ITgL2PX5A2Oh72y1L9woO4xDitTrdsJwsIaSUwK-uRfr-ygBJjxpd54jxSh9QZrQTj9Hshs_o772E5bKPecfk86ca5o4IIwsN_R0EURIH-i8Im-sXgPWkYw99VKcbuXWeknutL9dvMRF0KmifxM\/w640-h480\/f4d08ead22894cfb1de2b96f1f41ab30.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPulamos depois para o meio de sirenes de ataque aéreo da Segunda Guerra Mundial. Fomos jogados de volta a 1941, onde um homem elegante - para não mencionar um judeu em uma Londres antissemita - o detetive Karl Whiteman (Jacob Fortune-Lloyd), está recebendo telefonemas misteriosos de uma mulher que lhe dá ordens, uma dos quais envolve resgatar o corpo de um homem nu encontrado na mesma viela, com uma marca estranha no pulso.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEntão, retornamos ainda mais no tempo, de volta à Londres vitoriana de 1890, onde o detetive Alfred Hillinghead (Kyle Soller), um homem de família com uma esposa e uma filha pianista, se junta a um jornalista do tabloide “Star” para investigar um assassinato (o mesmo corpo de um homem nu encontrado na mesma viela) que ninguém quer investigar.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EE finalmente, em 2053, conhecemos a detetive Iris Maplewood (Shira Haas) vivendo uma vida solitária em uma Londres sob um regime distópico totalitário (sob uma aparência politicamente correta de amor e comunhão) que ela acabou aderindo para poder contornar sua deficiência física – ela é paraplégica, porém com um sofisticado dispositivo externo espinhal em sua coluna vertebral que a permite voltar a andar. Cortesia do líder do governo chamado Elias Mannix (Stephen Graham), para que Iris se torne seu fiel cão de guarda da polícia.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO que une todos esses fios? Um único corpo que aparece do nada, a cada vez, sempre na Long Harvest Lane em Londres, em três diferentes épocas.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA história tem tantas peças em movimento que é impossível não cometer\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Espoilers\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;ao tentar descrevê-las. É seguro apenas dizer para o leitor ficar de olho nos personagens feitos por Stephen Graham, que é o Demiurgo no centro de tudo. Às vezes ele é Harker (1890), outras vezes Mannix (na velhice e juventude), percorrendo todas as linhas do tempo como um fantasma, com seus vários avatares alternadamente sucessores e antecessores de si mesmo. Suas palavras, \"saiba que você é amado\", é a\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Epunch line\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;das linhas de diálogo, que ecoa através dos episódios.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi3d9uLJ9wqedvBUCjz9DHmzK9_u3JIEtE6snj3ZBypCTDWNU7iLdzaJZEHfjIROPPD4bWGEQ9ZWebAaE1sywdpsBZDLm5ZnVHbVSQ-W63vxUBFKnpjaXNVLWSnqBuyP2OLIy4r0PtVoHG_yGxAEgdFBU7bMf0wNGHEbTzTO83C-v2UDBp-rkhp4W9rGIk\/s448\/AAAABTIHZmdxiMkLgBAccG-mNV_mmDYacNgdNJcEN1ZLiG_8pLrXfleXi8lVx1g60iwK-qzn_rc94bjnUIkFOJcslcruR-GabptKt75rMwDOFKd6i8GRtdMu3PJW.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"252\" data-original-width=\"448\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi3d9uLJ9wqedvBUCjz9DHmzK9_u3JIEtE6snj3ZBypCTDWNU7iLdzaJZEHfjIROPPD4bWGEQ9ZWebAaE1sywdpsBZDLm5ZnVHbVSQ-W63vxUBFKnpjaXNVLWSnqBuyP2OLIy4r0PtVoHG_yGxAEgdFBU7bMf0wNGHEbTzTO83C-v2UDBp-rkhp4W9rGIk\/w640-h360\/AAAABTIHZmdxiMkLgBAccG-mNV_mmDYacNgdNJcEN1ZLiG_8pLrXfleXi8lVx1g60iwK-qzn_rc94bjnUIkFOJcslcruR-GabptKt75rMwDOFKd6i8GRtdMu3PJW.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEmbora possa soar como um clichê, a série faz um ótimo trabalho ao demonstrar como algo tão puro quanto o amor pode se transformar em ambição que consome tudo que possa ser amado. É aí que o mal começa.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EExistencialismo gnóstico –\u0026nbsp;\u003Cspan style=\"color: red;\"\u003EAlerta de Spoilers à frente\u003C\/span\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEmbora a série comece em 2023, é no ano de 2053 que temos o início do loop, ou da “Closed Timelike Curve” (CTC). Elias Mannix lidera um governo totalitário que se iniciou com um evento que se assemelhou aos atentados do 11 de setembros de 2001 em Nova York – um atentado terrorista envolvendo uma explosão nuclear arrasou grande parte de Londres. Emergindo depois uma nova Grã-Bretanha totalitária administrada por uma corporação tecnológica chamada KYAL (abreviatura em inglês do slogan “saiba que você é amado”), presidida pelo “Comandante Mannix” (cuja figura é projetada em prédios, como uma espécie de “Grande Irmão” orwelliano).\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E“Capela Sinistra” é o nome de um grupo terrorista que faz oposição ao regime, onde conhecemos o físico Gabriel Defoe (Tom Mothersdale), inventor do “A Garganta”, um dispositivo ainda experimental de viagem no tempo - mais precisamente, de criação de CTCs). Mannix precisa encontrar “A Garganta” para manter a CTC que deu origem a tudo – Manix precisa voltar a 1890 para retomar a linha do tempo predestinada.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO tema central da série é o conflito entre livre-arbítrio e determinismo, numa perspectiva da Teodiceia. Mas, dessa vez, com a presença de um personagem bem gnóstico: o Demiurgo – Mannix conhece a sequência exata dos acontecimentos nesse loop de 150 anos, sempre renovada. Como a Capela Sinistra, e eventualmente os protagonistas de 1890, 1941 e 2023, poderá planejar e executar qualquer ação imprevisível, inesperada ou espontânea se parece que cada ato já foi anteriormente previsto pela CTC?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjcg8L3KZP9JUz2BDiTL2kX6OqMqm8BvOfthYYXm-8Zavc7FJ1Q2DMzxw3EUyon4iHp4fvl7poXEd33m2FPDecfn1Znwx55Yr56DTOO__FvjbMRCsGaI4tWSjQGbxr3fZbVDuoZ3f9ZQPTHIF_Vvjni8RF0PQXc1flV8ZtGl6FwJ54zljXA3iAjJ_Mzk18\/s448\/AAAABVLK1rxD16FZGo45XHojngxh4HywVAiZiBOOe2glf5u839MQMq24DP80GIh9-MEPa5l8_EFH5Eh8YvOdjUhmW4EdO7pRaSbYpeB_m9gH1zeGnBaGwKpDYhX3.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"252\" data-original-width=\"448\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjcg8L3KZP9JUz2BDiTL2kX6OqMqm8BvOfthYYXm-8Zavc7FJ1Q2DMzxw3EUyon4iHp4fvl7poXEd33m2FPDecfn1Znwx55Yr56DTOO__FvjbMRCsGaI4tWSjQGbxr3fZbVDuoZ3f9ZQPTHIF_Vvjni8RF0PQXc1flV8ZtGl6FwJ54zljXA3iAjJ_Mzk18\/w640-h360\/AAAABVLK1rxD16FZGo45XHojngxh4HywVAiZiBOOe2glf5u839MQMq24DP80GIh9-MEPa5l8_EFH5Eh8YvOdjUhmW4EdO7pRaSbYpeB_m9gH1zeGnBaGwKpDYhX3.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA grande lição da primeira temporada pode parecer piegas: através do amor. O ponto nevrálgico da CTC é a solidão e o desamor do Demiurgo. Ele criou seu próprio cosmos (e o mundo dentro dele) mas é solitário e não amado, e produto de todo esse desamor: através desse loop de 150 anos acompanhamos que em 1890 é pai de um filho não amado (aquele que no futuro será o seu avô. E na juventude, adotado, filho de uma mãe que o entregou a um serviço social. Cujo gatilho emocional da dor e solidão fez apertar o botão, criado pelo próprio Mannix na sua velhice, que detona a explosão nuclear em Londres.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPortanto, a única esperança do grupo opositor é fazer Elias Mannix entender que a CTC criada por ele é vazia e sem sentido – e que apenas reproduz a própria solidão do Demiurgo.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EHá um existencialismo gnóstico que transpassa os oito episódios da primeira temporada. Converge para a própria visão da mortalidade\/reencarnação como a essência da prisão em que se torna esse mundo, capturando as almas e obrigando-as à reencarnação (a Lei da Repetição) até que consigam “fugir” por meio da iluminação espiritual – escapar da chamada “Roda do Samsara” budista tibetana. A ilusão que esconde o fluxo contínuo do ciclo interminável de mortes, renascimentos e sofrimentos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/NYjcYUXYNPk?si=aYabogT-1Civi85d\" title=\"YouTube video player\" width=\"600\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1.5pt medium; padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"background: repeat orange; font-size: 11pt;\"\u003EFicha Técnica\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: repeat rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ETítulo:\u0026nbsp;Corpos\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ECriação:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EPaul Tomalin\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: repeat rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003ERoteiro:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003E\u0026nbsp; Si Spencer, Paul Tomalin\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EElenco:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EAmaka Okafor, Kyle Soller, Stephen Graham, Shira Haas, Jacob Fortune-Lloyd, Tom Mothersdale\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: repeat rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EProdução:\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;Moonage Pictures\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" lang=\"EN-US\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003EDistribuição:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan lang=\"EN-US\" style=\"font-size: 11pt;\"\u003ENetflix\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: repeat rgb(201, 215, 234); padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EAno:\u0026nbsp;2023-\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 595.6pt;\" valign=\"top\" width=\"794\"\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; line-height: 15.6pt; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EPaís:\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-size: 11pt;\"\u003EReino Unido\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-family: Roboto; font-size: 10.5pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: repeat rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2015\/08\/amor-e-paradoxos-quanticos-no-filme-em.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EAmor e paradoxos quânticos no filme \"Em Algum Lugar do Passado\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: repeat rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2020\/07\/serie-dark-o-campo-unificado-da-ciencia.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003ESérie \"Dark\": o campo unificado da ciência com a tradição mística ocidental\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2021\/07\/visoes-gnosticas-e-budistas-sobre-roda.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EVisões gnósticas e budistas sobre a roda da vida e morte em 'Life After Life'\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: repeat rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2020\/12\/serie-travelers-por-que-precisamos-da.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003ESérie 'Travelers': por que precisamos da viagem no tempo?\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Co:p\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/o:p\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/4038312771203265082"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/4038312771203265082"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/11\/determinismo-quantico-e-existencialismo.html","title":"Determinismo quântico e existencialismo gnóstico na série 'Corpos'"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi3XYOs6KL7Xho96vdtT0uaBKDDmbfZvxU4Yadf_zVCKXtkyFRUOuYT49jo2SJJkYi_Ai6Yo2ufm5PKadu22MjdK9a2WyUPBWN8FenfmmksTvHfUU95fzF7HyvuPlY98oPC7GRHQt6md0yKalov30OtnFQS0mBaRJ6xolvShGsEILyI7hoor1CwT-HA8AA\/s72-w640-h360-c\/Bidies%20series.webp","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-4806931909226257165"},"published":{"$t":"2023-11-22T06:22:00.000-03:00"},"updated":{"$t":"2023-11-22T06:22:35.077-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"guerra híbrida"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Jornalismo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mídia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Propaganda"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Teorias Conspiratórias"}],"title":{"type":"text","$t":"\"Ele não é um líder, é um sintoma\"... ironias e lições na vitória de Javier 'El Loco' Milei"},"content":{"type":"html","$t":"\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ci\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh87fY41QDufqX-Li9G68lxEdLmm4pihH1_ZnoHKg3n2itPwV8d4IvqMS7izbWsK5FZMMZHeTGckQrbdEehZM7y0DAoMII1tjlUidKRwjj8ZC9LW9xxHYQQN-4MjUkr8JljXj0m4FF1lLCMPgDXSbQ1rHZhSPLlHMXLyhuanRfE-XMwN-Rxzo_dPYCRZGo\/s4096\/Milei1.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"2478\" data-original-width=\"4096\" height=\"388\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh87fY41QDufqX-Li9G68lxEdLmm4pihH1_ZnoHKg3n2itPwV8d4IvqMS7izbWsK5FZMMZHeTGckQrbdEehZM7y0DAoMII1tjlUidKRwjj8ZC9LW9xxHYQQN-4MjUkr8JljXj0m4FF1lLCMPgDXSbQ1rHZhSPLlHMXLyhuanRfE-XMwN-Rxzo_dPYCRZGo\/w640-h388\/Milei1.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/i\u003E\u003C\/div\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/i\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO ex-ministro da Economia Argentina Domingo Cavallo foi direto referindo-se a Javier Milei: “Ele não é um líder, é um sintoma da sociedade argentina”. Uma observação repleta de ironias, a começar por quem cometeu esse sincericídio. Se Milei é um sintoma social, tudo começa com Cavallo, passando pelo grupo de comunicação que ele beneficiou e que construiu o personagem “El Loco”: a Corporación América. Um personagem que, como sempre na estratégia alt-right de comunicação, borrou as fronteiras entre ficção e realidade (canastrice política). Paradoxalmente, ocultou a agenda neoliberal com um anarcocapitalismo com uma embalagem rock n’roll, antissistema e revolucionária. Como sintoma, reflete o psiquismo coletivo da cismogênese - o nacionalismo mesclado de prepotência e melancolia de um país que se sente como um pedaço da Europa perdida na América do Sul.\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/i\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E“Ele não é um líder, é um sintoma da sociedade argentina”, declarou o ex-ministro da Economia Domingo Cavallo sobre o presidente eleito da Argentina. A opinião de Cavallo se aproxima análise de Juan Luis Gozález, autor de uma biografia crítica de Javier “El Loco” Milei ao jornal La Nacion: “ele é um grande comunicador que serviu como canalizador para todos aqueles insatisfeitos com a democracia”.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO diagnóstico crítico de Cavallo a respeito do fenômeno Milei guarda uma grande ironia. Principalmente, quando sabemos que a ascensão de “El Loco” (principalmente a construção do personagem) está associado ao bilionário argentino de origem armênia Eduardo Eurnakian, dono do conglomerado de mídia e concessão de aeroportos chamado Corporación América, para o qual Milei trabalhou por mais de uma década como economista-chefe.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEle começou a ganhar progressiva notoriedade a partir de 2016 como comentarista em TV locais do grupo nas quais começou a vociferar suas teorias econômicas “libertárias” com seu estilo intempestivo e visual que lembrava uma espécie de avatar roqueiro messiânico.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EDemorou pouco tempo para que fosse convidado por outros programas, dessa vez de alcance nacional – programas de entrevistas e debates.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas também nos programas de infotenimentos matinais e vespertinos nos quais cimentou sua imagem, por assim dizer, “exótica”:\u0026nbsp;\u0026nbsp;ver o destino através das cartas de tarot da irmã, autodenominar-se professor de sexo tântrico e descrever suas capacidades mediúnicas em comunicar-se com o espírito de um cachorro morto que, quando vivo, era a reencarnação de um gladiador da Roma antiga.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA ironia está no fato de a fortuna do empresário Eduardo Eurnekian ter se consolidado na Lei de Conversibilidade sacada da cartola de Cavallo nos anos 1990, quando Ministro da Economia do governo peronista Carlos Menem – a equivalência artificial entre dólar e peso criou a estabilidade financeira e de preços na Argentina necessária para que seus investimentos se tornassem ainda mais lucrativos. Em 1994, ele vendeu uma participação de 51% na Cablevision S.A. (na época a segunda maior operadora de cabo da Argentina) para a\u0026nbsp;Tele-Communications Inc.\u0026nbsp;por US$350 milhões e, em 1997, arrecadou US$320 milhões vendendo a maioria de suas ações restantes para a gigante de investimentos local CEI Citicorp Holdings SA.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEigF4kzrs7uqkhBMZyoYqQqS-eKm2EgCMCOVgr-_Smcu8PD65HrcUAQwGdpcBWqrbD780A1r1jff2VDR7g3wSDgSyYMP7y08doU-VOfKdlzNMs00uuPqBhvyjSTAxhHUE8C2eBa71QvptA9mw3hIi8Uln6I6PgEiiv2wYGEBRYgSTgDDKXoIHp2dj5LNqA\/s1920\/Diseno-sin-titulo-6-1.jpeg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1080\" data-original-width=\"1920\" height=\"360\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEigF4kzrs7uqkhBMZyoYqQqS-eKm2EgCMCOVgr-_Smcu8PD65HrcUAQwGdpcBWqrbD780A1r1jff2VDR7g3wSDgSyYMP7y08doU-VOfKdlzNMs00uuPqBhvyjSTAxhHUE8C2eBa71QvptA9mw3hIi8Uln6I6PgEiiv2wYGEBRYgSTgDDKXoIHp2dj5LNqA\/w640-h360\/Diseno-sin-titulo-6-1.jpeg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003Cb\u003E\u003Ci\u003E\u003Cspan style=\"background-color: black; color: white; font-family: Roboto;\"\u003EEurnekian e Milei: criador e criatura\u003C\/span\u003E\u003C\/i\u003E\u003C\/b\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO fim da ficção da conversibilidade, agravada ainda com o “Corralito” em 2003, gerou a explosão inflacionária e a pobreza das décadas seguintes – exatamente as condições que resultaram no “sintoma” Milei. E a fortuna do bilionário que sustentou financeira e logisticamente a mitologia do “El Loco”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECuriosa a sinceridade do ex-ministro Cavallo: ele, ao lado do bilionário argentino, são os co-reponsáveis por “El Loco”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E“Ele não é líder”\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA segunda parte do sincericídio de Cavallo (“Ele não é um líder”) é mais uma confissão: de que uma agenda neoliberal “puro sangue” jamais ganhou uma eleição. Nenhuma liderança seja empresarial, seja política ligada diretamente a lideranças patronais, conseguiu ganhar eleições majoritárias – destruir, acabar, vender, privatizar, isto é, vender o projeto de que o eleitor terá um futuro melhor se cortar um pedaço da própria carne nunca foi um discurso bom de voto. Se qualquer candidato expusesse objetivamente para o eleitorado o que representa o saco neoliberal de maldades, certamente seria vaiado e todos virariam as costas. Sempre foi historicamente assim.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EPor exemplo, veja caro leitor o caso brasileiro no qual a agenda neoliberal somente chegou ao poder quando embalada e ocultada por camadas de marketing político, comunicação e retórica: a presença midiática do personagem “caçador de marajás” de Fernando Collor de Mello, ajudado pela teledramaturgia da TV Globo coma novela\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EQue Rei Sou Eu\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E; e, de forma mais explícita, o capitão da reserva Bolsonaro, tirado do obscurantismo do “baixo clero” do Congresso para a ribalta dos programas de entretenimento da TV, deixando qualquer tema econômico para o ainda mais obscuro Paulo Guedes – que propositalmente se escondia do debate eleitoral.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiV72GI1hEffJV66cu4H6_sK-KBw2dWsVlYHyclVAbS5UlOoMKhuGaDBgYE1mwCrZmhWYAvr0varDybaCHJsEK56aKUNHsKDfsbSNcOBQ2k2NJiAnfxIp72hcDl2vD4HtfKFuni_3LQ-ySgiH3Hhpp8UmB_WRd0JUGUoPg-QFNgET604Xv9NypY49Wqd-g\/s4096\/Milei2.jpg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"2475\" data-original-width=\"4096\" height=\"386\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiV72GI1hEffJV66cu4H6_sK-KBw2dWsVlYHyclVAbS5UlOoMKhuGaDBgYE1mwCrZmhWYAvr0varDybaCHJsEK56aKUNHsKDfsbSNcOBQ2k2NJiAnfxIp72hcDl2vD4HtfKFuni_3LQ-ySgiH3Hhpp8UmB_WRd0JUGUoPg-QFNgET604Xv9NypY49Wqd-g\/w640-h386\/Milei2.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003Cb\u003E\u003Ci\u003E\u003Cspan style=\"background-color: black; color: white;\"\u003EOcultar a agenda neoliberal com o storytelling da Jornada do Herói\u003C\/span\u003E\u003C\/i\u003E\u003C\/b\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cbr \/\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EDisso decorre que a agenda neoliberal (e a burguesia) necessita visceralmente do extremismo de direita. Porque vê nela seu “exército psíquico de reserva”, um repositório de “sintomas” possuídos pela indignação messiânica dos loucos e profetas. Um repositório de personagens prontos para receberam uma tradução política, uma agenda ou, mais precisamente, um\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Estorytelling\u0026nbsp;\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Epara performar alguma figura arquetípica dentro da Jornada do Herói.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ENo Brasil, Bolsonaro viveu o arquétipo do Herói (o “Mito”). Enquanto Javier Milei encarnou o\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ETrickster\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E,\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Eo Trapaceiro, o Palhaço, o Coringa\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E. Um arquétipo que parece ser uma comédia de opostos: “A loucura é a saída de emergência da nossa sanidade”, é como se dissesse o tempo inteiro. Serve como uma espécie de alívio cômico para as mitologias religiosas como as do sebastianismo (encarnadas por Lula) ou das lutas trágicas do Herói.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EO paradoxo é que Milei teve que executar esse\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Estorytelling\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;num país mergulhado na hiperinflação, no qual os temas econômicos estão na ordem do dia. Por isso, seu papel não foi tão fácil quanto o de Bolsonaro, bastando empurrar as questões de economia para o seu “Posto Ipiranga”.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EMilei não poderia usar a mesma estratégia\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ealt-right\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;de Bolsonaro: esconder-se por trás da pauta de costumes e da guerra cultural. Ao contrário, “El Loco” teve que confrontar a pauta econômica, sem procurações.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EAnarcocapitalismo rock n’roll\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EA ironia é que ele tratou a economia dentro do campo utópico à direita do espectro político: o\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003EAnarcocapitalismo\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E. Como evitar a agenda neoliberal que assusta tanto os eleitores? Ora, indo para além do neoliberalismo, para a sua extrema-direita. Tão utópica que soa para os incautos eleitores (principalmente os jovens desiludidos e sem futuro – o niilismo, característica da cultura hiperinflacionária) como algo realmente anárquico, revolucionário, antissistema... ou “libertário”, como denominou a cobertura “fofa” da grande mídia.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E“Sou o primeiro presidente Anarcocapitalista da História!”, bradou Milei no discurso da vitória. É inegável que o prefixo “Anarco” soa muito “rock n’roll”, excitante, sedutor, jovem e revolucionário.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EA cunhagem “Anarcocapitalista” está lá nos anos 1940, termo usado por Murray Rothbard, misturando Escola Austríaca, liberalismo clássico, com anarquistas e mutualistas americanos do século XIX. Para ele, seria a evolução natural em relação ao Capitalismo de Estado – a eliminação da ineficiência do Estado pela racionalidade dos mecanismos de preços e a “troca pacífica e voluntária” do mercado. Livrar a sociedade do “monopólio coercitivo da força” do Estado.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgETk3ILxgOaVGGSC-tlxNfOhPM21dvRVnL33LU__avyjhLxoH4OcHuVu-xUl6oS_6uoZ0jRadCb4VzYu8gly6GyETpHCeQVj5oMRE-KX6Btocm5XEunK73qNowZk9qOocbCpTaCNPfdYJSrwFTRVcWQ1TjBXSILOXKSGJ62a_Ma6MJ_xLGjDci8OS0fNM\/s4096\/Anarcocapitalismo.jpg\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"2475\" data-original-width=\"4096\" height=\"386\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgETk3ILxgOaVGGSC-tlxNfOhPM21dvRVnL33LU__avyjhLxoH4OcHuVu-xUl6oS_6uoZ0jRadCb4VzYu8gly6GyETpHCeQVj5oMRE-KX6Btocm5XEunK73qNowZk9qOocbCpTaCNPfdYJSrwFTRVcWQ1TjBXSILOXKSGJ62a_Ma6MJ_xLGjDci8OS0fNM\/w640-h386\/Anarcocapitalismo.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EEste humilde blogueiro não sabe o que Rothbard pensava sobre a práxis real da sua teoria. Mas na Argentina, um dia depois da vitória de Milei, o valor das ações das estatais na mira da privatização a toque de caixa disparou. A patranha da temporada das privatizações vai começar, com muito lucro especulativo no mercado financeiro e propinas e comissões no sistema político.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EO que essa ingênua utopia à extrema-direita no neoliberalismo não consegue enxergar é que há muito o Estado foi privatizado: com as emissões de títulos da dívida no mercado financeiro rendendo polpudos juros para a especulação financeira, com seus subsídios, suas isenções fiscais e pela regulação de monopólios e cartéis que criam as condições de um capitalismo delicioso, sem concorrência e com lucros garantidos.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EE as privatizações, a última parte do osso ainda com carne para o mercado. Sem Estado e dinheiro público, o que será do Capitalismo? Quem injetará liquidez nos mercados ameaçados por crash sistêmicos a cada crise?\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EQuem sabe Rothbard estava sendo irônico, e ele nada mais imaginava do que uma superação paradoxal do Capitalismo através da sua própria autodestruição... começando pelo fim do Estado.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMas o El Loco não é tão louco assim, e os argentinos descobrirão da pior forma: por trás dele estão o ex-presidente Macri e os políticos profissionais (a “casta”) que Milei tanto execrava – e se for confirmada a escolha de\u0026nbsp;Federico Sturzenegger para assumir o Ministério da Economia, apenas confirmará o fortalecimento do grupo Macri dentro do novo governo.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ch3 style=\"text-align: left;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ECismogênese\u003C\/span\u003E\u003C\/b\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EE para terminar, a última ironia. A guerra híbrida brasileira que conseguiu emplacar o golpe militar híbrido com a vitória de Bolsonaro, explorou duas feridas psíquicas nacionais para criar a cismogênese: a questão militar e a escravidão.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003C\/p\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEj5i0Kjb7CygC6M-mRjPTev4st_MAyS9-oyjPXjMCtmmQhDG79xy3rYwOnvejECTHMbFZOFpnBD2ghzg809o_FLRwh61NhpPmgxDVmaaJqSW8BRK9cl8HmLJ-C9HDCUhU3PWArUugaUiOVNinl-AyS4oHN5QQLUGxga2PsM_9qgD3VWzrWM6W9H_dCZwnc\/s924\/101553917-fans-of-argentina-gather-at-the-former-house-of-late-football-star-diego-maradona-to-watch.webp\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" data-original-height=\"616\" data-original-width=\"924\" height=\"426\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEj5i0Kjb7CygC6M-mRjPTev4st_MAyS9-oyjPXjMCtmmQhDG79xy3rYwOnvejECTHMbFZOFpnBD2ghzg809o_FLRwh61NhpPmgxDVmaaJqSW8BRK9cl8HmLJ-C9HDCUhU3PWArUugaUiOVNinl-AyS4oHN5QQLUGxga2PsM_9qgD3VWzrWM6W9H_dCZwnc\/w640-h426\/101553917-fans-of-argentina-gather-at-the-former-house-of-late-football-star-diego-maradona-to-watch.webp\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003ENa Argentina, a guerra híbrida (lembre-se, o movimento\u0026nbsp;\u003C\/span\u003E\u003Ci\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003Ealt-right\u003C\/span\u003E\u003C\/i\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;é internacional, coordenado pelo Departamento de Estado dos EUA e necessário para a geopolítica norte-americana) contou com outra ferida psíquica bem diversa: o nacionalismo melancólico de um país que se sente como um pedaço da Europa perdida na América do Sul.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003ETalvez essa crise de identidade explique o porquê de um movimento psicanalítico tão forte como na Argentina – a partir de 1955 a psicanálise deixou de ser uma prática privada reservada às elites da capital. A ampliação dessa clínica foi favorecida tanto pela abertura de novos espaços institucionais públicos como por transformações ocorridas nos já existentes, onde alguns passaram a adotar técnicas de \"inspiração psicanalítica\".\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EMilei jogou com a xenofobia ao chamar Lula de “bandido comunista” e menosprezar o Mercosul. Definitivamente, Milei explora essa fraca identidade regional, como descrita pelo psicanalista argentino José Eduardo Abadi:\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cblockquote style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003EOs argentinos, especialmente os portenhos, consideram que são os europeus da América do Sul. Existia uma ideia de que isto era como uma sucursal da Europa. Diziam que Buenos Aires era como Paris. Diziam que o Jardim Botânico daqui era como o Bois de Boulogne. Não é bem assim. Na Europa nem sabem quem somos. E além disso, a realidade econômica demonstrou que isto não é Europa -\u0026nbsp;\u003Cb\u003E\u003Cspan style=\"color: red;\"\u003E\u003Ca href=\"https:\/\/www.estadao.com.br\/internacional\/argentina-tem-de-entender-que-nao-e-europa-diz-psicanalista\/\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: red;\"\u003Eclique aqui\u003C\/span\u003E\u003C\/a\u003E\u003C\/span\u003E\u003C\/b\u003E.\u003C\/span\u003E\u003C\/blockquote\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EComo salienta José Abadi, a crise econômica crônica coloca em choque a ficção e a realidade, resultando num misto de prepotência e melancolia. E, por fim, a raiva. Mas ele destaca que essa característica é principalmente do argentino portenho, os habitantes da cidade de Buenos Aires. “Mas agora também existem os \"portenhos\" de cada província, ou seja, segmentos que, por imitação dos portenhos de Buenos Aires, surgiram nos últimos anos no interior”, observa Abadi.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPara Abadi, essa prepotência leva ao “pensamento mágico” – a ideia de que as mudanças podem ser imediatas, como em um passe de mágica. \"Saídas mágicas\", como a blindagem financeira, a mega-troca de bônus, a cesta de moedas, o ajuste fiscal, e todas acabaram decepcionando.\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003EPortanto, usando uma expressão bem portenha, Milei seria apenas “mais do mesmo”.\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"line-height: 20.8px; margin: 6pt 0cm 0cm; text-align: left; text-indent: 42.55pt;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt; line-height: 19.0667px;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Cspan style=\"color: #504d4d; font-family: Roboto; font-size: 10.5pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/p\u003E\u003Ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"MsoNormalTable\" style=\"border-collapse: collapse; color: black; font-variant-caps: normal; text-align: left;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: windowtext currentcolor; border-style: solid none; border-width: 1pt medium; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 16.8667px; margin: 10pt 0cm 0cm; text-align: justify;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan style=\"background: rgb(255, 164, 0); color: black;\"\u003EPostagens Relacionadas\u003C\/span\u003E\u003Cspan face=\"Arial, sans-serif\" style=\"color: black; font-size: 13.5pt; line-height: 20.7px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2020\/06\/o-golpe-militar-hibrido-nao-foi.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EO golpe militar híbrido não foi televisionado\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); padding: 0cm 5.4pt; width: 432.35pt;\" valign=\"top\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2019\/04\/comediante-ganha-eleicoes-presidenciais.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EComediante ganha eleições presidenciais na Ucrânia: quando guerra híbrida vira \"gamecracia\"\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/06\/pedagogia-do-medo-e-o-nao-acontecimento.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EPedagogia do medo e o não-acontecimento do golpe tabajara\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd style=\"background: rgb(211, 223, 238); border-color: currentcolor currentcolor windowtext; border-image: none 100% \/ 1 \/ 0 stretch; border-style: none none solid; border-width: medium medium 1pt; padding: 0cm 5.4pt; width: 432.35pt;\" width=\"576\"\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan face=\"Calibri, sans-serif\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Ch3 style=\"break-after: avoid; color: #4f81bd; font-size: 11pt; line-height: 19.5pt; margin: 0cm 0cm 6pt; text-align: justify;\"\u003E\u003Cspan style=\"color: black; font-family: Roboto;\"\u003E\u003Ca href=\"http:\/\/cinegnose.blogspot.com\/2023\/04\/midia-nao-liga-le-com-cre-no-ataque-de.html\" style=\"color: purple;\"\u003E\u003Cspan style=\"color: black;\"\u003EMídia não liga lé com cré no ataque de SC e protege seu ativo: o Exército Psíquico de Reserva\u003C\/span\u003E\u003C\/a\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/h3\u003E\u003Cp class=\"MsoNormal\" style=\"font-size: 12pt; margin: 0cm; text-indent: 1cm;\"\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u003Cb\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cp class=\"MsoNormal\" style=\"margin: 0cm; text-align: left;\"\u003E\u003Co:p\u003E\u003Cspan style=\"font-family: Roboto;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/o:p\u003E\u003C\/p\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/4806931909226257165"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/4806931909226257165"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/11\/ele-nao-e-um-lider-e-um-sintoma-ironias.html","title":"\"Ele não é um líder, é um sintoma\"... ironias e lições na vitória de Javier 'El Loco' Milei"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh87fY41QDufqX-Li9G68lxEdLmm4pihH1_ZnoHKg3n2itPwV8d4IvqMS7izbWsK5FZMMZHeTGckQrbdEehZM7y0DAoMII1tjlUidKRwjj8ZC9LW9xxHYQQN-4MjUkr8JljXj0m4FF1lLCMPgDXSbQ1rHZhSPLlHMXLyhuanRfE-XMwN-Rxzo_dPYCRZGo\/s72-w640-h388-c\/Milei1.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-8589548497367288731.post-6266880603292607053"},"published":{"$t":"2023-11-21T20:21:00.001-03:00"},"updated":{"$t":"2023-11-21T20:25:04.660-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Live Extra Cinegnose 360"}],"title":{"type":"text","$t":"Dossiê 'El Loco': ironias e lições de comunicação política; Netanyahu põe crianças pedindo o 'sangue' de Gaza; cismogênese e redes sociais"},"content":{"type":"html","$t":"\u003Cp\u003E\u003C\/p\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEg6lyyoXMt4bTbqMQAe8VoGuXFiFnuE_yQYgZEEWaRrvu9EKV3yyYpU6rnQQC5y0x6C7L9bb0bXUa-q4aHOFnTHO9IMNQtVSND27A0SAL-WMgahFR6Ky4HuUoBIrONtbv1vbYK26D7-9D66HJtA1VE_NXNGHd_LQDFsyO39omSj7PmQLD31hZTup0HswrA\/s3400\/Live%20Extra%2028.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1883\" data-original-width=\"3400\" height=\"356\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEg6lyyoXMt4bTbqMQAe8VoGuXFiFnuE_yQYgZEEWaRrvu9EKV3yyYpU6rnQQC5y0x6C7L9bb0bXUa-q4aHOFnTHO9IMNQtVSND27A0SAL-WMgahFR6Ky4HuUoBIrONtbv1vbYK26D7-9D66HJtA1VE_NXNGHd_LQDFsyO39omSj7PmQLD31hZTup0HswrA\/w640-h356\/Live%20Extra%2028.jpg\" width=\"600\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp style=\"text-align: left;\"\u003E\u003Cspan style=\"font-family: Roboto; font-size: 11pt;\"\u003EJavier “El Loco” Milei teve votos e já ganhou até um livro com sua bibliografia... Mas não passará incólume ao dossiê sobre sua vitória na Argentina que faremos na Live Extra Cinegnose 360 #28, nessa quarta-feira (22\/11), às 18h, no YouTube e Facebook. Depois de mais uma trepidante sessão dos Comentários Aleatórios, a Crítica Midiática do meio da semana: a cobertura “fofa” da grande mídia sobre o perfil de Javier Milei; Ironias da vitória de “El Loco” na Argentina; lições da comunicação política de Milei para a esquerda; Mônica Vs. Mafalda: o ardil da cismogênese; Netanyahu coloca crianças em vídeo pedindo o “sangue” de Gaza; cresce na mídia a pauta da violência doméstica: extrema direita está por trás disso? E outras bombas semióticas que eventualmente explodam até as 18h.\u003Cspan\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Ca name='more'\u003E\u003C\/a\u003E\u003Cp\u003E\u003C\/p\u003E\u003Cp class=\"MsoNormal\" style=\"font-family: \u0026quot;Times New Roman\u0026quot;, serif; line-height: 20.8px; margin: 6pt 0cm 0cm;\"\u003E\u003Cspan face=\"Calibri, sans-serif\" style=\"font-size: 11pt; line-height: 19.0667px;\"\u003E\u003Co:p\u003E\u003C\/o:p\u003E\u003C\/span\u003E\u003C\/p\u003E\u003Cbr \/\u003E\u003Cdiv\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/HHq9GXGwMD4?si=Jl1pqNF_GAPW08TB\" title=\"YouTube video player\" width=\"560\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/6266880603292607053"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/8589548497367288731\/posts\/default\/6266880603292607053"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinegnose.blogspot.com\/2023\/11\/dossie-el-loco-ironias-e-licoes-de.html","title":"Dossiê 'El Loco': ironias e lições de comunicação política; Netanyahu põe crianças pedindo o 'sangue' de Gaza; cismogênese e redes sociais"}],"author":[{"name":{"$t":"Wilson Roberto Vieira Ferreira"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/09200475013624460275"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgzqE7oATSkHz3ZGppAWW-2q5kxwvELjEfBZGKb8jQWwi31_Qi63J2uQ2B2eZTlEmFngwlXrybFcO_HD-2wh1Kwx5aECpRiE7cHukIMGMirmVu0DZy2ZGdFGmF9JgtMeg\/s220\/Wilson+Face.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEg6lyyoXMt4bTbqMQAe8VoGuXFiFnuE_yQYgZEEWaRrvu9EKV3yyYpU6rnQQC5y0x6C7L9bb0bXUa-q4aHOFnTHO9IMNQtVSND27A0SAL-WMgahFR6Ky4HuUoBIrONtbv1vbYK26D7-9D66HJtA1VE_NXNGHd_LQDFsyO39omSj7PmQLD31hZTup0HswrA\/s72-w640-h356-c\/Live%20Extra%2028.jpg","height":"72","width":"72"}}]}});